Chocolat (2000 film) Literary Elements

Chocolat (2000 film) Literary Elements

Director

Lasse Hallstrom

Leading Actors/Actresses

Juliette Binoche, Johnny Depp

Supporting Actors/Actresses

Judi Dench, Alfred Molina, Lena Olin, Carrie-Anne Moss, John Wood, Leslie Caron

Genre

Romantic Drama

Language

English

Awards

Art Director's Guild Award, European Film Awards (Best Actress- Juliette Binoch), Palm Springs International Film Festival (Audience Award), Screen Actors Guild Award (Judi Dench - Best supporting Actress)

Date of Release

15th December 2000

Producer

David Brown, Kit Golden, Leslie Holleran

Setting and Context

Lansquenet-sous-Tannes, a fictional French village, spring of 1959

Narrator and Point of View

The story is narrated by the grown up version of the main character's daughter, Anouk. The narrator has an insider view and it is told as a memory.

Tone and Mood

The tone of the movie is light hearted, supported by the lively music. The mood is changing depending on which character is the focus of the scene.

Protagonist and Antagonist

The protagonist is Vianne Rocher, who opens up a chocolate shop. The antagonist is the conservative major of the village, Comte de Reynaud.

Major Conflict

The clash between old Christian strict morals and the lively nature of Vianne's shop.

Climax

The movie's climax is the night before Easter, when a party is celebrated and the major finally gives into his urges while trying to destroy the chocolate shop.

Foreshadowing

The movie uses the imagery of the north wind that tells Vianne to continue her journey. Throughout the movie this motif comes up again and is the main conflict point between mother and daughter. The breaking of Vianne's mother's urn foreshadows the change in behavior. In the end Vianne ignores the north wind's call and continues her happy life in the village.

Understatement

The major is a very understated character, who controls his emotions. The village is used to not showing emotions, so the fact that his wife left him is only alluded to.

Innovations in Filming or Lighting or Camera Techniques

The movie does not have any extraordinary filming or lightning techniques. However, the incorporation of the brilliant music by Rachel Portman elevates the scene.

Allusions

The movie's fictional village alludes to the treatment of difference in the world at large. The conservative villagers distrust and openly antagonize foreigners and are slow to change. The strict Christian moral code imposed by the major does not help this.

Paradox

The only real paradox in the movie is that is officially labeled a romance, which would be expected from the title art. However, the romantic connection between Vianne and Roux only plays a very minor part in the movie.

Parallelism

One of the main themes of the movie is religion and spirituality. The movie parallels two very different belief systems, namely Christianity and South American traditional belief, showing how these two can clash if both sides are unwilling to compromise.

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