Almanac of the Dead
The novel Almanac of the Dead was published in 1991. This work took Silko ten years to complete and received mixed reviews. The vision of the book stretches over both American continents and includes the Zapatista Army of National Liberation revolutionaries, based in the southern Mexican state of Chiapas, as just one group among a pantheon of characters. The theme of the novel, like that of Ceremony, focuses on the conflict between Anglo-Americans and Native Americans.
Several literary critics have been critical of the novel's depiction of homosexuality, based on the fact that the novel features male gay and bisexual characters who are variously abusive, sadistic, and cruel.[18] Almanac of the Dead has not achieved the same mainstream success as its predecessor.
Sacred Water
In June 1993, Silko published a limited run of Sacred Water under Flood Plain Press, a self-printing venture by Silko. Each copy of Sacred Water is handmade by Silko using her personal typewriter combining written text set next to poignant photographs taken by the author.
Sacred Water is composed of autobiographical prose, poetry and pueblo mythology focusing on the importance and centrality of water to life.
Silko issued a second printing of Sacred Water in 1994 in order to make the work more accessible to students and academics although it was limited. This edition used printing methods suited for a greater production distribution.
Yellow Woman and a Beauty of the Spirit: Essays on Native American Life Today
Yellow Woman and a Beauty of the Spirit: Essays on Native American Life Today was published by Simon & Schuster in March 1997.
The work is a collection of essays on various topics; including an autobiographical essay of her childhood at Laguna Pueblo and the racism she faced as a mixed blood person; stark criticism directed at President Bill Clinton regarding his immigration policies; and praise for the development of and lamentation for the loss of the Aztec and Maya codices, along with commentary on Pueblo mythology.
As one reviewer notes, Silko's essays "encompass traditional storytelling, discussions of the power of words to the Pueblo, reminiscences on photography, frightening tales of the U.S. border patrol, historical explanations of the Mayan codices, and socio-political commentary on the relationship of the U.S. government to various nations, including the Pueblo".[19]
The essay "Yellow Woman" concerns a young woman who becomes romantically and emotionally involved with her kidnapper, despite having a husband and children. The story is related to the traditional Laguna legend/myth of the Yellow Woman.
Rain
In 1997, Silko ran a limited number of handmade books through Flood Plain Press. Like Sacred Water, Rain was again a combination of short autobiographical prose and poetry inset with her photographs.
The short volume focused on the importance of rain to personal and spiritual survival in the Southwest.
Gardens In The Dunes
Gardens in the Dunes was published in 1999. The work weaves together themes of feminism, slavery, conquest and botany, while following the story of a young girl named Indigo from the fictional "Sand Lizard People" in the Arizona Territory and her European travels as a summer companion to an affluent White woman named Hattie.
The story is set against the back drop of the enforcement of Indian boarding schools, the California Gold Rush and the rise of the Ghost Dance Religion.
