Lost in Translation (2003 Film) Literary Elements

Lost in Translation (2003 Film) Literary Elements

Director

Sofia Coppola

Leading Actors/Actresses

Bill Murray and Scarlett Johansson

Supporting Actors/Actresses

Giovanni Ribisi, Anna Faris, and Fumihiro Hayashi

Genre

Romantic Comedy

Language

English

Awards

Lost in Translation was nominated for four Academy Awards, including: Best Picture, Best Actor for Murray, Best Director for Coppola, and Best Original Screenplay for Coppola (winner)

Date of Release

September 12th, 2003

Producer

Sofia Coppola and Ross Katz

Setting and Context

Tokyo, the early 2000s

Narrator and Point of View

Lost in Translation is told through the point of view of Bill Murray's Bob Harris.

Tone and Mood

Isolated, Solemn, Jovial, Energetic, Romantic, Lovely, Fun, Strange, Mysterious, Sluggish, and Sad

Protagonist and Antagonist

Bob Harris/Himself

Major Conflict

Bob's struggle within himself to regain inner peace and tranquility and to ultimately find love again

Climax

The climax of the film occurs when Bob and Charlotte meet up for the last time and separate afterwards.

Foreshadowing

The opening shots of Charlotte foreshadows the time when she and Bob lie on a bed together but do not have sex.

Understatement

Charlotte's naivete is understated a bit throughout the film.

Innovations in Filming or Lighting or Camera Techniques

Lost in Translation is undeniably well-made and well-shot. However, it is not innovative in filming or lighting or camera techniques.

Allusions

To the Bible, mythology, culture (particularly Japanese culture), other movies and the film industry in general (The Big Sleep, especially), literature, geography (places across Japan), history, religion (Shinto/Buddhism/Christianity), science, technology, popular culture, cultural movements, and philosophy.

Paradox

Bob is a movie star yet is not able to find a suitable girlfriend/wife.

Parallelism

There are no major instances of parallelism in Lost in Translation.

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