Drusilla Modjeska said in The Sydney Morning Herald, "Jolley's characteristic wit and humour is here but it doesn't dominate. It comes as flashes in a more sombre novel which shares the gothic undertones of her prize-winning Milk and Honey. It is her best yet."[3]
The Times and Democrat said, "This novel demonstrates once again that Elizabeth Jolley is a writer of wit, high moral purpose and great conviction."[4] The Edmonton Journal noted, "with wry humour, Jolley explores compassionately the effects of loneliness and isolation."[5]
