Scarface (1932 Film) Howard Hawks

• Aaker, Everett (2013). The Films of George Raft. McFarland & Company. p. 24.
• Ashbrook, William (1965). Donizetti. London: Cassell & Company.
• Balio, Tino (2009). United Artists: The Company Built by the Stars. Madison: University of Wisconsin Press. p. 111. ISBN 9780299230043.
• Barlett, Donald L.; Steele, James B. (1979). Howard Hughes: His Life & Madness. New York: W.W. Norton & Company. ISBN 0393326020. Retrieved October 31, 2018.
• Benyahia, Sarah Casey (2012). Crime. Abingdon, Oxon: Routledge. ISBN 9780415581417.
• Bergreen, Laurence (1994). Capone: The Man and the Era. New York: Simon & Schuster. p. 49. ISBN 978-0671744564.
• Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
• Bojarski, Richard; Beale, Kenneth (1974). The Films of Boris Karloff. Secaucus, New Jersey: The Citadel Press. ISBN 0806503963.
• Bookbinder, Robert (1985). Classic Gangster Films. New York: Citadel Press. pp. 21–24. ISBN 978-0806514673.
• Brookes, Ian, ed. (2016). Howard Hawks: New Perspectives. London: Palgrave. ISBN 9781844575411.
• Brown, Peter Harry; Broeske, Pat H. (1996). Howard Hughes: The Untold Story. New York: Dutton. ISBN 0525937854.
• Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
• Danks, Adrian (2016). "'Ain't There Anyone Here for Love?' Space, Place and Community in the Cinema of Howard Hawks". In Brookes, Ian (ed.). Howard Hawks: New Perspectives. London: Palgrave. p. 46. ISBN 9781844575411.
• Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945.
• Eagan, Daniel (2010). America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. New York: Continuum. p. 192. ISBN 9780826418494. Retrieved July 26, 2018. Harry J. Vejar scarface.
• Fetherling, Doug (1977). The Five Lives of Ben Hecht. Lester and Orpen Limited. ISBN 978-0919630857.
• Godard, Jean Luc (1972). Godard on Godard: Critical Writings. New York: Viking Press. ISBN 0670342777.
• Grieveson, Lee; Sonnet, Esther; Stanfield, Peter, eds. (2005). Mob Culture: Hidden Histories of the American Gangster Film. New Brunswick, NJ: Rutgers University Press. ISBN 978-0813535562.
• Grønstad, Asbjørn (2003). "Mean Streets: Death and Disfiguration in Hawks's 'Scarface'". Nordic Journal of English Studies. 2 (2): 385. CiteSeerX 10.1.1.524.2093. doi:10.35360/njes.143 (inactive April 16, 2024).{{cite journal}}: CS1 maint: DOI inactive as of April 2024 (link)
• Guerif, Francois (1979). Le Film Noir Americain. Artigues-pres-Bordeaux: Editions Henri Veyrier. pp. 48–52. ISBN 978-2851992062.
• Gunter, Barrie (2018). Predicting Movie Success at the Box Office. Cham, Switzerland: Palgrave Macmillan. ISBN 9783319718033. Retrieved June 21, 2019.
• Hagemann, E.R. (1984). "Scarface: The Art of Hollywood, Not "The Shame of a Nation"". The Journal of Popular Culture. 18 (Summer): 30–40. doi:10.1111/j.0022-3840.1984.1801_30.x.
• Hagen, Ray; Wagner, Laura (2004). Killer Tomatoes: Fifteen Tough Film Dames. Jefferson, North Carolina: McFarland & Company, Inc. p. 52. ISBN 9780786418831.
• Hecht, Ben (1954). A Child of the Century. New York: Simon and Schuster. pp. 486–487.
• Hossent, Harry (1974). The Movie Treasury Gangster Movies: Gangsters, Hoodlums and Tough Guys of the Screen. London: Octopus Books Limited. ISBN 978-0706403701.
• Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita (Ideological Manipulation in Audiovisual Translation): 107–123. doi:10.13130/2035-7680/6851.
• Langman, Larry; Finn, Daniel (1995). A Guide to American Crime Films of the Thirties. Westport, CT: Greenwood Press. pp. 227–228. ISBN 978-0313295324.
• MacAdams, William (1990). Ben Hecht: The man behind the legend. Scribner. p. 128. ISBN 978-0-684-18980-2.
• Martin, Jeffrey Brown (1985). Ben Hecht: Hollywood Screenwriter. Ann Arbor, Michigan: UMI Research Press. ISBN 978-0835715713.
• Mason, Fran (2002). American Gangster Cinema: From Little Caesar to Pulp Fiction. New York: Palgrave Macmillan. ISBN 978-0333674529.
• Mast, Gerald (1982). Howard Hawks, storyteller. New York: Oxford University Press. ISBN 0195030915.
• Mate, Ken; McGilligan, Pat; White, Dennis L. (1983). "Burnett". Film Comment. 19 (1). ProQuest 195362394.
• McCarthy, Todd (1997). Howard Hawks: The Grey Fox of Hollywood. New York: Grove Press. ISBN 0802137407. Retrieved October 31, 2018.
• McCarty, John (1993). Hollywood Gangland: The Movies' Love Affair with the Mob. New York: St. Martin's Press. ISBN 978-0312093068.
• McElhaney, Joe (Spring–Summer 2006). "Howard Hawks: American Gesture". Journal of Film and Video. 58 (1–2): 31–45. ProQuest 2170419.
• Neale, Steve (2016). "Gestures, Movements and Actions in Rio Bravo". In Brookes, Ian (ed.). Howard Hawks: New Perspectives. London: Palgrave. p. 110. ISBN 9781844575411.
• Parish, James Robert; Pitts, Michael R. (1976). Taylor, T. Allan (ed.). The Great Gangster Pictures. Metuchen, NJ: The Scarecrow Press, Inc. p. 347. ISBN 978-0810808812.
• Pauly, Thomas H. (1974). "Film: What's Happened to the Western Movie?". Western Humanities Review. 38 (3). ProQuest 1291779855.
• Phillips, Gene D. (1999). Major Film Directors of the American and British Cinema (Revised ed.). Associated University Presses. p. 46. ISBN 978-0934223591. Retrieved May 24, 2018.
• Rice, Christina (2013). Ann Dvorak: Hollywood's Forgotten Rebel. Lexington, KT: The University Press of Kentucky. ISBN 9780813144269.
• Roberts, Marilyn (2006). "Scarface, The Great Gatsby, and the American Dream". Literature/Film Quarterly. 34 (1). ProQuest 226996909.
• Server, Lee (2002). Encyclopedia of Pulp Fiction Writers. New York: Checkmark Books. pp. 258–259. ISBN 978-0816045778.
• Silver, Alain; Ursini, James, eds. (2007). Gangster Film Reader. Pompton Plains, New Jersey: Limelight Editions. p. 261. ISBN 9780879103323. Retrieved August 9, 2018.
• Slowik, Michael (2014). After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934. New York: Columbia University Press. p. 229. ISBN 9780231535502. Retrieved August 3, 2018.
• Smith, Jim (2004). Gangster Films. London: Virgin Books. ISBN 978-0753508381.
• Smyth, J.E. (2006). Reconstructing American Historical Cinema: From Cimarron to Citizen Kane. Lexington, Kentucky: The University Press of Kentucky. ISBN 9780813124063.
• Smyth, J.E. (2004). "Revisioning modern American history in the age of "Scarface" (1932)". Historical Journal of Film, Radio and Television. 24 (4): 535–563. doi:10.1080/0143968042000293865. S2CID 191492240.
• Springhall, John (2004). "Censoring Hollywood: Youth, moral panic and crime/gangster movies of the 1930s". The Journal of Popular Culture. 32 (3): 135–154. doi:10.1111/j.0022-3840.1998.3203_135.x.
• Thomas, Tony (1985). Howard Hughes in Hollywood. Secaucus, NJ: Citadel Press. ISBN 978-0806509709.
• Vasey, Ruth (1996). "Foreign Parts: Hollywood's Global Distribution and the Representative of Ethnicity". In Couvares, Francis G. (ed.). Movie Censorship and American Culture. Washington & London: Smithsonian Institution Press. ISBN 978-1560986683.
• Vaughn, Stephen (2006). Freedom and Entertainment: Rating the Movies in an Age of New Media. New York: Cambridge University Press. p. 111. ISBN 0521676541. Retrieved June 21, 2019. scarface 1983 critically acclaimed.
• Vieria, Mark A. (2003). Sin in Soft Focus: Pre-Code Hollywood. Harry N. Abrams. ISBN 9780810982284.
• Wallace, Stone (2015). George Raft - The Man Who Would Be Bogart. Albany, Georgia: BearManor Media. ISBN 9781593931230. Retrieved October 26, 2018.
• Warshow, Robert (March–April 1954). "Movie Chronicle: The Westerner". Partisan Review. 21 (2): 191. Retrieved May 24, 2018.
• Yablonsky, Lewis (1974). George Raft. McGraw-Hill Book Company. ISBN 978-0070722354.
• Yogerst, Chris (June 20, 2017). "Hughes, Hawks, and Hays: The Monumental Censorship Battle Over Scarface (1932)". The Journal of American Culture. 40 (2): 134–144. doi:10.1111/jacc.12710.

Further reading

• Cavallero, Jonathan J.; Plasketes, George (2004). "Gangsters, Fessos, Tricksters, and Sopranos: The Historical Roots of Italian American Stereotype Anxiety". Journal of Popular Film and Television. 32 (2): 50–73. doi:10.3200/JPFT.32.2.49-73. ISSN 0195-6051. S2CID 144052558.
• Klemens, Nadine (2006). Gangster mythology in Howard Hawks' "Scarface - Shame of the nation". GRIN Verlag. ISBN 978-3-638-47698-0.
• Majumdar, Gaurav (2004). ""I Can't See": Sovereignty, Oblique Vision, and the Outlaw in Hawks's Scarface". CR: The New Centennial Review. 4 (1): 211–226. doi:10.1353/ncr.2004.0024. ISSN 1539-6630. S2CID 145050454.