Babel can be analyzed as a network narrative in which its characters, scattered across the globe, represent different nodes of a network that is connected by various strands. The movie not only incorporates quite a large number of characters but they also are, as is typical for network narratives, equally important. It is noticeable that Babel has multiple protagonists who, as a consequence, make the plot more complex in relation to time and causality.
One of the central connections between all of the main characters is the rifle. Over the course of the movie, the viewer finds out that Yasujiro Wataya visits Morocco for a hunting trip and gives the rifle as a gift to his guide, Hassan Ibrahim, who then sells it to Abdullah from where it gets passed on to his sons. Susan Jones, in turn, is shot with that very same rifle which also has a tragic impact on Amelia Hernández' life. It is observable that "all characters are affected by the connections created between them – connections that influence both their individual trajectories as characters and the overall structure of the plot".[8]
It shows how a single object can serve as a connection between many different characters (or nodes in a network) who do not necessarily need to know each other. Even though the rifle is not passed on any further, it continues to influence the characters' lives in significant ways. This demonstrates how the smallest actions on one side of the world can ultimately lead to a complete change of another person's life elsewhere, without there being any form of direct contact between the two (also see Butterfly effect). It also creates a small-world effect, in which "characters will intersect again and again"[9] either directly or indirectly and mostly by accident. As Maria Poulaki observes, characters in network narratives "meet and separate not because of the characters' purposeful actions but as an outcome of pure chance".[8]
