Plays
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The Phoenix (1603–1604)
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The Honest Whore, Part 1 (1604) (co-written with Thomas Dekker)
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Michaelmas Term (1604)
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A Trick to Catch the Old One (1605)
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A Mad World, My Masters (1605)
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A Yorkshire Tragedy (1605)
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Timon of Athens (1606) (co-written with Shakespeare)
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The Puritan (1606)
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The Revenger's Tragedy (1606)
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Your Five Gallants (1607)
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The Bloody Banquet (1608–1609) (co-written with Dekker)
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The Roaring Girl (1611) (co-written with Dekker)
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No Wit, No Help Like a Woman's (1611)
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The Second Maiden's Tragedy (1611)
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A Chaste Maid in Cheapside (1613)
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Wit at Several Weapons (1613) (co-written with William Rowley)
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More Dissemblers Besides Women (1614)
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The Widow (1615–16)
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The Witch (1616)
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A Fair Quarrel (1616) (co-written with Rowley)
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The Old Law (1618–19) (co-written with Rowley)
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Hengist, King of Kent (1620)
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Women Beware Women (1621)
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Anything for a Quiet Life (1621) (co-written with John Webster)
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The Changeling (1622) (co-written with Rowley)
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The Nice Valour (1622)
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The Spanish Gypsy (1623) (co-written with Rowley, Dekker and John Ford)
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A Game at Chess (1624)
Attributed to Middleton, authorship disputed, possible co-authorship
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Blurt, Master Constable (1602) (usually attributed to either Middleton or Thomas Dekker)
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Measure for Measure (1603–4) (some scholars argue that the First Folio text was partly revised by Middleton in 1621)
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All's Well That Ends Well (1604-5) (believed by some scholars to be co-written or revised by Middleton, based on stylometric analysis)
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Macbeth (1606) (scholars have recognized evidence of late interpolations written by Middleton)
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The Family of Love (1608) (many scholars have attributed it to Middleton and Dekker; recent scholarship suggests that it was probably penned by Lording Barry)
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The Witch of Edmonton (1621) (title-page indicates an additional writer that could be Middleton)
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A Match at Midnight (1622) (some nineteenth-century critics ascribed it to Middleton and Rowley)
Other stage works
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The Whole Royal and Magnificent Entertainment Given to King James Through the City of London (1603–4) (co-written with Thomas Dekker, Stephen Harrison and Ben Jonson)
- The Manner of his Lordship's Entertainment
- Civitas Amor
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The Triumphs of Truth (1613)
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The Triumphs of Honour and Industry (1617)
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The Masque of Heroes, or, The Inner Temple Masque (1619)
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The Triumphs of Love and Antiquity (1619)
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The World Tossed at Tennis (1620) (co-written with William Rowley)
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Honourable Entertainments (1620–1)
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An Invention (1622)
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The Sun in Aries (1621)
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The Triumphs of Honour and Virtue (1622)
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The Triumphs of Integrity with The Triumphs of the Golden Fleece (1623)
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The Triumphs of Health and Prosperity (1626)
Poetry
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The Wisdom of Solomon Paraphrased (1597)
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Microcynicon: Six Snarling Satires (1599)
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The Ghost of Lucrece (1600)
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Burbage epitaph (1619)
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Bolles epitaph (1621)
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St. James (1623)
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Duchess of Malfi (Commendatory verses to John Webster's play) (1623)
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To the King (1624)
Prose
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The Penniless Parliament of Threadbare Poets (1601)
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News from Gravesend (1603) (co-written with Thomas Dekker)
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The Nightingale and the Ant (1604) (also published as Father Hubbard's Tales)
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The Meeting of Gallants at an Ordinary (1604) (co-written with Dekker)
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Plato's Cap Cast at the Year 1604 (1604)
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The Black Book (1604)
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Sir Robert Sherley his Entertainment in Cracovia (1609) (translation).
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The Two Gates of Salvation, or The Marriage of the Old and New Testament (1609)
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The Owl's Almanac (1618)
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The Peacemaker (1618)
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