Dramatic irony: Lucio the Devil
When Tempest is introduced to the wealthy yet enigmatic Lucio who tempts him to do sinful things, he is unaware that he is indeed the Devil incarnate, much to the reader’s horror and amusement.
Situational irony: Tempest’s wealth
Tempest begins the novel wanting to be wealthy and of a good social standing yet ironically, by the end, all he wants is to go back to being poor.
Dramatic irony: The Choice
When Tempest received the three letters informing him that he has come into money, instead of taking his friend’s loan, he becomes greedy and takes the inheritance. This is, ironically, a decision he later comes to regret.
Situational irony: Marriage
Tempest initially thinks that marriage to Lady Sybil will make him happy, yet she ends up being so unhappy that she commits suicide.
