A Tale of Two Psychos College
Hitchcock and Van Sant's “Psycho”s, in theory, should have accomplished the same, or at least very similar, enunciative effects. Van Sant said himself that he wanted to experiment by creating a near “shot for shot” remake, but the cinematic result of the original did not come to fruition in his version. The colorization and modernization of the setting featured in the remake have, arguably, the most visible impact on the overall enunciation of the film. Hitchcock’s Psycho maintains a more serious tone, and Van Sant employs a series of changes, some more subtle than others, in order to drastically change the the film to become significantly more flashy, harsh, and sexually explicit, eliminating a lot of the “horror” seen in the original film.
The most obvious difference between the two films is their color, and the directors utilize their mediums with contrasting techniques. The audience knows right from the introduction of the 1998 movie that this is not going to be the same film, as the opening credits feature green bars instead of white, establishing the neon color scheme. The pastel and neon palette create a flashiness and modernity that cannot be observed in the original, as well as diminishing the severity of many of the...
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