There are many legends about Jonson's rivalry with Shakespeare. William Drummond reports that during their conversation, Jonson scoffed at two apparent absurdities in Shakespeare's plays: a nonsensical line in Julius Caesar and the setting of The Winter's Tale on the non-existent seacoast of Bohemia. Drummond also reported Jonson as saying that Shakespeare "wanted art" (i.e., lacked skill).[50]
In "De Shakespeare Nostrat" in Timber, which was published posthumously and reflects his lifetime of practical experience, Jonson offers a fuller and more conciliatory comment. He recalls being told by certain actors that Shakespeare never blotted (i.e., crossed out) a line when he wrote. His own claimed response was "Would he had blotted a thousand!"[a] However, Jonson explains, "Hee was (indeed) honest, and of an open, and free nature: had an excellent Phantsie; brave notions and gentle expressions: wherein hee flow'd with that facility, that sometime it was necessary he should be stopp'd".[52] Jonson concludes that "there was ever more in him to be praised than to be pardoned." When Shakespeare died, he said, "He was not of an age, but for all time."[53]
Thomas Fuller relates stories of Jonson and Shakespeare engaging in debates in the Mermaid Tavern; Fuller imagines conversations in which Shakespeare would run rings around the more learned but more ponderous Jonson. That the two men knew each other personally is beyond doubt, not only because of the tone of Jonson's references to him but because Shakespeare's company produced a number of Jonson's plays, at least two of which (Every Man in His Humour and Sejanus His Fall) Shakespeare certainly acted in. However, it is now impossible to tell how much personal communication they had, and tales of their friendship cannot be substantiated.
Jonson's most influential and revealing commentary on Shakespeare is the second of the two poems that he contributed to the prefatory verse that opens Shakespeare's First Folio. This poem, "To the Memory of My Beloved the Author, Mr. William Shakespeare and What He Hath Left Us", did a good deal to create the traditional view of Shakespeare as a poet who, despite "small Latine, and lesse Greeke",[54] had a natural genius. The poem has traditionally been thought to exemplify the contrast which Jonson perceived between himself, the disciplined and erudite classicist, scornful of ignorance and sceptical of the masses, and Shakespeare, represented in the poem as a kind of natural wonder whose genius was not subject to any rules except those of the audiences for which he wrote. But the poem itself qualifies this view:
- Yet must I not give Nature all: Thy Art,
- My gentle Shakespeare, must enjoy a part.
Some view this elegy as a conventional exercise, but others see it as a heartfelt tribute to the "Sweet Swan of Avon", the "Soul of the Age!" It has been argued that Jonson helped to edit the First Folio, and he may have been inspired to write this poem by reading his fellow playwright's works, a number of which had been previously either unpublished or available in less satisfactory versions, in a relatively complete form.
