Jackson wrote Ramona three years after A Century of Dishonor, her non-fiction study of the mistreatment of Native Americans in the United States. By following that history with a novel, she sought to portray the Indian experience "in a way to move people's hearts."[5] She wanted to arouse public opinion and concern for the betterment of their plight, much as Harriet Beecher Stowe's novel Uncle Tom's Cabin had done for enslaved African Americans.[6] Her success in this effort was limited.
Jackson intended Ramona to appeal directly to the reader's emotions. The novel's political criticism was clear, but most readers were moved by its romantic vision of colonial California under Spanish and Mexican rule. Jackson had become enamored of the Spanish missions in California, which she romanticized. The story's fictional vision of Franciscan churchmen, señoritas and caballeros permeated the novel and captured the imaginations of readers. Her novel characterized the Americans as villains and the Native Americans as "noble savages".[7]
Many American migrants to California were biased against the Mexicans who lived there. The new settlers from northern and midwestern states disparaged what they considered a decadent culture of leisure and recreation among the elite Latinos, who held huge tracts of land, lived in a region with prevailing mild weather and unusually fertile soil, and relied heavily on Native American laborers. The new settlers favored the Protestant work ethic. This view was not universal, however.
Many American settlers and readers in other regions were taken by Jackson's portrayal of the Spanish and Mexican society. Readers accepted the Californio aristocracy as portrayed and the Ramona myth was born.[8]
