1 What has changed to fear in the beginning of "The Liar"? feelings of love an image of a tree and cold birds flesh metamorphosis of self 2 Why are the images offered in Stanza I scary? (For extra help, consult "Summary and Analysis" section of the guide.) They are a physical representation of all the things the speaker once loved and now fears. They constitute scenes that cannot be found in nature but that are easily visualized in the imagination. Thus, they constitute an alienation from nature. They employ dark language that is meant to be eerie, such as "shadow," "frozen," and "rattling." All of the above 3 Is the speaker's body completely separated from his soul? Why or why not? No; every time the speaker tries to find his flesh, all he finds are entrances of spirit. Thus, flesh and spirit are inseparable. No; he doesn't technically have a body or soul because he is an alien Yes; the body and the soul are understood as separate entities and opposing forces in Baraka's literary canon Yes; the spirit is trapped in the flesh and the flesh tortures and degrades the spirit 4 Does the speaker enjoy bodily pleasures? Why or why not? Yes; he loves their "chanting weight" that "erased familiarity from his face" No; he feels trapped inside his body and his bodily pleasures degrade his soul Yes; bodily pleasures are called "pleasures" because they feel good No; he describes the "comforts" of the spirit as disgusting things that he cannot understand 5 Fill in the blanks: "Though I am a ____ / who is loud / on the ____ / of his ways" man, tides person, birth alien, craziness man, birth 6 What does the speaker publicly redefine? his body his poetry his name his soul 7 How did the speaker profit from the change in his soul? enormously immensely biblically divinely 8 What was erased from the speaker's face? familiarity his eyes sight his moles 9 Fill in the blanks: "A ____ I think, / an _____" fire, ember question, answer question, askance stupor, airiness 10 Fill in the blanks: "whatever sits / counting the ______ / till you _____" minutes, die seconds, rest hours, fall minutes, live 11 What is the title of this poem? The Liar The Deciever The Rider The Pretender 12 What was the author's name when this poem was published? Amiri Baraka LeRoy Jones Immamu Amiri Baraka LeRoi Jones 13 Which of the following is an example of alliteration from the poem? "When they say, 'It is Roi / who is dead.' I wonder / who will they mean?" "silver spiraled whirled against the / sun" "We want live / Words of the hip world live flesh & / Coursing blood" "They / are whithered yellow flowers and were never / beautiful" 14 What year was this poem published? 1966 1963 1961 1965 15 What are the two main themes of "The Liar"? Metamorphosis of Self & Separation/Unity of the Body and Soul Individuality & Psychological Terror Popular Culture/Oral Tradition & Individuality Psychological Terror & Separation of the Body and Soul 16 What two qualities would characterize the speaker of "The Liar"? alien & scared shy & timid vocal & critical hateful & changing 17 What does "biblically" mean in the context of this poem? tinily shyly meekly hugely; immensely 18 What is the closest definition of the word "familiarity" in the context of this poem? relaxed friendliness or intimacy between people the state of being known or familiar friendliness inappropriate and often offensive informality of behavior or language 19 What is "Roi" a reference to in this poem? It's a nickname for LeRoy Neiman, Baraka's best friend in childhood Roy Halladay Roi Hibbert It's a nickname for LeRoi Jones, Baraka's name at the publication of this poem 20 What kind of literary device is contained in the quotation "It is Roi / who is dead"? allegedly assonance metaphor allegory 21 What does "instances" mean in the context of this poem? examples bodily comforts entrances moments 22 What is the closest meaning of "comforts" in the context of this poem? greasy foods bodily pleasures things that cause pain condolences 23 What kind of literary device is "rattling"? description onomatopoeia imagery simile