1 What has changed to fear in the beginning of "The Liar"? feelings of love metamorphosis of self flesh an image of a tree and cold birds 2 Why are the images offered in Stanza I scary? (For extra help, consult "Summary and Analysis" section of the guide.) They constitute scenes that cannot be found in nature but that are easily visualized in the imagination. Thus, they constitute an alienation from nature. They employ dark language that is meant to be eerie, such as "shadow," "frozen," and "rattling." They are a physical representation of all the things the speaker once loved and now fears. All of the above 3 Is the speaker's body completely separated from his soul? Why or why not? No; every time the speaker tries to find his flesh, all he finds are entrances of spirit. Thus, flesh and spirit are inseparable. Yes; the body and the soul are understood as separate entities and opposing forces in Baraka's literary canon Yes; the spirit is trapped in the flesh and the flesh tortures and degrades the spirit No; he doesn't technically have a body or soul because he is an alien 4 Does the speaker enjoy bodily pleasures? Why or why not? Yes; he loves their "chanting weight" that "erased familiarity from his face" No; he describes the "comforts" of the spirit as disgusting things that he cannot understand Yes; bodily pleasures are called "pleasures" because they feel good No; he feels trapped inside his body and his bodily pleasures degrade his soul 5 Fill in the blanks: "Though I am a ____ / who is loud / on the ____ / of his ways" man, birth man, tides person, birth alien, craziness 6 What does the speaker publicly redefine? his poetry his name his body his soul 7 How did the speaker profit from the change in his soul? immensely enormously biblically divinely 8 What was erased from the speaker's face? familiarity sight his eyes his moles 9 Fill in the blanks: "A ____ I think, / an _____" stupor, airiness question, askance fire, ember question, answer 10 Fill in the blanks: "whatever sits / counting the ______ / till you _____" minutes, live seconds, rest hours, fall minutes, die 11 What is the title of this poem? The Pretender The Liar The Deciever The Rider 12 What was the author's name when this poem was published? LeRoi Jones Immamu Amiri Baraka LeRoy Jones Amiri Baraka 13 Which of the following is an example of alliteration from the poem? "silver spiraled whirled against the / sun" "We want live / Words of the hip world live flesh & / Coursing blood" "They / are whithered yellow flowers and were never / beautiful" "When they say, 'It is Roi / who is dead.' I wonder / who will they mean?" 14 What year was this poem published? 1966 1961 1963 1965 15 What are the two main themes of "The Liar"? Psychological Terror & Separation of the Body and Soul Metamorphosis of Self & Separation/Unity of the Body and Soul Popular Culture/Oral Tradition & Individuality Individuality & Psychological Terror 16 What two qualities would characterize the speaker of "The Liar"? shy & timid hateful & changing vocal & critical alien & scared 17 What does "biblically" mean in the context of this poem? shyly meekly tinily hugely; immensely 18 What is the closest definition of the word "familiarity" in the context of this poem? relaxed friendliness or intimacy between people friendliness inappropriate and often offensive informality of behavior or language the state of being known or familiar 19 What is "Roi" a reference to in this poem? Roy Halladay It's a nickname for LeRoy Neiman, Baraka's best friend in childhood Roi Hibbert It's a nickname for LeRoi Jones, Baraka's name at the publication of this poem 20 What kind of literary device is contained in the quotation "It is Roi / who is dead"? allegedly metaphor allegory assonance 21 What does "instances" mean in the context of this poem? moments examples bodily comforts entrances 22 What is the closest meaning of "comforts" in the context of this poem? things that cause pain greasy foods bodily pleasures condolences 23 What kind of literary device is "rattling"? description onomatopoeia imagery simile