Master Class Literary Elements

Master Class Literary Elements

Genre

Drama

Language

English

Setting and Context

An opera lesson in the 1970s

Narrator and Point of View

The play is told from the point of view of a third person, omniscient narrator.

Tone and Mood

The tone is tense and powerful; the mood is dramatic and intriguing.

Protagonist and Antagonist

Maria Callas is the protagonist; her opera students are the antagonists.

Major Conflict

The major conflict of the play occurs in Maria's lesson with her first student, Sophie, as she makes her cry as a result of her harsh criticism.

Climax

The climax in the play is reached in the second act when Maria praises the Accompanist, who she previously criticized.

Foreshadowing

The reflection into Maria's life is foreshadowed by the struggles experienced by the opera students.

Understatement

The impact of criticism is an issue that is understated during the play.

Allusions

The play alludes to the life and works of Maria Callas.

Imagery

N/A

Paradox

The manner in which Maria issues feedback to her students is paradoxical, as she wishes to be constructive with her criticism, yet she is so brutal with it instead.

Parallelism

There is a large parallel between the highs of opera singing that Maria experienced and the same love that she so eagerly wants her students to have.

Personification

N/A

Use of Dramatic Devices

The use of dramatic monologue is used effectively to clearly convey Maria's thoughts during the play.

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