Strangers to Ourselves Literary Elements

Strangers to Ourselves Literary Elements

Genre

Non-fiction

Setting and Context

Aviv's book is set during a number of different time periods, but is primarily set in the late 1900s and early 2000s.

Narrator and Point of View

Strangers to Ourselves is told from Aviv's third-person perspective.

Tone and Mood

Aviv's book is clinical, formal, empathetic, warm, inviting, scientific, and not judging.

Protagonist and Antagonist

Those who suffer with mental illnesses are the protagonist in Aviv's book and mental illness itself is the antagonist of the book.

Major Conflict

The major conflict of the film involves each person's struggles with mental illness—and how they attempted to treat it.

Climax

There is no discernible climax in Strangers to Ourselves because it does not follow a traditional narrative structure.

Foreshadowing

Aviv being cured of her eating disorder is foreshadowed by some of her conversations with her doctors.

Understatement

Aviv understates her self-awareness during her early life while dealing with her own mental illness.

Allusions

There are allusions to psychology, mental health concepts, the geography and history of the United States and the world, and popular culture in the time periods each story is set.

Imagery

As some of the patients' mental illnesses grow stronger and more intense, violent and unstable imagery becomes more and more common.

Paradox

Mental institutions claimed to help their patients. However, they sometimes did more harm than good to their patients.

Parallelism

N/A.

Metonymy and Synecdoche

"The police" refers to the police officers.

Personification

The mental illnesses that the people in the book struggle with are personified in the novel and are given human characteristics.

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