1 Which of the following is not true about the speaker? A woman addresses her partner A woman ponders the creation of life from the intimate sexual act until the labor of birth The speaker is definitely Wright herself In speaking about her own situation, a woman connects to all of humanity 2 What is the poem's meter? Blank Verse Free Verse Iambic pentameter Iambic tetrameter 3 What is an iamb? A metrical foot consisting of an stressed syllable followed by an unstressed syllable A metrical foot consisting of an unstressed syllable followed by a stressed syllable A type of meat that is considered a delicacy in Australia A metrical foot consisting of an stressed syllable followed by another stressed syllable 4 What is tetrameter? A verse of six measures A verse of three measures A verse of four measures A verse of five measures 5 Which is an example of sibilance? This is our hunter and our chase, silent and swift and deep from sight This is no child with a child's face; This is the maker and the made; 6 What is sibilance? The process of divination Repetition of "m" sounds Repetition of "s" sounds The sound a goat makes 7 Define "resurrection" The revitalization or revival of something Jesus's teachings Another word for death Lazarus 8 Which is an example of anaphora in the poem? Strength Shapeless The Maker This is 9 Who is the third that lays in the couple's embrace? Another lover The couple's child A ghost Their guilt 10 Which of the following is not used to represent the creation of life? our hunter and our chase the maker and the made; the strength that my arm knows the question and reply; 11 Which is not a theme in the poem? Unity Collective Experience Natural Course of Life Grief 12 How many stanzas are in the poem? Four Five Three Six 13 What is suggested by the title? The male speaker imagines what it is like to be female There exists a collective human experience The speaker is a female deity The speaker is angry at her partner 14 What does light represent in the poem? Blindness Being overwhelmed Evil Being in the world 15 What does the poem simultaneously refer to? Being single and being a parent Anger and forgiveness Love and hate The sexual act and the period of gestation 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? It is beautiful but has no meaning There is no significance It naturalizes the creation of life Roses do not come from trees 17 Which line suggests an ignorance involved in creating life? yet you and I have known it well. the blind head butting at the dark, foresees the unimagined light. the arc of flesh that is my breast, 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? There is no significance It negatively compares the couple's bodies It grounds the creation of life inside human anatomy and physiology It inserts a divine quality into the creation of life 19 Which line implies some danger in life? the selfless, shapeless seed I hold, the precise crystals of our eyes. This is our hunter and our chase, This is no child with a child's face; 20 What does the last line do in the poem? Suggest the cycle of generations by implying the speaker will one day be a grandmother Shifts the focus, voice, and tone Complains to the addressee Focus on holding the baby 21 In the beginning of the poem, is the baby already developed? The baby is born The baby does not exist Yes No 22 Which description best contributes to a sense of tessellation in the poem? This is no child with a child's face; This is our hunter and our chase, the precise crystals of our eyes. foresees the unimagined light. 23 What is "the blade" suggestive of? Safety Weaponry Pain, danger, walking a thin line Self-defence 24 Who is being addressed in the poem? The speaker's partner, and the reader (all of humanity) The speaker's child God Just the speaker's partner 25 Which line best infuses a divine quality into the creation of life? this has no name to name it by; the selfless, shapeless seed I hold, he blind head butting at the dark, This is the maker and the made;