Box office
On its opening weekend, Braveheart grossed $9,938,276 in the United States and $75.6 million in its box office run in the U.S. and Canada.[2] Worldwide, the film grossed $210,409,945 and was the thirteenth-highest-grossing film of 1995.[2]
Critical response
On Rotten Tomatoes the film has an approval rating of 75% and an average score of 7.20/10 based on 125 reviews. The site's consensus states: "Distractingly violent and historically dodgy, Mel Gibson's Braveheart justifies its epic length by delivering enough sweeping action, drama, and romance to match its ambition."[5] On Metacritic the film has a score of 68 out of 100 based on 20 critic reviews, indicating "generally favorable reviews".[25] Audiences surveyed by CinemaScore gave the film a grade A− on scale of A to F.[26]
Gibson's work on Braveheart earned him the Academy Award for Best Director.Caryn James of The New York Times praised the film, calling it "one of the most spectacular entertainments in years."[27] Roger Ebert gave the film three and a half out of four stars, calling it "An action epic with the spirit of the Hollywood swordplay classics and the grungy ferocity of The Road Warrior."[28] In a positive review, Gene Siskel wrote that "in addition to staging battle scenes well, Gibson also manages to recreate the filth and mood of 700 years ago."[29] Peter Travers of Rolling Stone felt that "though the film dawdles a bit with the shimmery, dappled love stuff involving Wallace with a Scottish peasant and a French princess, the action will pin you to your seat."[30] The depiction of the Battle of Stirling Bridge was listed by CNN as one of the best battles in cinema history.[31]
Not all reviews were positive, Richard Schickel of Time magazine argued that "everybody knows that a non-blubbering clause is standard in all movie stars' contracts. Too bad there isn't one banning self-indulgence when they direct."[32] Peter Stack of San Francisco Chronicle felt "at times the film seems an obsessive ode to Mel Gibson machismo."[33] In a 2005 poll by British film magazine Empire, Braveheart was No. 1 on their list of "The Top 10 Worst Pictures to Win Best Picture Oscar".[34] Empire readers had previously voted Braveheart the best film of 1995.[35]
Effect on tourism
The European premiere was on September 3, 1995, in Stirling.[36]
In 1996, the year after the film was released, the annual three-day "Braveheart Conference" at Stirling Castle attracted fans of Braveheart, increasing the conference's attendance to 167,000 from 66,000 in the previous year.[37] In the following year, research on visitors to the Stirling area indicated that 55% of the visitors had seen Braveheart. Of visitors from outside Scotland, 15% of those who saw Braveheart said it influenced their decision to visit the country. Of all visitors who saw Braveheart, 39% said the film influenced in part their decision to visit Stirling, and 19% said the film was one of the main reasons for their visit.[38] In the same year, a tourism report said that the "Braveheart effect" earned Scotland £7 million to £15 million in tourist revenue, and the report led to various national organizations encouraging international film productions to take place in Scotland.[39]
The film generated huge interest in Scotland and in Scottish history, not only around the world, but also in Scotland itself. At a Braveheart Convention in 1997, held in Stirling the day after the Scottish Devolution vote and attended by 200 delegates from around the world, Braveheart author Randall Wallace, Seoras Wallace of the Wallace Clan, Scottish historian David Ross and Bláithín FitzGerald from Ireland gave lectures on various aspects of the film. Several of the actors also attended including James Robinson (Young William), Andrew Weir (Young Hamish), Julie Austin (the young bride) and Mhairi Calvey (Young Murron).
Awards and honors
Braveheart was nominated for many awards during the 1995 awards season, though it was not viewed by many as a major contender to films such as Apollo 13, Il Postino: The Postman, Leaving Las Vegas, Sense and Sensibility, and The Usual Suspects. It wasn't until after the film won the Golden Globe Award for Best Director at the 53rd Golden Globe Awards that it was viewed as a serious Oscar contender.
When the nominations were announced for the 68th Academy Awards, Braveheart received ten Academy Award nominations, and a month later, won five including Best Picture, Best Director for Gibson, Best Cinematography, Best Sound Effects Editing, and Best Makeup.[40] Braveheart became the ninth film to win Best Picture with no acting nominations and is one of only four films to win Best Picture without being nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture, the others being The Shape of Water in 2017, Green Book in 2018, and Nomadland in 2020.[41][42][43]
The film also won the Writers Guild of America Award for Best Original Screenplay.[44] In 2010, the Independent Film & Television Alliance selected the film as one of the 30 Most Significant Independent Films of the last 30 years[45]
Award | Category | Recipient(s) | Result |
---|---|---|---|
20/20 Awards | Best Cinematography | John Toll | Nominated |
Best Costume Design | Charles Knode | Nominated | |
Best Makeup | Peter Frampton, Paul Pattison and Lois Burwell | Won | |
Best Original Score | James Horner | Nominated | |
Best Sound | Nominated | ||
Academy Awards | Best Picture | Mel Gibson, Bruce Davey and Alan Ladd Jr. | Won |
Best Director | Mel Gibson | Won | |
Best Screenplay – Written Directly for the Screen | Randall Wallace | Nominated | |
Best Cinematography | John Toll | Won | |
Best Costume Design | Charles Knode | Nominated | |
Best Film Editing | Steven Rosenblum | Nominated | |
Best Makeup | Peter Frampton, Paul Pattison and Lois Burwell | Won | |
Best Original Dramatic Score | James Horner | Nominated | |
Best Sound | Andy Nelson, Scott Millan, Anna Behlmer and Brian Simmons | Nominated | |
Best Sound Effects Editing | Lon Bender and Per Hallberg | Won | |
American Cinema Editors Awards | Best Edited Feature Film | Steven Rosenblum | Won |
American Cinema Foundation Awards | Feature Film | Won | |
American Society of Cinematographers Awards | Outstanding Achievement in Cinematography in Theatrical Releases | John Toll | Won |
Awards Circuit Community Awards | Best Director | Mel Gibson | Nominated |
Best Original Screenplay | Randall Wallace | Nominated | |
Best Art Direction | Thomas E. Sanders and Peter Howitt | Won | |
Best Cinematography | John Toll | Nominated | |
Best Costume Design | Charles Knode | Won | |
Best Film Editing | Steven Rosenblum | Nominated | |
Best Makeup & Hairstyling | Peter Frampton, Paul Pattison and Lois Burwell | Won | |
Best Original Score | James Horner | Won | |
Best Sound | Nominated | ||
Best Stunt Ensemble | Won | ||
British Academy Film Awards | Best Direction | Mel Gibson | Nominated |
Best Cinematography | John Toll | Won | |
Best Costume Design | Charles Knode | Won | |
Best Film Music | James Horner | Nominated | |
Best Makeup | Peter Frampton, Paul Pattison and Lois Burwell | Nominated | |
Best Production Design | Thomas E. Sanders | Nominated | |
Best Sound | Andy Nelson, Scott Millan, Anna Behlmer and Brian Simmons | Won | |
Camerimage | Golden Frog | John Toll | Nominated |
Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing for Motion Pictures | Andy Nelson, Scott Millan, Anna Behlmer and Brian Simmons | Nominated |
Cinema Writers Circle Awards | Best Foreign Film | Mel Gibson | Won[a] |
Critics' Choice Awards | Best Director | Won | |
Dallas-Fort Worth Film Critics Association Awards | Best Picture | Nominated | |
Best Cinematography | John Toll | Won | |
Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Mel Gibson | Nominated |
Empire Awards | Best Film | Won | |
Flaiano Prizes | Best Foreign Actress | Catherine McCormack | Won |
Golden Globe Awards | Best Motion Picture – Drama | Nominated | |
Best Director – Motion Picture | Mel Gibson | Won | |
Best Screenplay – Motion Picture | Randall Wallace | Nominated | |
Best Original Score – Motion Picture | James Horner | Nominated | |
Golden Reel Awards | Best Sound Editing – Dialogue | Mark LaPointe | Won |
Best Sound Editing – Sound Effects | Lon Bender and Per Hallberg | Won[b] | |
International Film Music Critics Association Awards | Best Archival Release of an Existing Score – Re-Release or Re-Recording | James Horner, Dan Goldwasser, Mike Matessino, Jim Titus and Jeff Bond | Nominated |
Jupiter Awards | Best International Director | Mel Gibson | Won |
Movieguide Awards | Best Movie for Mature Audiences | Won | |
MTV Movie Awards | Best Movie | Nominated | |
Best Male Performance | Mel Gibson | Nominated | |
Most Desirable Male | Nominated | ||
Best Action Sequence | Battle of Stirling | Nominated | |
National Board of Review Awards | Top Ten Films | 9th Place | |
Special Filmmaking Achievement | Mel Gibson | Won | |
Publicists Guild of America Awards | Motion Picture | Won | |
Saturn Awards | Best Action/Adventure Film | Nominated | |
Best Costume Design | Charles Knode | Nominated | |
Best Music | James Horner | Nominated | |
Southeastern Film Critics Association Awards | Best Picture | 2nd Place | |
Turkish Film Critics Association Awards | Best Foreign Film | 3rd Place | |
Writers Guild of America Awards | Best Screenplay – Written Directly for the Screenplay | Randall Wallace | Won |
- American Film Institute lists
- AFI's 100 Years ... 100 Thrills – No. 91
- AFI's 100 Years...100 Cheers – No. 62
Cultural effects and accusations of Anglophobia
Lin Anderson, author of Braveheart: From Hollywood To Holyrood, credits the film with playing a significant role in affecting the Scottish political landscape in the mid-to-late 1990s.[46] Peter Jackson cited Braveheart as an influence in making the Lord of the Rings film trilogy.[47]
Sections of the English media accused the film of harbouring Anti-English sentiment. The Economist called it "xenophobic",[48] and John Sutherland writing in The Guardian stated that: "Braveheart gave full rein to a toxic Anglophobia".[49][50][51] In The Times, Colin McArthur said "the political effects are truly pernicious. It's a xenophobic film."[50] Ian Burrell of The Independent has said, "The Braveheart phenomenon, a Hollywood-inspired rise in Scottish nationalism, has been linked to a rise in anti-English prejudice".[52]
Wallace Monument
Tom Church's statueIn 1997, a 12-foot (3.7 m), 13-tonne (13-long-ton; 14-short-ton) sandstone statue depicting Mel Gibson as William Wallace in Braveheart was placed in the car park of the Wallace Monument near Stirling, Scotland. The statue, which was the work of Tom Church, a monumental mason from Brechin,[53] included the word 'Braveheart' on Wallace's shield. The installation became the cause of much controversy; one local resident stated that it was wrong to "desecrate the main memorial to Wallace with a lump of crap".[54]
In 1998, someone wielding a hammer vandalized the statue's face. After repairs were made, the statue was encased in a cage every night to prevent further vandalism. This only incited more calls for the statue to be removed, as it then appeared that the Gibson/Wallace figure was imprisoned. The statue was described as "among the most loathed pieces of public art in Scotland".[55] In 2008, the statue was returned to its sculptor to make room for a new visitor centre being built at the foot of the Wallace Monument.[56]