1 Which of the following is not true about the speaker? In speaking about her own situation, a woman connects to all of humanity A woman addresses her partner A woman ponders the creation of life from the intimate sexual act until the labor of birth The speaker is definitely Wright herself 2 What is the poem's meter? Blank Verse Free Verse Iambic pentameter Iambic tetrameter 3 What is an iamb? A metrical foot consisting of an unstressed syllable followed by a stressed syllable A metrical foot consisting of an stressed syllable followed by an unstressed syllable A type of meat that is considered a delicacy in Australia A metrical foot consisting of an stressed syllable followed by another stressed syllable 4 What is tetrameter? A verse of four measures A verse of three measures A verse of six measures A verse of five measures 5 Which is an example of sibilance? This is the maker and the made; This is our hunter and our chase, This is no child with a child's face; silent and swift and deep from sight 6 What is sibilance? Repetition of "s" sounds The process of divination The sound a goat makes Repetition of "m" sounds 7 Define "resurrection" Lazarus Jesus's teachings The revitalization or revival of something Another word for death 8 Which is an example of anaphora in the poem? This is Shapeless Strength The Maker 9 Who is the third that lays in the couple's embrace? The couple's child Another lover A ghost Their guilt 10 Which of the following is not used to represent the creation of life? the strength that my arm knows the maker and the made; our hunter and our chase the question and reply; 11 Which is not a theme in the poem? Collective Experience Unity Natural Course of Life Grief 12 How many stanzas are in the poem? Five Four Six Three 13 What is suggested by the title? The male speaker imagines what it is like to be female The speaker is angry at her partner There exists a collective human experience The speaker is a female deity 14 What does light represent in the poem? Evil Being in the world Blindness Being overwhelmed 15 What does the poem simultaneously refer to? Love and hate The sexual act and the period of gestation Anger and forgiveness Being single and being a parent 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? Roses do not come from trees There is no significance It is beautiful but has no meaning It naturalizes the creation of life 17 Which line suggests an ignorance involved in creating life? the blind head butting at the dark, foresees the unimagined light. yet you and I have known it well. the arc of flesh that is my breast, 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? It negatively compares the couple's bodies It inserts a divine quality into the creation of life There is no significance It grounds the creation of life inside human anatomy and physiology 19 Which line implies some danger in life? the selfless, shapeless seed I hold, This is no child with a child's face; This is our hunter and our chase, the precise crystals of our eyes. 20 What does the last line do in the poem? Focus on holding the baby Shifts the focus, voice, and tone Complains to the addressee Suggest the cycle of generations by implying the speaker will one day be a grandmother 21 In the beginning of the poem, is the baby already developed? No The baby does not exist The baby is born Yes 22 Which description best contributes to a sense of tessellation in the poem? the precise crystals of our eyes. This is our hunter and our chase, This is no child with a child's face; foresees the unimagined light. 23 What is "the blade" suggestive of? Weaponry Safety Pain, danger, walking a thin line Self-defence 24 Who is being addressed in the poem? The speaker's child Just the speaker's partner God The speaker's partner, and the reader (all of humanity) 25 Which line best infuses a divine quality into the creation of life? this has no name to name it by; he blind head butting at the dark, the selfless, shapeless seed I hold, This is the maker and the made;