The Shape of Our Faces No Longer Matters Literary Elements

The Shape of Our Faces No Longer Matters Literary Elements

Speaker or Narrator, and Point of View

Mena's speakers are all soldiers, describing their experience of warfare.

Form and Meter

Mena uses different forms and meter, including a haiku.

Metaphors and Similes

"The dead hang from the dead like leaves"

Alliteration and Assonance

"There is always a heavy heat."

Irony

In "War Haiku," Mena shows the irony of low wages for people who make bullets.

Genre

War Poetry

Setting

As Mena himself fought in Iraq, the poems are presumably set there.

Tone

The tone is dark and sombre, but is also sometimes darkly humorous.

Protagonist and Antagonist

The protagonist is often the speaker, while the antagonist is warfare.

Major Conflict

The major conflict of many of the poems is a soldier dealing with his experiences of warfare.

Climax

The climax of "How to Build a Sandcastle" is when the little girl swallows the boy whole.

Foreshadowing

The title "Marlboro Man" foreshadows that this poem will be about smoke.

Understatement

Mena's speaker tells us in "So I was a Coffin" that a soldier's more vulnerable traits must be understated and repressed.

Allusions

Mena alludes to a brand of cigarettes, Marlboro.

Metonymy and Synecdoche

N/A

Personification

Mena describes how the rigor "washes over" a soldier.

Hyperbole

"there is always a heavy heat"

Onomatopoeia

N/A

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