“Once, in my father’s bookshop, I heard a regular customer say that few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return. For me those enchanted pages will always be the ones I found among the passageways of the Cemetery of Forgotten Books.”
Books are not meagre collation of words. Some books are influential due to the apposite deployment of pathos. Engaging books are gripping to the degree that they cannot be straightforwardly obliterated from a reader’s memory. Readers identify with believable books that explore themes that are pertinent to their lives. The book which gets into a reader’s heart first is corresponding to a foremost love that could not be disremembered.
“A secret’s worth depends on the people from whom it must be kept. My first thought on waking was to tell my best friend about the Cemetery of Forgotten Books. Tomás Aguilar was a classmate who devoted his free time and his talent to the invention of wonderfully ingenious contraptions of dubious practicality, like the aerostatic dart or the dynamo spinning top. I pictured us both, equipped with flashlights and compasses, uncovering the mysteries of those bibliographic catacombs. Who better than Tomás to share my secret? Then, remembering my promise, I decided that circumstances advised me to adopt what in detective novels is termed a different modus operandi.”
Daniel intimates that he is drawn to divulging the top-secret regarding the ‘Cemetery of Forgotten Books’ to his acquaintance. Based on Tomas Aguilar’s proclivity for innovation, Daniel and Tomas would be idyllic mates to work on the disentanglement of the mysteries of the library. Daniel validates that he is dependable when he elects not to unveil the secret. His father would have been impressed with him revealing the secret to an additional party.
“Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections. The minutes and hours glided by as in a dream. When the cathedral bells tolled midnight, I barely heard them. Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations, peopled by characters who seemed as real to me as my room. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story’s spell or bid farewell to its characters yet.”
Daniel is absorbed into The Shadow of the wind; hence, he keeps reading past midnight. His concretion encumbers him from recognizing the bells. Based on his captivation the plot is extraordinarily riveting which convinces Daniel about the authenticity of the unfoldings. The figurative spell indicates that Daniel is mesmerized by the plot; hence, it would be embossed in his unconscious even after he accomplishes reading it.
