Cabaret (Film)

References

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  33. ^ Riedel, Michael (March 26, 2024). "The Untold History of Cabaret: Revived and Kicking". No. April 2024. Vanity Fair. Retrieved April 7, 2024.
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  42. ^ "Cabaret (1972) soundtrack details". Retrieved March 25, 2013.
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  65. ^ Steyn, Mark (November 29, 1997). "Hammerstein, Bernstein, Blitzstein, Jule Styne – The great names of American musical theatre are Jewish". The Independent. Retrieved May 21, 2018. The best Nazi song is by Jewish songwriters. As with "Ol' Man River", when Cabaret called for an ostensibly innocent pastoral hymn to German nationalism, John Kander and Fred Ebb turned in such a plausible doppelganger that it was immediately denounced as a grossly offensive Nazi anthem. "The accusations against Tomorrow Belongs To Me' made me very angry", says Fred Ebb. "'I knew that song as a child', one man had the audacity to tell me. A rabbinical person wrote to me saying he had absolute proof it was a Nazi song." It wasn't: it was written in the mid-Sixties for a Broadway musical. But today, it's the only Nazi song we all know: On election night 1987, when Spitting Image decided to draw some "crass parallels" between Mrs Thatcher and another strong leader, they opted to show the Tories singing not the Horst Wessel song, but "Tomorrow Belongs To Me" – secure in the knowledge that we'd all get the joke.
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  • Belletto, Steven (2008). "'Cabaret' and Antifascist Aesthetics". Criticism. 50 (4): 609–630. doi:10.1353/crt.0.0081. JSTOR 23130878. S2CID 194076043.

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