The Necklace

Further reading

  • Abamine, E. P. "German-French Sexual Encounters of the Franco-Prussian War Period in the Fiction of Guy de Maupassant." CLA Journal 32.3 (1989): 323–334. online
  • Bonnefis, Philippe. Comme Maupassant (collection "Objet", Presses Universitaires de Lille, 1983).
  • Dugan, John Raymond. Illusion and reality: a study of descriptive techniques in the works of Guy de Maupassant (Walter de Gruyter, 2014).
  • Fagley, Robert. Bachelors, Bastards, and Nomadic Masculinity: Illegitimacy in Guy de Maupassant and André Gide (Cambridge Scholars Publishing, 2014) online (PDF).
  • Harris, Trevor A. Le V. Maupassant in the Hall of Mirrors: Ironies of Repetition in the Work of Guy de Maupassant (Springer, 1990).
  • Lanoux, Armand. Maupassant le Bel-Ami (Fayard, 1967).
  • Morand, Paul. Vie de Guy de Maupassant (Flammarion, 1942).
  • Reda, Jacques. Album Maupassant (Bibliothèque de la Pléiade, Gallimard, 1987).
  • Rougle, Charles. "Art and the Artist in Babel's" Guy de Maupassant"." The Russian Review 48.2 (1989): 171–180. online
  • Sattar, Atia. "Certain Madness: Guy de Maupassant and Hypnotism". Configurations 19.2 (2011): 213–241. regarding both versions of his horror story "The Horla" (1886/87). online
  • Schmidt, Albert-Marie. Maupassant par lui-même (Le Seuil, 1962).
  • Stivale, Charles J. The art of rupture: narrative desire and duplicity in the tales of Guy de Maupassant (University of Michigan Press, 1994).
  • Vial, André. Maupassant et l'art du roman (Nizet, 1954).

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