Psycho

Censorship and taboos

Hitchcock enforced a "no late admission" policy during the theatrical release of Psycho, which was unusual for the time.

Psycho is a prime example of the type of film that appeared in the United States during the 1960s after the erosion of the Production Code. It was unprecedented in its depiction of sexuality and violence, right from the opening scene in which Sam and Marion are shown as lovers sharing the same bed, with Marion in a bra.[121] In the Production Code standards of that time, unmarried couples shown in the same bed would have been taboo.[122]

Another issue was the gender nonconformity. Perkins, who was allegedly a homosexual,[123] and Hitchcock, who previously made Rope, were both experienced in the film's transgressive subject matter. The viewer is unaware of Bates's crossdressing until, at the end of the film, it is revealed during the attempted murder of Lila. At the station, Sam asks why Bates was dressed that way. The police officer, ignorant of Bates's split personality, announces his conclusion that Bates is a transvestite. The psychiatrist corrects him and explains that Bates believes that he is his own mother when he dresses in her clothes.[124]

According to Stephen Rebello's 1990 book Alfred Hitchcock and the Making of Psycho, the censors in charge of enforcing the Production Code wrangled with Hitchcock because some of them insisted they could see one of Leigh's breasts. Hitchcock held onto the print for several days, left it untouched, and resubmitted it for approval. Each of the censors reversed their positions: those who had previously seen the breast now did not, and those who had not, now did. They passed the film after the director removed one shot that showed the buttocks of Leigh's stand-in. The board was also upset by the racy opening, so Hitchcock said that if they let him keep the shower scene he would re-shoot the opening with them on the set. Because board members did not show up for the re-shoot, the opening stayed.[125]

Another cause of concern for the censors was that Marion was shown flushing a toilet, with its contents (torn-up note paper) fully visible. No flushing toilet had appeared in mainstream film and television in the United States at that time.[126][127][128]

Internationally, Hitchcock was forced to make minor changes to the film, mostly to the shower scene. In the United Kingdom, the British Board of Film Classification (BBFC) required cuts to stabbing sounds and visible nude shots, and in New Zealand the shot of Norman washing blood from his hands was seen as disgusting. In Singapore, though the shower scene was left untouched, the murder of Arbogast and a shot of Norman's mother's corpse were removed.[129] In Ireland, censor Gerry O'Hara banned it upon his initial viewing in 1960. The next year, a highly edited version missing some 47 feet of film was submitted to the Irish censor. O'Hara ultimately requested that an additional seven cuts be made: the line where Marion tells Sam to put his shoes on (which implied that he earlier had his pants or trousers off), two shots of Norman spying on Marion through the hole in the wall, Marion's undressing, the shots of Marion's blood flowing down the shower, the shots of Norman washing his hands when blood is visible, repeated incidents of stabbings ("One stab is surely enough", wrote O'Hara), the words "in bed" from the sheriff's wife's line, "Norman found them dead together in bed", and Arbogast's questions to Norman about whether he spent the night with Marion.[130] In 1986, the uncut version of Psycho was accepted by the BBFC, who classified it at 15.[131]

In 2020, Universal Pictures released the uncut version of the film on Blu-ray for the first time to coincide with its 60th anniversary.


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