1 What has changed to fear in the beginning of "The Liar"? flesh an image of a tree and cold birds metamorphosis of self feelings of love 2 Why are the images offered in Stanza I scary? (For extra help, consult "Summary and Analysis" section of the guide.) They constitute scenes that cannot be found in nature but that are easily visualized in the imagination. Thus, they constitute an alienation from nature. They employ dark language that is meant to be eerie, such as "shadow," "frozen," and "rattling." They are a physical representation of all the things the speaker once loved and now fears. All of the above 3 Is the speaker's body completely separated from his soul? Why or why not? Yes; the body and the soul are understood as separate entities and opposing forces in Baraka's literary canon Yes; the spirit is trapped in the flesh and the flesh tortures and degrades the spirit No; every time the speaker tries to find his flesh, all he finds are entrances of spirit. Thus, flesh and spirit are inseparable. No; he doesn't technically have a body or soul because he is an alien 4 Does the speaker enjoy bodily pleasures? Why or why not? No; he describes the "comforts" of the spirit as disgusting things that he cannot understand Yes; bodily pleasures are called "pleasures" because they feel good Yes; he loves their "chanting weight" that "erased familiarity from his face" No; he feels trapped inside his body and his bodily pleasures degrade his soul 5 Fill in the blanks: "Though I am a ____ / who is loud / on the ____ / of his ways" man, birth alien, craziness man, tides person, birth 6 What does the speaker publicly redefine? his poetry his soul his name his body 7 How did the speaker profit from the change in his soul? enormously biblically divinely immensely 8 What was erased from the speaker's face? familiarity sight his moles his eyes 9 Fill in the blanks: "A ____ I think, / an _____" stupor, airiness fire, ember question, answer question, askance 10 Fill in the blanks: "whatever sits / counting the ______ / till you _____" hours, fall seconds, rest minutes, live minutes, die 11 What is the title of this poem? The Rider The Pretender The Liar The Deciever 12 What was the author's name when this poem was published? Amiri Baraka LeRoi Jones LeRoy Jones Immamu Amiri Baraka 13 Which of the following is an example of alliteration from the poem? "We want live / Words of the hip world live flesh & / Coursing blood" "They / are whithered yellow flowers and were never / beautiful" "silver spiraled whirled against the / sun" "When they say, 'It is Roi / who is dead.' I wonder / who will they mean?" 14 What year was this poem published? 1966 1963 1961 1965 15 What are the two main themes of "The Liar"? Popular Culture/Oral Tradition & Individuality Individuality & Psychological Terror Metamorphosis of Self & Separation/Unity of the Body and Soul Psychological Terror & Separation of the Body and Soul 16 What two qualities would characterize the speaker of "The Liar"? shy & timid alien & scared hateful & changing vocal & critical 17 What does "biblically" mean in the context of this poem? meekly tinily shyly hugely; immensely 18 What is the closest definition of the word "familiarity" in the context of this poem? relaxed friendliness or intimacy between people inappropriate and often offensive informality of behavior or language friendliness the state of being known or familiar 19 What is "Roi" a reference to in this poem? Roi Hibbert It's a nickname for LeRoi Jones, Baraka's name at the publication of this poem Roy Halladay It's a nickname for LeRoy Neiman, Baraka's best friend in childhood 20 What kind of literary device is contained in the quotation "It is Roi / who is dead"? metaphor allegory assonance allegedly 21 What does "instances" mean in the context of this poem? moments bodily comforts entrances examples 22 What is the closest meaning of "comforts" in the context of this poem? bodily pleasures things that cause pain condolences greasy foods 23 What kind of literary device is "rattling"? simile imagery onomatopoeia description