The Lost Year Literary Elements

The Lost Year Literary Elements

Genre

Historical Fiction

Setting and Context

The story takes place in Soviet Ukraine in the early 1930s. It is also set in the present day during the COVID-19 pandemic.

Narrator and Point of View

It utilizes a multi-perspective narrative with alternating points of view of Matthew, Mila, and Helen.

Tone and Mood

The tone is melancholic and empathetic. The mood is tragic and heartrending.

Protagonist and Antagonist

The protagonists are Matthew, Mila, and Helen. The antagonists are the Stalin's regime during the Holodomor and the COVID-19 pandemic.

Major Conflict

The major conflict centers around Matthew's discovery of their family history related to the Holodomor. This event was a devastating Ukrainian famine caused by Stalin's policies in the 1930s. Also, Matthew unravels this chapter of his family's past during the COVID-19 pandemic.

Climax

The climax occurs when GG reveals to Mathew that she is not Nadiya but Mila.

Foreshadowing

When Helen hands a giant bouquet of red roses to Mila, who is assumed to be Nadiya, it foreshadows the mistaken identity that will be central to the story.

Understatement

Irina’s phrase "I wouldn’t get too comfortable" understates the harsh living conditions and lack of blankets in the barracks.

Allusions

The narrative alludes to the Stalin regime and the Holomodor that took the lives of many Ukrainians.

Imagery

The image of the canteen, the drab yellow walls, and the poster of Stalin with the title "The captain of the Soviet Union leads us from victory to victory" portrays the regime's propaganda and the environment of the Soviet-run facilities.

Paradox

The paradox lies in Mila’s dual identity as she is impersonating Nadiya. It extends to the notion of Mila being "home" while feeling like a stranger.

Parallelism

Matthew grappling with the challenges of the COVID-19 pandemic mirrors Nadiya's struggle to survive the Holodomor.

Metonymy and Synecdoche

N/A

Personification

Stalin's regime is personified in the narrative.

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