- ^ Ellis, Samantha (2004-03-17). "Curtain up: Beckett's Play at the Old Vic, April 7 1964". The Guardian. ISSN 0261-3077. Retrieved 2019-07-16.
- ^ a b c Ackerley, C. J. and Gontarski, S. E., (Eds.) The Faber Companion to Samuel Beckett, (London: Faber and Faber, 2006), p. 443
- ^ a b Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p. 159
- ^ a b Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p. 147
- ^ a b Ackerley, C. J. and Gontarski, S. E., (Eds.) The Faber Companion to Samuel Beckett, (London: Faber and Faber, 2006), p. 445
- ^ Bair, D., Samuel Beckett: A Biography (London: Vintage, 1990), p. 582
- ^ Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p. 156
- ^ Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p. 152
- ^ Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p. 158
- ^ From an unscripted interview with Billie Whitelaw by James Knowlson. A television recording made on 1 February 1977 for the University of London Audio-Visual Centre.
- ^ In Proust, Beckett refers to "the beautiful convention of 'da capo' ... a testimony to the intimate and ineffable nature of an art that is perfectly intelligible and perfectly inexplicable." – Proust, (London: Chatto and Windus, 1931), p. 15
- ^ a b c Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p. 157
- ^ a b Knowlson, J., (Ed.) Samuel Beckett: an Exhibition (London: Turret Books, 1971), p. 92
- ^ a b Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p. 151
- ^ Beckett, S., Watt (London: John Calder [1953] 1998), p. 55
- ^ a b Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p. 150
- ^ Robinson, M., The Long Sonata of the Dead: A Study of Samuel Beckett (New York: Grove Press, 1969), p. 296
- ^ Knowlson, J. and Pilling, J., Frescoes of the Skull (London: John Calder, 1979), p. 115
- ^ Knowlson, J., Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996), pp 458, 459
- ^ Cronin, A., Samuel Beckett The Last Modernist (London: Flamingo, 1997), p 495
- ^ a b Knowlson, J., Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996), p 480
- ^ a b Cronin, A., Samuel Beckett The Last Modernist (London: Flamingo, 1997), p 500
- ^ Cronin, A., Samuel Beckett The Last Modernist (London: Flamingo, 1997), pp 517,518
- ^ Cronin, A., Samuel Beckett The Last Modernist (London: Flamingo, 1997), p 519
- ^ Knowlson, J., Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996), p 481
- ^ Knowlson, J., Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996), p 497
- ^ Bair, D., Samuel Beckett: A Biography (London: Vintage, 1990), p 603
- ^ Benedict, David (1998-09-22). "Theatre: And now for the drama of the century". The Independent. Retrieved 2021-03-30.
- ^ Robinson, M., The Long Sonata of the Dead: A Study of Samuel Beckett (New York: Grove Press, 1969), p 295
- ^ Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), p 153
- ^ Beckett, S., Collected Shorter Plays of Samuel Beckett (London: Faber and Faber, 1984), pp 153,154
- ^ Robinson, M., The Long Sonata of the Dead: A Study of Samuel Beckett (New York: Grove Press, 1969), pp 296,297
- ^ Shakespeare, W., As You Like It (Act 2, Scene 7)
- ^ Kenner, H., Samuel Beckett: A Critical Study (Berkeley: University of California Press, 1973), pp 210,211
- ^ Fletcher, J. and Spurling, J., Beckett a Study of his Plays (New York: Hill and Wang, 1972), p 107
- ^ ”This then is the message which we have heard of him, and declare unto you, that God is light, and in him is no darkness at all.” – 1 John 1:5 (King James Version)
- ^ Fletcher, B. S., Fletcher, J., Smith, B., and Bachem, W., A Student’s Guide to the Plays of Samuel Beckett (London, Faber and Faber, 1978), pp 172,173
- ^ a b c Lawley, P., ‘Beckett’s dramatic counterpoint: a reading of Play’ in Journal of Beckett Studies 9 (1983)
- ^ Ulu, B., Play: A Dream-Shatterer Love Story
- ^ Roof, J. A., ‘A Blink in the Mirror: From Oedipus to Narcissus and Back in the Drama of Samuel Beckett’ in Burkman, K. H., (Ed.) Myth and Ritual in the Plays of Samuel Beckett (London and Toronto: Fairleigh Dickinson University Press, 1987), p 158
- ^ Mercier, V., Beckett/Beckett (London: Souvenir Press, 1990), pp 80,81
- ^ Esslin, M., ‘Patterns of Rejection Sex and Love in Beckett’s Universe’ in Ben-Zvi, L., (Ed.) Women in Beckett: Performance and Critical Perspectives (Urbana and Chicago: University of Illinois Press, 1992), p 61
- ^ Beckett, S., Collected Shorter Plays of Samuel Beckett, p 157
- ^ Cohn, R., ‘The Femme Fatale on Beckett’s Stage’ in Ben-Zvi, L., (Ed.) Women in Beckett: Performance and Critical Perspectives (Urbana and Chicago: University of Illinois Press, 1992), p 167
- ^ Knowlson, J., Damned to Fame: The Life of Samuel Beckett (London: Bloomsbury, 1996), p 426
- ^ Beckett, S., ‘Dante...Bruno. Vico... Joyce’ in Disjecta: Miscellaneous Writings and a Dramatic Fragment(London: Calder Publications, 1983), p.33; also at external link shown below
- ^ Mercier, V., Beckett/Beckett (London: Souvenir Press, 1990), p 178
- ^ Ackerley, C. J. and Gontarski, S. E., (Eds.) The Faber Companion to Samuel Beckett, (London: Faber and Faber, 2006), p 471
- ^ Sartre, Jean-Paul, No Exit and Three Other Plays (New York: Vintage International, 1976), p 45
- ^ Bowne, E. M., The Making of T. S. Eliot’s Plays (Cambridge: Cambridge University Press, 1970), p 233
- ^ Worth, K., ‘Sources of Attraction to Beckett’s Theater’ in Oppenheim, L., (Ed.) Palgrave Advances in Samuel Beckett Studies (London: Palgrave, 2004), pp 221,222
- ^ Worth, K., ‘Sources of Attraction to Beckett’s Theater’ in Oppenheim, L., (Ed.) Palgrave Advances in Samuel Beckett Studies (London: Palgrave, 2004), p 221
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