The Philadelphia Story

Production

.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%}.mw-parser-output .quotebox.floatleft{margin:0.5em 1.4em 0.8em 0}.mw-parser-output .quotebox.floatright{margin:0.5em 0 0.8em 1.4em}.mw-parser-output .quotebox.centered{margin:0.5em auto 0.8em auto}.mw-parser-output .quotebox.floatleft p,.mw-parser-output .quotebox.floatright p{font-style:inherit}.mw-parser-output .quotebox-title{background-color:#F9F9F9;text-align:center;font-size:larger;font-weight:bold}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:360px){.mw-parser-output .quotebox{min-width:100%;margin:0 0 0.8em!important;float:none!important}} "Everyone had enormous fun on the movie. The days and nights were sweltering that summer of 1940, but nobody cared. Cary got along very well with Kate Hepburn. She enjoyed him pushing her through a doorway in one scene (so she fell over backward) so much that she had him do it to her over and over again. There was a scene in which she had to throw Cary out the door of a house, bag and baggage, and she did it so vigorously he fell over and was bruised. As he stood up, looking rueful, Kate said, "That'll serve you right, Cary, for trying to be your own stuntman."

—Cameraman Joseph Ruttenberg, recalling The Philadelphia Story (1940).[9]

Broadway playwright Barry[10] wrote the play specifically for Hepburn, who ended up backing the play, and forgoing a salary in return for a percentage of its profits.[11] Her co-stars were Joseph Cotten as Dexter Haven, Van Heflin as Mike Connor, and Shirley Booth as Liz Imbrie.[4]

At this time, Hepburn hoped to create a film vehicle for herself which would erase the label of "box office poison" that she had acquired after a number of commercial failures (including the classic Bringing Up Baby). So, she happily accepted the film rights to the play from Howard Hughes, who had bought them for her. She then convinced MGM's Mayer to buy them from her for only $250,000, in return for Hepburn having veto over producer, director, screenwriter, and cast.[8][11][12]

Hepburn selected director George Cukor, in whose films A Bill of Divorcement (1932) and Little Women (1933) she had acted, and Donald Ogden Stewart, a friend of Barry's and a specialist at adapting plays to the big screen, as writer.[11]

Hepburn wanted Clark Gable to play Dexter Haven and Spencer Tracy to play Mike Connor, but both had other commitments. Grant agreed to play the part on condition that he be given top billing, and that his salary would be $137,000, which he donated to the British War Relief Society.[13] The pairing of Cukor and Gable would have been problematic in any case, as they had not gotten along on the recent Gone with the Wind, and Cukor had been replaced with Victor Fleming.[14]

The film was in production from 5 July to 14 August 1940[15] at MGM's studios in Culver City.[16] It was shot in six weeks and came in five days under schedule.[8] At one point, Stewart slipped in his hiccuping during the drunk scene. Grant turned to him, surprised, and said, "Excuse me", then appears to have stifled a laugh. The scene was kept, and was not reshot.[17]

Stewart had been extremely nervous about the scene in which Connor recites poetry to Tracy, and believed that he would perform badly. Noël Coward was visiting the set that day, and was asked by Cukor to say something to encourage him. Stewart was also quite uncomfortable with some of the dialogue, especially in the swimming pool scene.

Hepburn performed the dive into the swimming pool entirely by herself, without the help from doubles. Forty years later, during the filming of On Golden Pond, Jane Fonda was frightened to do her own dive, to which the annoyed Hepburn responded, "I did my own dive in The Philadelphia Story."

The film premiered in New York City in the week of 27 December 1940, and it was shown in select theatres in December, but MGM had agreed to hold its general release until January 1941, in order not to compete with the stage play,[8] which was no longer playing on Broadway, but was touring the country.[4] It went into general American release on 17 January 1941.[18] It broke a box office record at Radio City Music Hall by taking in $600,000 in just six weeks.

The model sailboat that Grant gives Hepburn is based on an actual boat, the True Love (originally the Venona II, based on the Malabar design by John Alden built for racing), which currently sails on Seneca Lake out of Watkins Glen, New York, as a excursion boat for Schooner Excursions, Inc.[19]


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