1 What has changed to fear in the beginning of "The Liar"? an image of a tree and cold birds flesh feelings of love metamorphosis of self 2 Why are the images offered in Stanza I scary? (For extra help, consult "Summary and Analysis" section of the guide.) They constitute scenes that cannot be found in nature but that are easily visualized in the imagination. Thus, they constitute an alienation from nature. They employ dark language that is meant to be eerie, such as "shadow," "frozen," and "rattling." They are a physical representation of all the things the speaker once loved and now fears. All of the above 3 Is the speaker's body completely separated from his soul? Why or why not? Yes; the spirit is trapped in the flesh and the flesh tortures and degrades the spirit No; he doesn't technically have a body or soul because he is an alien No; every time the speaker tries to find his flesh, all he finds are entrances of spirit. Thus, flesh and spirit are inseparable. Yes; the body and the soul are understood as separate entities and opposing forces in Baraka's literary canon 4 Does the speaker enjoy bodily pleasures? Why or why not? No; he describes the "comforts" of the spirit as disgusting things that he cannot understand Yes; he loves their "chanting weight" that "erased familiarity from his face" Yes; bodily pleasures are called "pleasures" because they feel good No; he feels trapped inside his body and his bodily pleasures degrade his soul 5 Fill in the blanks: "Though I am a ____ / who is loud / on the ____ / of his ways" man, tides person, birth alien, craziness man, birth 6 What does the speaker publicly redefine? his body his poetry his soul his name 7 How did the speaker profit from the change in his soul? biblically divinely enormously immensely 8 What was erased from the speaker's face? familiarity his moles his eyes sight 9 Fill in the blanks: "A ____ I think, / an _____" question, answer fire, ember question, askance stupor, airiness 10 Fill in the blanks: "whatever sits / counting the ______ / till you _____" hours, fall minutes, live minutes, die seconds, rest 11 What is the title of this poem? The Rider The Liar The Deciever The Pretender 12 What was the author's name when this poem was published? Amiri Baraka LeRoi Jones Immamu Amiri Baraka LeRoy Jones 13 Which of the following is an example of alliteration from the poem? "silver spiraled whirled against the / sun" "When they say, 'It is Roi / who is dead.' I wonder / who will they mean?" "We want live / Words of the hip world live flesh & / Coursing blood" "They / are whithered yellow flowers and were never / beautiful" 14 What year was this poem published? 1965 1963 1961 1966 15 What are the two main themes of "The Liar"? Popular Culture/Oral Tradition & Individuality Metamorphosis of Self & Separation/Unity of the Body and Soul Individuality & Psychological Terror Psychological Terror & Separation of the Body and Soul 16 What two qualities would characterize the speaker of "The Liar"? hateful & changing alien & scared shy & timid vocal & critical 17 What does "biblically" mean in the context of this poem? hugely; immensely meekly tinily shyly 18 What is the closest definition of the word "familiarity" in the context of this poem? relaxed friendliness or intimacy between people inappropriate and often offensive informality of behavior or language the state of being known or familiar friendliness 19 What is "Roi" a reference to in this poem? It's a nickname for LeRoi Jones, Baraka's name at the publication of this poem Roi Hibbert It's a nickname for LeRoy Neiman, Baraka's best friend in childhood Roy Halladay 20 What kind of literary device is contained in the quotation "It is Roi / who is dead"? metaphor assonance allegory allegedly 21 What does "instances" mean in the context of this poem? entrances examples bodily comforts moments 22 What is the closest meaning of "comforts" in the context of this poem? things that cause pain greasy foods condolences bodily pleasures 23 What kind of literary device is "rattling"? imagery description onomatopoeia simile