Ran

Ran Literary Elements

Director

Akira Kurosawa

Leading Actors/Actresses

Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Mieko Harada, Daisuke Ryû

Supporting Actors/Actresses

Masayuki Yui, Mansai Nomura

Genre

Drama, Action, Tragedy

Language

Japanese

Awards

Won Academy Award for Best Costume Design. Nominated for three other Oscars including Best Director, Best Cinematography, Best Art Direction-Set Decoration

Date of Release

1985

Producer

Masato Hara, Serge Silberman

Setting and Context

16th Century Japan during the Sengoku Jidai period

Narrator and Point of View

None

Tone and Mood

Serious, Dramatic, Violent, Tragic

Protagonist and Antagonist

Protagonist is Ichimonji and antagonists are Taro, Jiro, and Kaede

Major Conflict

Taro and Jiro strip their father of authority after he has given rule to Taro, and he finds himself without a home and separated from his only loyal son, Saburo.

Climax

Ichimonji dies immediately after his son, Saburo, is killed.

Foreshadowing

Saburo snaps the bundle of three arrows his father gives him as a symbol of unity. It foreshadows the break between the brothers and their ultimate demise. Kaede's discussion of her family's ruin foreshadows her revenge.

Understatement

Kurosawa understates Ichimonji's past violence in attaining his land and authority. It's only when we meet Tsurumaru that we understand the extent of his past brutality.

Innovations in Filming or Lighting or Camera Techniques

At the time, the film was the most expensive Japanese film ever made.

Allusions

The film is an allegory for technological advancement and its plot takes inspiration from King Lear and the real-life daimyō, Mōri Motonari.

Paradox

Ichimonji banishes Saburo for questioning him about Taro's ability to lead. Paradoxically, Saburo is the only son who truly cares for his father and what's best for him.

Parallelism

Kurosawa parallels the opening and closing shots of the film. At the opening four men face opposite directions, and at the ending one man is enveloped in shadow. Thus we see four men heading in four separate directions that will eventually tear their bond apart, and the film closes with a man who appears to have no direction at all.