Selected Poems of Rabindranath Tagore Literary Elements

Selected Poems of Rabindranath Tagore Literary Elements

Speaker or Narrator, and Point of View

The poet engages in a number of different narrator points-of-view in this collection. Many are written from a first-person perspective in which the speaker seems to be a projection of the poet. The collection's many narrative poems, however, are told using a third-person perspective in which the persona of the narrative voice is anonymous.

Form and Meter

The poet usually works in free verse without any set meter. The bulk of the poems in this collection are examples of either the form of lyric poetry or narrative verse.

Metaphors and Similes

"Music that should rise on its own joy from the depths of the heart / Is crushed by heedless clamour, like a fountain under a stone." From "Broken Song"

Alliteration and Assonance

"Slowly, softly she moves away into the woodland gloaming. / Along the sea-shore the sun shines, the sea breaks and rolls." From "Highest Price"

Irony

The poem "Question" concludes with the ironic titular query to God: "Can it be that you have forgiven them? Can it be that you love them?" in response to God's commandment that people love and forgive one another.

Genre

Poetry/Indian Poetry/Hindu Poetry

Setting

Various, but primarily India in the late 19th century and early 20th century

Tone

Various. The tone of the poems in this collection range from lighthearted and comic to profoundly spiritual.

Protagonist and Antagonist

In the "The Hero" these oppositional figures are most starkly drawn. Protagonist: the young boy narrating an exciting adventure in which he heroically protects his mother. Antagonist: long-haired desperate swashbuckling villains armed with swords

Major Conflict

"Flying Man" uses airplanes as the symbol of the conflict between the past and the future. The airplane allowed humans to conquer the last remaining element over which nature had been victor. The poem intimates that having gained power over land, sea, and air, "the age we live in is drawing to a close."

Climax

n/a

Foreshadowing

The opinion of offered of "Man Flying" is foreshadowed in the poem's opening words which refers to the airplane as a "Satanic machine."

Understatement

That "The Hero" is not an actual narrative, but merely an adventure tale being told by a young boy is revealed through sudden understatement: "Life is such a boring matter, / Why are the exciting stories never / True?"

Allusions

Throughout the collection are poems which make allusions to Shiva, the Hindu god of destruction

Metonymy and Synecdoche

"Heart" is used as a synecdoche to refer to feelings of love in multiple poems.

Personification

The poem "Africa" personifies the continent throughout the verse with multiple examples of human attributes.

Hyperbole

"I seem to have loved you in numberless forms, numberless times / In life after life, in age after age forever." From "Unending Love"

Onomatopoeia

From "Railway Station" this device is used to replicate the sound of the bell signaling the departure of the train. "Clang – Clang – sounds the tocsin"

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