- ^ A catalogue of Aeschylus' plays contains the two titles Glaucus Potnieus and Glaucus Pontius – hence the uncertainty. To add to the confusion, one title could easily be a garbled duplicate of the other. The consensus seems to favor Glaucus Potnieus
- ^ Garvie 2009, xl–xlvi); however see Muller/Lewis 1858, p. 322.
- ^ According to the hypothesis of The Persians found, for instance, in the Loeb and OCT editions of Aeschylus' plays.
- ^ a b "Aeschylus Fragments 57–154". theoi.com. Retrieved 2011-07-24.
- ^ a b Smyth, H. W. (1930). Aeschylus: Agamemnon, Libation-Bearers, Eumenides, Fragments. Harvard University Press. pp. 453–454. ISBN 0-674-99161-3.
- ^ Taxidou (2004, 99).
- ^ page 401–405. Raphael and Macleish (1991, p. 14).
- ^ Raphael and McLeish (1991, 20).
- ^ Raphael and McLeish (1991, p. 26).
- ^ See Herodotus 6.21.2 and Taxidou (2004, pp. 96–97).
- ^ For the first reading, see, for example, Segal (1993, p. 165) and Pelling (1997, pp. 1–19); for the second, see Hall (1996) and Harrison (2000). While there is some disagreement, the consensus is that the Persian Wars did not come to a formal conclusion until 449 BC with the Peace of Callias.
- ^ See Hall (1991).
- ^ The Vita Aeschyli §18 repeats this claim, adding that the play was well received there. For questions surrounding this Sicilian production and its bearing on the text of the Persae that survives, see Broadhead 2009, pp. xlviii–liii; Garvie 2009, pp. liii–lvii.
- ^ Garvie 2009, p. lv.
- ^ See Barrett 1964, p. 194.
- ^ Podlecki (1986, p. 78).
- ^ See Favorini (2003) and Banham (1998, p. 974).
- ^ a b c d e From the programme to the Edinburgh Festival production.
- ^ McLaughlin (2005, p. 254)
- ^ http://jhupbooks.press.jhu.edu:80/ecom/MasterServlet/GetItemDetailsHandler?iN=9781421400631&qty=1&source=2&viewMode=3&loggedIN=false&JavaScript=y released by Johns Hopkins University Press
- ^ They That Have Borne the Battle Veterans Festival http://workshoptheater.org/jewelbox/2011/TheyThatHave Archived 2011-09-02 at the Wayback Machine
- ^ Sedgman, Kirsty (2016). Locating the Audience. Bristol: Intellect. ISBN 9781783205714.
- ^ Live from Epidaurus: Aeschylus’ “The Persians” in international live streaming from the Ancient Theatre of Epidaurus http://greekfestival.gr/live-from-epidaurus-aeschylus-quot-the-persians-quot-in-international-live-streaming-from-the-ancient-theatre-of-epidaurus/?lang=en, Date accessed: 2020-07-25
- ^ https://www.abbeytheatre.ie/whats-on/na-peirsigh-persians/
- ^ Aeschylus, Persians, line 432. Herbert Weir Smyth Ed. http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0012%3Acard%3D480
- ^ Dante Alighieri, La Divina Commedia, Inferno, Canto III, lines 56–57.http://eliotswasteland.tripod.com
- ^ Michael O'Sullivan. The precarious destitute. A possible commentary on the lives of unwanted immigrants. http://www.asiancha.com/content/view/2105/505/
- ^ Dimitris Lyacos Z213: Exit. Translated by Shorsha Sullivan. Shoestring Press 2010, pp. 77–81.
- ^ Aeschylus, Persians, line 484. Herbert Weir Smyth, ed. Retrieved 7 December 2018.
- ^ Allison Elliott, A review of Z213: Exit by Dimitris Lyacos. Retrieved 7 December 2018. Archived 4 March 2016 at the Wayback Machine
- ^ Spencer Dew, A review of "Poena Damni, Z213: Exit. Retrieved 7 December 2018.
- ^ Aeschylus (June 2011). Persians, Seven against Thebes, and Suppliants | Johns Hopkins University Press Books. ISBN 9781421400648.
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