The Importance of Being Earnest 1952 Film Literary Elements

The Importance of Being Earnest 1952 Film Literary Elements

Director

Anthony Asquith

Leading Actors/Actresses

Michael Redgrave, Edith Evans

Supporting Actors/Actresses

Joan Greenwood, Dorothy Tutin, Michael Denison

Genre

Comedy, Drama

Language

English

Awards

n/a

Date of Release

1952

Producer

Teddy Baird

Setting and Context

London 1895

Narrator and Point of View

POV is that of Jack (Ernest) Worthing

Tone and Mood

Comedic and Dramatic

Protagonist and Antagonist

Protagonist is Jack (Ernest). Antagonist is Lady Bracknell

Major Conflict

Lady Bracknell won't allow Jack to marry Gwendolen unless he produces proof of at least one of his parents.

Climax

Jack is actually the nephew of Lady Bracknell. Her sister lost her baby, him, years ago. Thus he is Alge's older brother and it is discovered that he was named after his father, Ernest.

Foreshadowing

Alge finding out that Ernest's real name is Jack foreshadows the trouble with being Ernest to come.

Understatement

It is understated that Ernest is the nephew of Lady Bracknell.

Innovations in Filming or Lighting or Camera Techniques

N/A

Allusions

The film is an allusion to judging someone based on what they have rather than who they are. A lesson to take a closer look at people.

Paradox

Both Gwendolen and Cecily are in love with men named Ernest and will marry them. Paradoxically, they won't marry men named Jack nor Alge.

Parallelism

Jack's creation of Ernest parallels Alge's creation of the fictional Bunbury.

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