Critical response
Critical reception in Japan was generally positive.[10] Tomomi Katsuta of The Mainichi Shinbun thought that the film was "a vast improvement over previous American attempts to portray Japan", noting that director Edward Zwick "had researched Japanese history, cast well-known Japanese actors and consulted dialogue coaches to make sure he didn't confuse the casual and formal categories of Japanese speech." Katsuta still found fault with the film's idealistic, "storybook" portrayal of the samurai, stating: "Our image of samurai is that they were more corrupt." As such, he said, the noble samurai leader Katsumoto "set my teeth on edge."[11]
In the United States, review aggregator Rotten Tomatoes reports that 66% of critics have given the film a positive review based on 221 reviews, with an average score of 6.4/10. The site's consensus states: "With high production values and thrilling battle scenes, The Last Samurai is a satisfying epic."[12] At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the film received an average score of 55, based on reviews from 43 critics, indicating "mixed or average reviews".[13]
Roger Ebert of Chicago Sun-Times gave the film three and a half stars out of four, saying "beautifully designed, intelligently written, acted with conviction, it's an uncommonly thoughtful epic."[14]
One online analyst compares the movie favorably to Dances with Wolves in that each protagonist meets and combats a "technologically backward people". Both Costner's and Cruise's characters have suffered through a series of traumatic and brutal battles. Each ultimately uses his experiences to later assist his new friends. Each comes to respect his newly adopted culture. Each even fights with his new community against the people and traditions from which he came.[15]
Box office
The film achieved higher box office receipts in Japan than in the United States.[16] The film grossed $456.8 million against a production budget of $140 million. It grossed $111,127,263 in the United States and Canada, and $345,631,718 in other countries.[17] It was one of the most successful box office hits in Japan,[18] where it grossed ¥13.7 billion ($132 million).,[19]
Accolades
Award | Category | Recipient | Result |
---|---|---|---|
Academy Awards[20] | Best Supporting Actor | Ken Watanabe | Nominated |
Best Art Direction | Lilly Kilvert and Gretchen Rau | Nominated | |
Best Costume Design | Ngila Dickson | Nominated | |
Best Sound Mixing | Andy Nelson, Anna Behlmer and Jeff Wexler | Nominated | |
Golden Globe Awards | Best Actor – Motion Picture Drama | Tom Cruise | Nominated |
Best Supporting Actor | Ken Watanabe | Nominated | |
Best Score | Hans Zimmer | Nominated | |
National Board of Review | Top Ten Films | 2nd place | |
Best Director | Edward Zwick | Won | |
Satellite Awards | Best Film | Nominated | |
Best Actor | Tom Cruise | Nominated | |
Best Supporting Actor | Ken Watanabe | Nominated | |
Best Original Score | Hans Zimmer | Won | |
Best Cinematography | John Toll | Won | |
Best Art Direction and Production Design | Lilly Kilvert and Gretchen Rau | Nominated | |
Best Costume Design | Ngila Dickson | Won | |
Best Editing | Victor Du Bois and Steven Rosenblum | Won | |
Best Sound | Andy Nelson, Anna Behlmer and Jeff Wexler | Nominated | |
Best Visual Effects | Nominated | ||
Visual Effects Society Awards | Outstanding Supporting Visual Effects | Jeffrey A. Okun, Thomas Boland, Bill Mesa, Ray McIntyre Jr. | Won |
Japan Academy Film Prize | Outstanding Foreign Language Film | Won | |
Taurus World Stunt Awards | Best Fire Stunt | Won |