These four closely connected themes overshadow everything that happens in 2 Henry IV. The father figures of 1 Henry IV (Northumberland, King Henry, Falstaff) were vital and strong men. Now, Shakespeare depicts them as nearing the end of their days. They feel their age; they spend a good deal of time talking about the dead. Descriptions of physical ailments abound.
The theme of loss is about more than human life; loss of old friends is another shadow over this play. Though Falstaff still believes himself to be Hal's friend, they rarely interact. The time is past for Hal and Falstaff; Hal's throne demands it, and Henry V will betray the man who has been his surrogate father and friend.
This theme applies to Henry IV's usurpation of the throne and murder of Richard II. It also applies to Hal's attitude toward his reign.
Henry IV's longstanding dream has been a Crusade to the Holy Land, which would help him atone for the murder of Richard II. But civil strife makes the Crusade impossible; Henry IV spends all of his time putting down insurrections. Atonement becomes impossible during his lifetime. It will be up to Hal to carry out the campaigns abroad.
For Hal, who has spent his youth roaming around with rogues, thieves, and prostitutes, atonement will be part of his reign. He has planned all along to become a responsible king. At his father's deathbed, he promises that his reign will be great. After he is crowned, he promises those assembled that his actions as king will atone for his past.
Expectation is an integral element of a history play, in which the audience, even on opening night, always knows how the play will end. Shakespeare was not the first to deal with this problem: all Greek tragedies dramatized myths that were familiar to the audience. The playwright must find new ways to surprise the audience, or he must find ways to make the expected ending part of the satisfaction of the work. One of the ways to do this is prophecy. Prophecies riddle the history plays, and part of the satisfaction they provide comes from dramatic irony. That is to say, usually the audience understands the meaning of a prophecy long before the characters do. But Shakespeare also makes use of false prophecies (think of the prophecies predicting Henry IV's defeat in 1 Henry IV). Shakespeare often plays with expectation so that the limitations of historical truth do not translate into a boring theatrical experience.
Expectation also makes as see the past as part of a pattern. Expectation and fulfillment put events into a larger context; though the characters onstage do not know it, their actions lead to the world as we know it today. A sense of destiny pervades Hal's character. He will become a great English king, and the audience knows it long before the characters of the play do.
Burden of leadership and duty
The men who wear the crown in the Henry IV plays speak of kingship as destiny. Henry IV is seen in this play as sleepless, anxious, fearful for the future. His duties as monarch and anxieties about the stability of his dynasty are sources of pain, not pleasure. Hal also speaks of the crown as a burden. The duties of kingship come first, supplanting friendship. Hal's crown will necessitate the betrayal of Falstaff and the Eastcheap crowd.
Fathers and sons
An important theme in both 1 Henry IV and 2 Henry IV. In this play, the theme becomes inextricable from the theme's of aging, loss, and death. The fathers in this play are more vulnerable, feeling their age and their mortality. For Hal, there are two father figures: Henry IV, the father whom he has continually disappointed and defied, and Falstaff, who has been his surrogate father. Hal must take care of business with both of them. With his father the king, he must make amends. The atonement will come after his father's death. But for Falstaff, there will be betrayal.
Henry IV Part 2 Questions and Answers
The Question and Answer section for Henry IV Part 2 is a great
resource to ask questions, find answers, and discuss the novel.