McTeague: A Story of San Francisco

Chapters 5-6


Wednesday morning, Washington's Birthday, McTeague rose very early and shaved himself. Besides the six mournful concertina airs, the dentist knew one song. Whenever he shaved, he sung this song; never at any other time. His voice was a bellowing roar, enough to make the window sashes rattle. Just now he woke up all the lodgers in his hall with it. It was a lamentable wail:

"No one to love, none to caress,

Left all alone in this world's wilderness."

As he paused to strop his razor, Marcus came into his room, half-dressed, a startling phantom in red flannels.

Marcus often ran back and forth between his room and the dentist's "Parlors" in all sorts of undress. Old Miss Baker had seen him thus several times through her half-open door, as she sat in her room listening and waiting. The old dressmaker was shocked out of all expression. She was outraged, offended, pursing her lips, putting up her head. She talked of complaining to the landlady. "And Mr. Grannis right next door, too. You can understand how trying it is for both of us." She would come out in the hall after one of these apparitions, her little false curls shaking, talking loud and shrill to any one in reach of her voice.

"Well," Marcus would shout, "shut your door, then, if you don't want to see. Look out, now, here I come again. Not even a porous plaster on me this time."

On this Wednesday morning Marcus called McTeague out into the hall, to the head of the stairs that led down to the street door.

"Come and listen to Maria, Mac," said he.

Maria sat on the next to the lowest step, her chin propped by her two fists. The red-headed Polish Jew, the ragman Zerkow, stood in the doorway. He was talking eagerly.

"Now, just once more, Maria," he was saying. "Tell it to us just once more." Maria's voice came up the stairway in a monotone. Marcus and McTeague caught a phrase from time to time.

"There were more than a hundred pieces, and every one of them gold—just that punch-bowl was worth a fortune-thick, fat, red gold."

"Get onto to that, will you?" observed Marcus. "The old skin has got her started on the plate. Ain't they a pair for you?"

"And it rang like bells, didn't it?" prompted Zerkow.

"Sweeter'n church bells, and clearer."

"Ah, sweeter'n bells. Wasn't that punch-bowl awful heavy?"

"All you could do to lift it."

"I know. Oh, I know," answered Zerkow, clawing at his lips. "Where did it all go to? Where did it go?"

Maria shook her head.

"It's gone, anyhow."

"Ah, gone, gone! Think of it! The punch-bowl gone, and the engraved ladle, and the plates and goblets. What a sight it must have been all heaped together!"

"It was a wonderful sight."

"Yes, wonderful; it must have been."

On the lower steps of that cheap flat, the Mexican woman and the red-haired Polish Jew mused long over that vanished, half-mythical gold plate.

Marcus and the dentist spent Washington's Birthday across the bay. The journey over was one long agony to McTeague. He shook with a formless, uncertain dread; a dozen times he would have turned back had not Marcus been with him. The stolid giant was as nervous as a schoolboy. He fancied that his call upon Miss Sieppe was an outrageous affront. She would freeze him with a stare; he would be shown the door, would be ejected, disgraced.

As they got off the local train at B Street station they suddenly collided with the whole tribe of Sieppes—the mother, father, three children, and Trina—equipped for one of their eternal picnics. They were to go to Schuetzen Park, within walking distance of the station. They were grouped about four lunch baskets. One of the children, a little boy, held a black greyhound by a rope around its neck. Trina wore a blue cloth skirt, a striped shirt waist, and a white sailor; about her round waist was a belt of imitation alligator skin.

At once Mrs. Sieppe began to talk to Marcus. He had written of their coming, but the picnic had been decided upon after the arrival of his letter. Mrs. Sieppe explained this to him. She was an immense old lady with a pink face and wonderful hair, absolutely white. The Sieppes were a German-Swiss family.

"We go to der park, Schuetzen Park, mit alle dem childern, a little eggs-kursion, eh not soh? We breathe der freshes air, a celubration, a pignic bei der seashore on. Ach, dot wull be soh gay, ah?"

"You bet it will. It'll be outa sight," cried Marcus, enthusiastic in an instant. "This is m' friend Doctor McTeague I wrote you about, Mrs. Sieppe."

"Ach, der doktor," cried Mrs. Sieppe.

McTeague was presented, shaking hands gravely as Marcus shouldered him from one to the other.

Mr. Sieppe was a little man of a military aspect, full of importance, taking himself very seriously. He was a member of a rifle team. Over his shoulder was slung a Springfield rifle, while his breast was decorated by five bronze medals.

Trina was delighted. McTeague was dumfounded. She appeared positively glad to see him.

"How do you do, Doctor McTeague," she said, smiling at him and shaking his hand. "It's nice to see you again. Look, see how fine my filling is." She lifted a corner of her lip and showed him the clumsy gold bridge.

Meanwhile, Mr. Sieppe toiled and perspired. Upon him devolved the responsibility of the excursion. He seemed to consider it a matter of vast importance, a veritable expedition.

"Owgooste!" he shouted to the little boy with the black greyhound, "you will der hound und basket number three carry. Der tervins," he added, calling to the two smallest boys, who were dressed exactly alike, "will releef one unudder mit der camp-stuhl und basket number four. Dat is comprehend, hay? When we make der start, you childern will in der advance march. Dat is your orders. But we do not start," he exclaimed, excitedly; "we remain. Ach Gott, Selina, who does not arrive."

Selina, it appeared, was a niece of Mrs. Sieppe's. They were on the point of starting without her, when she suddenly arrived, very much out of breath. She was a slender, unhealthy looking girl, who overworked herself giving lessons in hand-painting at twenty-five cents an hour. McTeague was presented. They all began to talk at once, filling the little station-house with a confusion of tongues.

"Attention!" cried Mr. Sieppe, his gold-headed cane in one hand, his Springfield in the other. "Attention! We depart." The four little boys moved off ahead; the greyhound suddenly began to bark, and tug at his leash. The others picked up their bundles.

"Vorwarts!" shouted Mr. Sieppe, waving his rifle and assuming the attitude of a lieutenant of infantry leading a charge. The party set off down the railroad track.

Mrs. Sieppe walked with her husband, who constantly left her side to shout an order up and down the line. Marcus followed with Selina. McTeague found himself with Trina at the end of the procession.

"We go off on these picnics almost every week," said Trina, by way of a beginning, "and almost every holiday, too. It is a custom."

"Yes, yes, a custom," answered McTeague, nodding; "a custom—that's the word."

"Don't you think picnics are fine fun, Doctor McTeague?" she continued. "You take your lunch; you leave the dirty city all day; you race about in the open air, and when lunchtime comes, oh, aren't you hungry? And the woods and the grass smell so fine!"

"I don' know, Miss Sieppe," he answered, keeping his eyes fixed on the ground between the rails. "I never went on a picnic."

"Never went on a picnic?" she cried, astonished. "Oh, you'll see what fun we'll have. In the morning father and the children dig clams in the mud by the shore, an' we bake them, and—oh, there's thousands of things to do."

"Once I went sailing on the bay," said McTeague. "It was in a tugboat; we fished off the heads. I caught three codfishes."

"I'm afraid to go out on the bay," answered Trina, shaking her head, "sailboats tip over so easy. A cousin of mine, Selina's brother, was drowned one Decoration Day. They never found his body. Can you swim, Doctor McTeague?"

"I used to at the mine."

"At the mine? Oh, yes, I remember, Marcus told me you were a miner once."

"I was a car-boy; all the car-boys used to swim in the reservoir by the ditch every Thursday evening. One of them was bit by a rattlesnake once while he was dressing. He was a Frenchman, named Andrew. He swelled up and began to twitch."

"Oh, how I hate snakes! They're so crawly and graceful—but, just the same, I like to watch them. You know that drug store over in town that has a showcase full of live ones?"

"We killed the rattler with a cart whip."

"How far do you think you could swim? Did you ever try? D'you think you could swim a mile?"

"A mile? I don't know. I never tried. I guess I could."

"I can swim a little. Sometimes we all go out to the Crystal Baths."

"The Crystal Baths, huh? Can you swim across the tank?"

"Oh, I can swim all right as long as papa holds my chin up. Soon as he takes his hand away, down I go. Don't you hate to get water in your ears?"

"Bathing's good for you."

"If the water's too warm, it isn't. It weakens you."

Mr. Sieppe came running down the tracks, waving his cane.

"To one side," he shouted, motioning them off the track; "der drain gomes." A local passenger train was just passing B Street station, some quarter of a mile behind them. The party stood to one side to let it pass. Marcus put a nickel and two crossed pins upon the rail, and waved his hat to the passengers as the train roared past. The children shouted shrilly. When the train was gone, they all rushed to see the nickel and the crossed pins. The nickel had been jolted off, but the pins had been flattened out so that they bore a faint resemblance to opened scissors. A great contention arose among the children for the possession of these "scissors." Mr. Sieppe was obliged to intervene. He reflected gravely. It was a matter of tremendous moment. The whole party halted, awaiting his decision.

"Attend now," he suddenly exclaimed. "It will not be soh soon. At der end of der day, ven we shall have home gecommen, den wull it pe adjudge, eh? A REward of merit to him who der bes' pehaves. It is an order. Vorwarts!"

"That was a Sacramento train," said Marcus to Selina as they started off; "it was, for a fact."

"I know a girl in Sacramento," Trina told McTeague. "She's forewoman in a glove store, and she's got consumption."

"I was in Sacramento once," observed McTeague, "nearly eight years ago."

"Is it a nice place—as nice as San Francisco?"

"It's hot. I practised there for a while."

"I like San Francisco," said Trina, looking across the bay to where the city piled itself upon its hills.

"So do I," answered McTeague. "Do you like it better than living over here?"

"Oh, sure, I wish we lived in the city. If you want to go across for anything it takes up the whole day."

"Yes, yes, the whole day—almost."

"Do you know many people in the city? Do you know anybody named Oelbermann? That's my uncle. He has a wholesale toy store in the Mission. They say he's awful rich."

"No, I don' know him."

"His stepdaughter wants to be a nun. Just fancy! And Mr. Oelbermann won't have it. He says it would be just like burying his child. Yes, she wants to enter the convent of the Sacred Heart. Are you a Catholic, Doctor McTeague?"

"No. No, I—"

"Papa is a Catholic. He goes to Mass on the feast days once in a while. But mamma's Lutheran."

"The Catholics are trying to get control of the schools," observed McTeague, suddenly remembering one of Marcus's political tirades.

"That's what cousin Mark says. We are going to send the twins to the kindergarten next month."

"What's the kindergarten?"

"Oh, they teach them to make things out of straw and toothpicks—kind of a play place to keep them off the street."

"There's one up on Sacramento Street, not far from Polk Street. I saw the sign."

"I know where. Why, Selina used to play the piano there."

"Does she play the piano?"

"Oh, you ought to hear her. She plays fine. Selina's very accomplished. She paints, too."

"I can play on the concertina."

"Oh, can you? I wish you'd brought it along. Next time you will. I hope you'll come often on our picnics. You'll see what fun we'll have."

"Fine day for a picnic, ain't it? There ain't a cloud."

"That's so," exclaimed Trina, looking up, "not a single cloud. Oh, yes; there is one, just over Telegraph Hill."

"That's smoke."

"No, it's a cloud. Smoke isn't white that way."

"'Tis a cloud."

"I knew I was right. I never say a thing unless I'm pretty sure."

"It looks like a dog's head."

"Don't it? Isn't Marcus fond of dogs?"

"He got a new dog last week—a setter."

"Did he?"

"Yes. He and I took a lot of dogs from his hospital out for a walk to the Cliff House last Sunday, but we had to walk all the way home, because they wouldn't follow. You've been out to the Cliff House?"

"Not for a long time. We had a picnic there one Fourth of July, but it rained. Don't you love the ocean?"

"Yes—yes, I like it pretty well."

"Oh, I'd like to go off in one of those big sailing ships. Just away, and away, and away, anywhere. They're different from a little yacht. I'd love to travel."

"Sure; so would I."

"Papa and mamma came over in a sailing ship. They were twenty-one days. Mamma's uncle used to be a sailor. He was captain of a steamer on Lake Geneva, in Switzerland."

"Halt!" shouted Mr. Sieppe, brandishing his rifle. They had arrived at the gates of the park. All at once McTeague turned cold. He had only a quarter in his pocket. What was he expected to do—pay for the whole party, or for Trina and himself, or merely buy his own ticket? And even in this latter case would a quarter be enough? He lost his wits, rolling his eyes helplessly. Then it occurred to him to feign a great abstraction, pretending not to know that the time was come to pay. He looked intently up and down the tracks; perhaps a train was coming. "Here we are," cried Trina, as they came up to the rest of the party, crowded about the entrance. "Yes, yes," observed McTeague, his head in the air.

"Gi' me four bits, Mac," said Marcus, coming up. "Here's where we shell out."

"I—I—I only got a quarter," mumbled the dentist, miserably. He felt that he had ruined himself forever with Trina. What was the use of trying to win her? Destiny was against him. "I only got a quarter," he stammered. He was on the point of adding that he would not go in the park. That seemed to be the only alternative.

"Oh, all right!" said Marcus, easily. "I'll pay for you, and you can square with me when we go home."

They filed into the park, Mr. Sieppe counting them off as they entered.

"Ah," said Trina, with a long breath, as she and McTeague pushed through the wicket, "here we are once more, Doctor." She had not appeared to notice McTeague's embarrassment. The difficulty had been tided over somehow. Once more McTeague felt himself saved.

"To der beach!" shouted Mr. Sieppe. They had checked their baskets at the peanut stand. The whole party trooped down to the seashore. The greyhound was turned loose. The children raced on ahead.

From one of the larger parcels Mrs. Sieppe had drawn forth a small tin steamboat—August's birthday present—a gaudy little toy which could be steamed up and navigated by means of an alcohol lamp. Her trial trip was to be made this morning.

"Gi' me it, gi' me it," shouted August, dancing around his father.

"Not soh, not soh," cried Mr. Sieppe, bearing it aloft. "I must first der eggsperimunt make."

"No, no!" wailed August. "I want to play with ut."

"Obey!" thundered Mr. Sieppe. August subsided. A little jetty ran part of the way into the water. Here, after a careful study of the directions printed on the cover of the box, Mr. Sieppe began to fire the little boat.

"I want to put ut in the wa-ater," cried August.

"Stand back!" shouted his parent. "You do not know so well as me; dere is dandger. Mitout attention he will eggsplode."

"I want to play with ut," protested August, beginning to cry.

"Ach, soh; you cry, bube!" vociferated Mr. Sieppe. "Mommer," addressing Mrs. Sieppe, "he will soh soon be ge-whipt, eh?"

"I want my boa-wut," screamed August, dancing.

"Silence!" roared Mr. Sieppe. The little boat began to hiss and smoke.

"Soh," observed the father, "he gommence. Attention! I put him in der water." He was very excited. The perspiration dripped from the back of his neck. The little boat was launched. It hissed more furiously than ever. Clouds of steam rolled from it, but it refused to move.

"You don't know how she wo-rks," sobbed August.

"I know more soh mudge as der grossest liddle fool as you," cried Mr. Sieppe, fiercely, his face purple.

"You must give it sh—shove!" exclaimed the boy.

"Den he eggsplode, idiot!" shouted his father. All at once the boiler of the steamer blew up with a sharp crack. The little tin toy turned over and sank out of sight before any one could interfere.

"Ah—h! Yah! Yah!" yelled August. "It's go-one!"

Instantly Mr. Sieppe boxed his ears. There was a lamentable scene. August rent the air with his outcries; his father shook him till his boots danced on the jetty, shouting into his face:

"Ach, idiot! Ach, imbecile! Ach, miserable! I tol' you he eggsplode. Stop your cry. Stop! It is an order. Do you wish I drow you in der water, eh? Speak. Silence, bube! Mommer, where ist mein stick? He will der grossest whippun ever of his life receive."

Little by little the boy subsided, swallowing his sobs, knuckling his eyes, gazing ruefully at the spot where the boat had sunk. "Dot is better soh," commented Mr. Sieppe, finally releasing him. "Next dime berhaps you will your fat'er better pelief. Now, no more. We will der glams ge-dig, Mommer, a fire. Ach, himmel! we have der pfeffer forgotten."

The work of clam digging began at once, the little boys taking off their shoes and stockings. At first August refused to be comforted, and it was not until his father drove him into the water with his gold-headed cane that he consented to join the others.

What a day that was for McTeague! What a never-to-be-forgotten day! He was with Trina constantly. They laughed together—she demurely, her lips closed tight, her little chin thrust out, her small pale nose, with its adorable little freckles, wrinkling; he roared with all the force of his lungs, his enormous mouth distended, striking sledge-hammer blows upon his knee with his clenched fist.

The lunch was delicious. Trina and her mother made a clam chowder that melted in one's mouth. The lunch baskets were emptied. The party were fully two hours eating. There were huge loaves of rye bread full of grains of chickweed. There were weiner-wurst and frankfurter sausages. There was unsalted butter. There were pretzels. There was cold underdone chicken, which one ate in slices, plastered with a wonderful kind of mustard that did not sting. There were dried apples, that gave Mr. Sieppe the hiccoughs. There were a dozen bottles of beer, and, last of all, a crowning achievement, a marvellous Gotha truffle. After lunch came tobacco. Stuffed to the eyes, McTeague drowsed over his pipe, prone on his back in the sun, while Trina, Mrs. Sieppe, and Selina washed the dishes. In the afternoon Mr. Sieppe disappeared. They heard the reports of his rifle on the range. The others swarmed over the park, now around the swings, now in the Casino, now in the museum, now invading the merry-go-round.

At half-past five o'clock Mr. Sieppe marshalled the party together. It was time to return home.

The family insisted that Marcus and McTeague should take supper with them at their home and should stay over night. Mrs. Sieppe argued they could get no decent supper if they went back to the city at that hour; that they could catch an early morning boat and reach their business in good time. The two friends accepted.

The Sieppes lived in a little box of a house at the foot of B Street, the first house to the right as one went up from the station. It was two stories high, with a funny red mansard roof of oval slates. The interior was cut up into innumerable tiny rooms, some of them so small as to be hardly better than sleeping closets. In the back yard was a contrivance for pumping water from the cistern that interested McTeague at once. It was a dog-wheel, a huge revolving box in which the unhappy black greyhound spent most of his waking hours. It was his kennel; he slept in it. From time to time during the day Mrs. Sieppe appeared on the back doorstep, crying shrilly, "Hoop, hoop!" She threw lumps of coal at him, waking him to his work.

They were all very tired, and went to bed early. After great discussion it was decided that Marcus would sleep upon the lounge in the front parlor. Trina would sleep with August, giving up her room to McTeague. Selina went to her home, a block or so above the Sieppes's. At nine o'clock Mr. Sieppe showed McTeague to his room and left him to himself with a newly lighted candle.

For a long time after Mr. Sieppe had gone McTeague stood motionless in the middle of the room, his elbows pressed close to his sides, looking obliquely from the corners of his eyes. He hardly dared to move. He was in Trina's room.

It was an ordinary little room. A clean white matting was on the floor; gray paper, spotted with pink and green flowers, covered the walls. In one corner, under a white netting, was a little bed, the woodwork gayly painted with knots of bright flowers. Near it, against the wall, was a black walnut bureau. A work-table with spiral legs stood by the window, which was hung with a green and gold window curtain. Opposite the window the closet door stood ajar, while in the corner across from the bed was a tiny washstand with two clean towels.

And that was all. But it was Trina's room. McTeague was in his lady's bower; it seemed to him a little nest, intimate, discreet. He felt hideously out of place. He was an intruder; he, with his enormous feet, his colossal bones, his crude, brutal gestures. The mere weight of his limbs, he was sure, would crush the little bed-stead like an eggshell.

Then, as this first sensation wore off, he began to feel the charm of the little chamber. It was as though Trina were close by, but invisible. McTeague felt all the delight of her presence without the embarrassment that usually accompanied it. He was near to her—nearer than he had ever been before. He saw into her daily life, her little ways and manners, her habits, her very thoughts. And was there not in the air of that room a certain faint perfume that he knew, that recalled her to his mind with marvellous vividness?

As he put the candle down upon the bureau he saw her hairbrush lying there. Instantly he picked it up, and, without knowing why, held it to his face. With what a delicious odor was it redolent! That heavy, enervating odor of her hair—her wonderful, royal hair! The smell of that little hairbrush was talismanic. He had but to close his eyes to see her as distinctly as in a mirror. He saw her tiny, round figure, dressed all in black—for, curiously enough, it was his very first impression of Trina that came back to him now—not the Trina of the later occasions, not the Trina of the blue cloth skirt and white sailor. He saw her as he had seen her the day that Marcus had introduced them: saw her pale, round face; her narrow, half-open eyes, blue like the eyes of a baby; her tiny, pale ears, suggestive of anaemia; the freckles across the bridge of her nose; her pale lips; the tiara of royal black hair; and, above all, the delicious poise of the head, tipped back as though by the weight of all that hair—the poise that thrust out her chin a little, with the movement that was so confiding, so innocent, so nearly infantile.

McTeague went softly about the room from one object to another, beholding Trina in everything he touched or looked at. He came at last to the closet door. It was ajar. He opened it wide, and paused upon the threshold.

Trina's clothes were hanging there—skirts and waists, jackets, and stiff white petticoats. What a vision! For an instant McTeague caught his breath, spellbound. If he had suddenly discovered Trina herself there, smiling at him, holding out her hands, he could hardly have been more overcome. Instantly he recognized the black dress she had worn on that famous first day. There it was, the little jacket she had carried over her arm the day he had terrified her with his blundering declaration, and still others, and others—a whole group of Trinas faced him there. He went farther into the closet, touching the clothes gingerly, stroking them softly with his huge leathern palms. As he stirred them a delicate perfume disengaged itself from the folds. Ah, that exquisite feminine odor! It was not only her hair now, it was Trina herself—her mouth, her hands, her neck; the indescribably sweet, fleshly aroma that was a part of her, pure and clean, and redolent of youth and freshness. All at once, seized with an unreasoned impulse, McTeague opened his huge arms and gathered the little garments close to him, plunging his face deep amongst them, savoring their delicious odor with long breaths of luxury and supreme content.

The picnic at Schuetzen Park decided matters. McTeague began to call on Trina regularly Sunday and Wednesday afternoons. He took Marcus Schouler's place. Sometimes Marcus accompanied him, but it was generally to meet Selina by appointment at the Sieppes's house.

But Marcus made the most of his renunciation of his cousin. He remembered his pose from time to time. He made McTeague unhappy and bewildered by wringing his hand, by venting sighs that seemed to tear his heart out, or by giving evidences of an infinite melancholy. "What is my life!" he would exclaim. "What is left for me? Nothing, by damn!" And when McTeague would attempt remonstrance, he would cry: "Never mind, old man. Never mind me. Go, be happy. I forgive you."

Forgive what? McTeague was all at sea, was harassed with the thought of some shadowy, irreparable injury he had done his friend.

"Oh, don't think of me!" Marcus would exclaim at other times, even when Trina was by. "Don't think of me; I don't count any more. I ain't in it." Marcus seemed to take great pleasure in contemplating the wreck of his life. There is no doubt he enjoyed himself hugely during these days.

The Sieppes were at first puzzled as well over this change of front.

"Trina has den a new younge man," cried Mr. Sieppe. "First Schouler, now der doktor, eh? What die tevil, I say!"

Weeks passed, February went, March came in very rainy, putting a stop to all their picnics and Sunday excursions.

One Wednesday afternoon in the second week in March McTeague came over to call on Trina, bringing his concertina with him, as was his custom nowadays. As he got off the train at the station he was surprised to find Trina waiting for him.

"This is the first day it hasn't rained in weeks," she explained, "an' I thought it would be nice to walk."

"Sure, sure," assented McTeague.

B Street station was nothing more than a little shed. There was no ticket office, nothing but a couple of whittled and carven benches. It was built close to the railroad tracks, just across which was the dirty, muddy shore of San Francisco Bay. About a quarter of a mile back from the station was the edge of the town of Oakland. Between the station and the first houses of the town lay immense salt flats, here and there broken by winding streams of black water. They were covered with a growth of wiry grass, strangely discolored in places by enormous stains of orange yellow.

Near the station a bit of fence painted with a cigar advertisement reeled over into the mud, while under its lee lay an abandoned gravel wagon with dished wheels. The station was connected with the town by the extension of B Street, which struck across the flats geometrically straight, a file of tall poles with intervening wires marching along with it. At the station these were headed by an iron electric-light pole that, with its supports and outriggers, looked for all the world like an immense grasshopper on its hind legs.

Across the flats, at the fringe of the town, were the dump heaps, the figures of a few Chinese rag-pickers moving over them. Far to the left the view was shut off by the immense red-brown drum of the gas-works; to the right it was bounded by the chimneys and workshops of an iron foundry.

Across the railroad tracks, to seaward, one saw the long stretch of black mud bank left bare by the tide, which was far out, nearly half a mile. Clouds of sea-gulls were forever rising and settling upon this mud bank; a wrecked and abandoned wharf crawled over it on tottering legs; close in an old sailboat lay canted on her bilge.

But farther on, across the yellow waters of the bay, beyond Goat Island, lay San Francisco, a blue line of hills, rugged with roofs and spires. Far to the westward opened the Golden Gate, a bleak cutting in the sand-hills, through which one caught a glimpse of the open Pacific.

The station at B Street was solitary; no trains passed at this hour; except the distant rag-pickers, not a soul was in sight. The wind blew strong, carrying with it the mingled smell of salt, of tar, of dead seaweed, and of bilge. The sky hung low and brown; at long intervals a few drops of rain fell.

Near the station Trina and McTeague sat on the roadbed of the tracks, at the edge of the mud bank, making the most out of the landscape, enjoying the open air, the salt marshes, and the sight of the distant water. From time to time McTeague played his six mournful airs upon his concertina.

After a while they began walking up and down the tracks, McTeague talking about his profession, Trina listening, very interested and absorbed, trying to understand.

"For pulling the roots of the upper molars we use the cowhorn forceps," continued the dentist, monotonously. "We get the inside beak over the palatal roots and the cow-horn beak over the buccal roots—that's the roots on the outside, you see. Then we close the forceps, and that breaks right through the alveolus—that's the part of the socket in the jaw, you understand."

At another moment he told her of his one unsatisfied desire. "Some day I'm going to have a big gilded tooth outside my window for a sign. Those big gold teeth are beautiful, beautiful—only they cost so much, I can't afford one just now."

"Oh, it's raining," suddenly exclaimed Trina, holding out her palm. They turned back and reached the station in a drizzle. The afternoon was closing in dark and rainy. The tide was coming back, talking and lapping for miles along the mud bank. Far off across the flats, at the edge of the town, an electric car went by, stringing out a long row of diamond sparks on the overhead wires.

"Say, Miss Trina," said McTeague, after a while, "what's the good of waiting any longer? Why can't us two get married?"

Trina still shook her head, saying "No" instinctively, in spite of herself.

"Why not?" persisted McTeague. "Don't you like me well enough?"


"Then why not?"


"Ah, come on," he said, but Trina still shook her head.

"Ah, come on," urged McTeague. He could think of nothing else to say, repeating the same phrase over and over again to all her refusals.

"Ah, come on! Ah, come on!"

Suddenly he took her in his enormous arms, crushing down her struggle with his immense strength. Then Trina gave up, all in an instant, turning her head to his. They kissed each other, grossly, full in the mouth.

A roar and a jarring of the earth suddenly grew near and passed them in a reek of steam and hot air. It was the Overland, with its flaming headlight, on its way across the continent.

The passage of the train startled them both. Trina struggled to free herself from McTeague. "Oh, please! please!" she pleaded, on the point of tears. McTeague released her, but in that moment a slight, a barely perceptible, revulsion of feeling had taken place in him. The instant that Trina gave up, the instant she allowed him to kiss her, he thought less of her. She was not so desirable, after all. But this reaction was so faint, so subtle, so intangible, that in another moment he had doubted its occurrence. Yet afterward it returned. Was there not something gone from Trina now? Was he not disappointed in her for doing that very thing for which he had longed? Was Trina the submissive, the compliant, the attainable just the same, just as delicate and adorable as Trina the inaccessible? Perhaps he dimly saw that this must be so, that it belonged to the changeless order of things—the man desiring the woman only for what she withholds; the woman worshipping the man for that which she yields up to him. With each concession gained the man's desire cools; with every surrender made the woman's adoration increases. But why should it be so?

Trina wrenched herself free and drew back from McTeague, her little chin quivering; her face, even to the lobes of her pale ears, flushed scarlet; her narrow blue eyes brimming. Suddenly she put her head between her hands and began to sob.

"Say, say, Miss Trina, listen—listen here, Miss Trina," cried McTeague, coming forward a step.

"Oh, don't!" she gasped, shrinking. "I must go home," she cried, springing to her feet. "It's late. I must. I must. Don't come with me, please. Oh, I'm so—so,"—she could not find any words. "Let me go alone," she went on. "You may—you come Sunday. Good-by."

"Good-by," said McTeague, his head in a whirl at this sudden, unaccountable change. "Can't I kiss you again?" But Trina was firm now. When it came to his pleading—a mere matter of words—she was strong enough.

"No, no, you must not!" she exclaimed, with energy. She was gone in another instant. The dentist, stunned, bewildered, gazed stupidly after her as she ran up the extension of B Street through the rain.

But suddenly a great joy took possession of him. He had won her. Trina was to be for him, after all. An enormous smile distended his thick lips; his eyes grew wide, and flashed; and he drew his breath quickly, striking his mallet-like fist upon his knee, and exclaiming under his breath:

"I got her, by God! I got her, by God!" At the same time he thought better of himself; his self-respect increased enormously. The man that could win Trina Sieppe was a man of extraordinary ability.

Trina burst in upon her mother while the latter was setting a mousetrap in the kitchen.

"Oh, mamma!"

"Eh? Trina? Ach, what has happun?"

Trina told her in a breath.

"Soh soon?" was Mrs. Sieppe's first comment. "Eh, well, what you cry for, then?"

"I don't know," wailed Trina, plucking at the end of her handkerchief.

"You loaf der younge doktor?"

"I don't know."

"Well, what for you kiss him?"

"I don't know."

"You don' know, you don' know? Where haf your sensus gone, Trina? You kiss der doktor. You cry, and you don' know. Is ut Marcus den?"

"No, it's not Cousin Mark."

"Den ut must be der doktor."

Trina made no answer.


"I—I guess so."

"You loaf him?"

"I don't know."

Mrs. Sieppe set down the mousetrap with such violence that it sprung with a sharp snap.


No, Trina did not know. "Do I love him? Do I love him?" A thousand times she put the question to herself during the next two or three days. At night she hardly slept, but lay broad awake for hours in her little, gayly painted bed, with its white netting, torturing herself with doubts and questions. At times she remembered the scene in the station with a veritable agony of shame, and at other times she was ashamed to recall it with a thrill of joy. Nothing could have been more sudden, more unexpected, than that surrender of herself. For over a year she had thought that Marcus would some day be her husband. They would be married, she supposed, some time in the future, she did not know exactly when; the matter did not take definite shape in her mind. She liked Cousin Mark very well. And then suddenly this cross-current had set in; this blond giant had appeared, this huge, stolid fellow, with his immense, crude strength. She had not loved him at first, that was certain. The day he had spoken to her in his "Parlors" she had only been terrified. If he had confined himself to merely speaking, as did Marcus, to pleading with her, to wooing her at a distance, forestalling her wishes, showing her little attentions, sending her boxes of candy, she could have easily withstood him. But he had only to take her in his arms, to crush down her struggle with his enormous strength, to subdue her, conquer her by sheer brute force, and she gave up in an instant.

But why—why had she done so? Why did she feel the desire, the necessity of being conquered by a superior strength? Why did it please her? Why had it suddenly thrilled her from head to foot with a quick, terrifying gust of passion, the like of which she had never known? Never at his best had Marcus made her feel like that, and yet she had always thought she cared for Cousin Mark more than for any one else.

When McTeague had all at once caught her in his huge arms, something had leaped to life in her—something that had hitherto lain dormant, something strong and overpowering. It frightened her now as she thought of it, this second self that had wakened within her, and that shouted and clamored for recognition. And yet, was it to be feared? Was it something to be ashamed of? Was it not, after all, natural, clean, spontaneous? Trina knew that she was a pure girl; knew that this sudden commotion within her carried with it no suggestion of vice.

Dimly, as figures seen in a waking dream, these ideas floated through Trina's mind. It was quite beyond her to realize them clearly; she could not know what they meant. Until that rainy day by the shore of the bay Trina had lived her life with as little self-consciousness as a tree. She was frank, straightforward, a healthy, natural human being, without sex as yet. She was almost like a boy. At once there had been a mysterious disturbance. The woman within her suddenly awoke.

Did she love McTeague? Difficult question. Did she choose him for better or for worse, deliberately, of her own free will, or was Trina herself allowed even a choice in the taking of that step that was to make or mar her life? The Woman is awakened, and, starting from her sleep, catches blindly at what first her newly opened eyes light upon. It is a spell, a witchery, ruled by chance alone, inexplicable—a fairy queen enamored of a clown with ass's ears.

McTeague had awakened the Woman, and, whether she would or no, she was his now irrevocably; struggle against it as she would, she belonged to him, body and soul, for life or for death. She had not sought it, she had not desired it. The spell was laid upon her. Was it a blessing? Was it a curse? It was all one; she was his, indissolubly, for evil or for good.

And he? The very act of submission that bound the woman to him forever had made her seem less desirable in his eyes. Their undoing had already begun. Yet neither of them was to blame. From the first they had not sought each other. Chance had brought them face to face, and mysterious instincts as ungovernable as the winds of heaven were at work knitting their lives together. Neither of them had asked that this thing should be—that their destinies, their very souls, should be the sport of chance. If they could have known, they would have shunned the fearful risk. But they were allowed no voice in the matter. Why should it all be?

It had been on a Wednesday that the scene in the B Street station had taken place. Throughout the rest of the week, at every hour of the day, Trina asked herself the same question: "Do I love him? Do I really love him? Is this what love is like?" As she recalled McTeague—recalled his huge, square-cut head, his salient jaw, his shock of yellow hair, his heavy, lumbering body, his slow wits—she found little to admire in him beyond his physical strength, and at such moments she shook her head decisively. "No, surely she did not love him." Sunday afternoon, however, McTeague called. Trina had prepared a little speech for him. She was to tell him that she did not know what had been the matter with her that Wednesday afternoon; that she had acted like a bad girl; that she did not love him well enough to marry him; that she had told him as much once before.

McTeague saw her alone in the little front parlor. The instant she appeared he came straight towards her. She saw what he was bent upon doing. "Wait a minute," she cried, putting out her hands. "Wait. You don't understand. I have got something to say to you." She might as well have talked to the wind. McTeague put aside her hands with a single gesture, and gripped her to him in a bearlike embrace that all but smothered her. Trina was but a reed before that giant strength. McTeague turned her face to his and kissed her again upon the mouth. Where was all Trina's resolve then? Where was her carefully prepared little speech? Where was all her hesitation and torturing doubts of the last few days? She clasped McTeague's huge red neck with both her slender arms; she raised her adorable little chin and kissed him in return, exclaiming: "Oh, I do love you! I do love you!" Never afterward were the two so happy as at that moment.

A little later in that same week, when Marcus and McTeague were taking lunch at the car conductors' coffee-joint, the former suddenly exclaimed:

"Say, Mac, now that you've got Trina, you ought to do more for her. By damn! you ought to, for a fact. Why don't you take her out somewhere—to the theatre, or somewhere? You ain't on to your job."

Naturally, McTeague had told Marcus of his success with Trina. Marcus had taken on a grand air.

"You've got her, have you? Well, I'm glad of it, old man. I am, for a fact. I know you'll be happy with her. I know how I would have been. I forgive you; yes, I forgive you, freely."

McTeague had not thought of taking Trina to the theatre.

"You think I ought to, Mark?" he inquired, hesitating. Marcus answered, with his mouth full of suet pudding:

"Why, of course. That's the proper caper."

"Well—well, that's so. The theatre—that's the word."

"Take her to the variety show at the Orpheum. There's a good show there this week; you'll have to take Mrs. Sieppe, too, of course," he added. Marcus was not sure of himself as regarded certain proprieties, nor, for that matter, were any of the people of the little world of Polk Street. The shop girls, the plumbers' apprentices, the small tradespeople, and their like, whose social position was not clearly defined, could never be sure how far they could go and yet preserve their "respectability." When they wished to be "proper," they invariably overdid the thing. It was not as if they belonged to the "tough" element, who had no appearances to keep up. Polk Street rubbed elbows with the "avenue" one block above. There were certain limits which its dwellers could not overstep; but unfortunately for them, these limits were poorly defined. They could never be sure of themselves. At an unguarded moment they might be taken for "toughs," so they generally erred in the other direction, and were absurdly formal. No people have a keener eye for the amenities than those whose social position is not assured.

"Oh, sure, you'll have to take her mother," insisted Marcus. "It wouldn't be the proper racket if you didn't."

McTeague undertook the affair. It was an ordeal. Never in his life had he been so perturbed, so horribly anxious. He called upon Trina the following Wednesday and made arrangements. Mrs. Sieppe asked if little August might be included. It would console him for the loss of his steamboat.

"Sure, sure," said McTeague. "August too—everybody," he added, vaguely.

"We always have to leave so early," complained Trina, "in order to catch the last boat. Just when it's becoming interesting."

At this McTeague, acting upon a suggestion of Marcus Schouler's, insisted they should stay at the flat over night. Marcus and the dentist would give up their rooms to them and sleep at the dog hospital. There was a bed there in the sick ward that old Grannis sometimes occupied when a bad case needed watching. All at once McTeague had an idea, a veritable inspiration.

"And we'll—we'll—we'll have—what's the matter with having something to eat afterward in my 'Parlors'?"

"Vairy goot," commented Mrs. Sieppe. "Bier, eh? And some damales."

"Oh, I love tamales!" exclaimed Trina, clasping her hands.

McTeague returned to the city, rehearsing his instructions over and over. The theatre party began to assume tremendous proportions. First of all, he was to get the seats, the third or fourth row from the front, on the left-hand side, so as to be out of the hearing of the drums in the orchestra; he must make arrangements about the rooms with Marcus, must get in the beer, but not the tamales; must buy for himself a white lawn tie—so Marcus directed; must look to it that Maria Macapa put his room in perfect order; and, finally, must meet the Sieppes at the ferry slip at half-past seven the following Monday night.

The real labor of the affair began with the buying of the tickets. At the theatre McTeague got into wrong entrances; was sent from one wicket to another; was bewildered, confused; misunderstood directions; was at one moment suddenly convinced that he had not enough money with him, and started to return home. Finally he found himself at the box-office wicket.

"Is it here you buy your seats?"

"How many?"

"Is it here—"

"What night do you want 'em? Yes, sir, here's the place."

McTeague gravely delivered himself of the formula he had been reciting for the last dozen hours.

"I want four seats for Monday night in the fourth row from the front, and on the right-hand side."

"Right hand as you face the house or as you face the stage?" McTeague was dumfounded.

"I want to be on the right-hand side," he insisted, stolidly; adding, "in order to be away from the drums."

"Well, the drums are on the right of the orchestra as you face the stage," shouted the other impatiently; "you want to the left, then, as you face the house."

"I want to be on the right-hand side," persisted the dentist.

Without a word the seller threw out four tickets with a magnificent, supercilious gesture.

"There's four seats on the right-hand side, then, and you're right up against the drums."

"But I don't want to be near the drums," protested McTeague, beginning to perspire.

"Do you know what you want at all?" said the ticket seller with calmness, thrusting his head at McTeague. The dentist knew that he had hurt this young man's feelings.

"I want—I want," he stammered. The seller slammed down a plan of the house in front of him and began to explain excitedly. It was the one thing lacking to complete McTeague's confusion.

"There are your seats," finished the seller, shoving the tickets into McTeague's hands. "They are the fourth row from the front, and away from the drums. Now are you satisfied?"

"Are they on the right-hand side? I want on the right—no, I want on the left. I want—I don' know, I don' know."

The seller roared. McTeague moved slowly away, gazing stupidly at the blue slips of pasteboard. Two girls took his place at the wicket. In another moment McTeague came back, peering over the girls' shoulders and calling to the seller:

"Are these for Monday night?"

The other disdained reply. McTeague retreated again timidly, thrusting the tickets into his immense wallet. For a moment he stood thoughtful on the steps of the entrance. Then all at once he became enraged, he did not know exactly why; somehow he felt himself slighted. Once more he came back to the wicket.

"You can't make small of me," he shouted over the girls' shoulders; "you—you can't make small of me. I'll thump you in the head, you little—you little—you little—little—little pup." The ticket seller shrugged his shoulders wearily. "A dollar and a half," he said to the two girls.

McTeague glared at him and breathed loudly. Finally he decided to let the matter drop. He moved away, but on the steps was once more seized with a sense of injury and outraged dignity.

"You can't make small of me," he called back a last time, wagging his head and shaking his fist. "I will—I will—I will—yes, I will." He went off muttering.

At last Monday night came. McTeague met the Sieppes at the ferry, dressed in a black Prince Albert coat and his best slate-blue trousers, and wearing the made-up lawn necktie that Marcus had selected for him. Trina was very pretty in the black dress that McTeague knew so well. She wore a pair of new gloves. Mrs. Sieppe had on lisle-thread mits, and carried two bananas and an orange in a net reticule. "For Owgooste," she confided to him. Owgooste was in a Fauntleroy "costume" very much too small for him. Already he had been crying.

"Woult you pelief, Doktor, dot bube has torn his stockun alreatty? Walk in der front, you; stop cryun. Where is dot berliceman?"

At the door of the theatre McTeague was suddenly seized with a panic terror. He had lost the tickets. He tore through his pockets, ransacked his wallet. They were nowhere to be found. All at once he remembered, and with a gasp of relief removed his hat and took them out from beneath the sweatband.

The party entered and took their places. It was absurdly early. The lights were all darkened, the ushers stood under the galleries in groups, the empty auditorium echoing with their noisy talk. Occasionally a waiter with his tray and clean white apron sauntered up and doun the aisle. Directly in front of them was the great iron curtain of the stage, painted with all manner of advertisements. From behind this came a noise of hammering and of occasional loud voices.

While waiting they studied their programmes. First was an overture by the orchestra, after which came "The Gleasons, in their mirth-moving musical farce, entitled 'McMonnigal's Court-ship.'" This was to be followed by "The Lamont Sisters, Winnie and Violet, serio-comiques and skirt dancers." And after this came a great array of other "artists" and "specialty performers," musical wonders, acrobats, lightning artists, ventriloquists, and last of all, "The feature of the evening, the crowning scientific achievement of the nineteenth century, the kinetoscope." McTeague was excited, dazzled. In five years he had not been twice to the theatre. Now he beheld himself inviting his "girl" and her mother to accompany him. He began to feel that he was a man of the world. He ordered a cigar.

Meanwhile the house was filling up. A few side brackets were turned on. The ushers ran up and down the aisles, stubs of tickets between their thumb and finger, and from every part of the auditorium could be heard the sharp clap-clapping of the seats as the ushers flipped them down. A buzz of talk arose. In the gallery a street gamin whistled shrilly, and called to some friends on the other side of the house.

"Are they go-wun to begin pretty soon, ma?" whined Owgooste for the fifth or sixth time; adding, "Say, ma, can't I have some candy?" A cadaverous little boy had appeared in their aisle, chanting, "Candies, French mixed candies, popcorn, peanuts and candy." The orchestra entered, each man crawling out from an opening under the stage, hardly larger than the gate of a rabbit hutch. At every instant now the crowd increased; there were but few seats that were not taken. The waiters hurried up and down the aisles, their trays laden with beer glasses. A smell of cigar-smoke filled the air, and soon a faint blue haze rose from all corners of the house.

"Ma, when are they go-wun to begin?" cried Owgooste. As he spoke the iron advertisement curtain rose, disclosing the curtain proper underneath. This latter curtain was quite an affair. Upon it was painted a wonderful picture. A flight of marble steps led down to a stream of water; two white swans, their necks arched like the capital letter S, floated about. At the head of the marble steps were two vases filled with red and yellow flowers, while at the foot was moored a gondola. This gondola was full of red velvet rugs that hung over the side and trailed in the water. In the prow of the gondola a young man in vermilion tights held a mandolin in his left hand, and gave his right to a girl in white satin. A King Charles spaniel, dragging a leading-string in the shape of a huge pink sash, followed the girl. Seven scarlet roses were scattered upon the two lowest steps, and eight floated in the water.

"Ain't that pretty, Mac?" exclaimed Trina, turning to the dentist.

"Ma, ain't they go-wun to begin now-wow?" whined Owgooste. Suddenly the lights all over the house blazed up. "Ah!" said everybody all at once.

"Ain't ut crowdut?" murmured Mr. Sieppe. Every seat was taken; many were even standing up.

"I always like it better when there is a crowd," said Trina. She was in great spirits that evening. Her round, pale face was positively pink.

The orchestra banged away at the overture, suddenly finishing with a great flourish of violins. A short pause followed. Then the orchestra played a quick-step strain, and the curtain rose on an interior furnished with two red chairs and a green sofa. A girl in a short blue dress and black stockings entered in a hurry and began to dust the two chairs. She was in a great temper, talking very fast, disclaiming against the "new lodger." It appeared that this latter never paid his rent; that he was given to late hours. Then she came down to the footlights and began to sing in a tremendous voice, hoarse and flat, almost like a man's. The chorus, of a feeble originality, ran:

"Oh, how happy I will be,

When my darling's face I'll see;

Oh, tell him for to meet me in the moonlight,

Down where the golden lilies bloom."

The orchestra played the tune of this chorus a second time, with certain variations, while the girl danced to it. She sidled to one side of the stage and kicked, then sidled to the other and kicked again. As she finished with the song, a man, evidently the lodger in question, came in. Instantly McTeague exploded in a roar of laughter. The man was intoxicated, his hat was knocked in, one end of his collar was unfastened and stuck up into his face, his watch-chain dangled from his pocket, and a yellow satin slipper was tied to a button-hole of his vest; his nose was vermilion, one eye was black and blue. After a short dialogue with the girl, a third actor appeared. He was dressed like a little boy, the girl's younger brother. He wore an immense turned-down collar, and was continually doing hand-springs and wonderful back somersaults. The "act" devolved upon these three people; the lodger making love to the girl in the short blue dress, the boy playing all manner of tricks upon him, giving him tremendous digs in the ribs or slaps upon the back that made him cough, pulling chairs from under him, running on all fours between his legs and upsetting him, knocking him over at inopportune moments. Every one of his falls was accentuated by a bang upon the bass drum. The whole humor of the "act" seemed to consist in the tripping up of the intoxicated lodger.

This horse-play delighted McTeague beyond measure. He roared and shouted every time the lodger went down, slapping his knee, wagging his head. Owgooste crowed shrilly, clapping his hands and continually asking, "What did he say, ma? What did he say?" Mrs. Sieppe laughed immoderately, her huge fat body shaking like a mountain of jelly. She exclaimed from time to time, "Ach, Gott, dot fool!" Even Trina was moved, laughing demurely, her lips closed, putting one hand with its new glove to her mouth.

The performance went on. Now it was the "musical marvels," two men extravagantly made up as negro minstrels, with immense shoes and plaid vests. They seemed to be able to wrestle a tune out of almost anything—glass bottles, cigar-box fiddles, strings of sleigh-bells, even graduated brass tubes, which they rubbed with resined fingers. McTeague was stupefied with admiration.

"That's what you call musicians," he announced gravely. "'Home, Sweet Home,' played upon a trombone. Think of that! Art could go no farther."

The acrobats left him breathless. They were dazzling young men with beautifully parted hair, continually making graceful gestures to the audience. In one of them the dentist fancied he saw a strong resemblance to the boy who had tormented the intoxicated lodger and who had turned such marvellous somersaults. Trina could not bear to watch their antics. She turned away her head with a little shudder. "It always makes me sick," she explained.

The beautiful young lady, "The Society Contralto," in evening dress, who sang the sentimental songs, and carried the sheets of music at which she never looked, pleased McTeague less. Trina, however, was captivated. She grew pensive over

"You do not love me—no;

Bid me good-by and go;"

and split her new gloves in her enthusiasm when it was finished.

"Don't you love sad music, Mac?" she murmured.

Then came the two comedians. They talked with fearful rapidity; their wit and repartee seemed inexhaustible.

"As I was going down the street yesterday—"

"Ah! as YOU were going down the street—all right."

"I saw a girl at a window——"

"YOU saw a girl at a window."

"And this girl she was a corker——"

"Ah! as YOU were going down the street yesterday YOU saw a girl at a window, and this girl she was a corker. All right, go on."

The other comedian went on. The joke was suddenly evolved. A certain phrase led to a song, which was sung with lightning rapidity, each performer making precisely the same gestures at precisely the same instant. They were irresistible. McTeague, though he caught but a third of the jokes, could have listened all night.

After the comedians had gone out, the iron advertisement curtain was let down.

"What comes now?" said McTeague, bewildered.

"It's the intermission of fifteen minutes now."

The musicians disappeared through the rabbit hutch, and the audience stirred and stretched itself. Most of the young men left their seats.

During this intermission McTeague and his party had "refreshments." Mrs. Sieppe and Trina had Queen Charlottes, McTeague drank a glass of beer, Owgooste ate the orange and one of the bananas. He begged for a glass of lemonade, which was finally given him.

"Joost to geep um quiet," observed Mrs. Sieppe.

But almost immediately after drinking his lemonade Owgooste was seized with a sudden restlessness. He twisted and wriggled in his seat, swinging his legs violently, looking about him with eyes full of a vague distress. At length, just as the musicians were returning, he stood up and whispered energetically in his mother's ear. Mrs. Sieppe was exasperated at once.

"No, no," she cried, reseating him brusquely.

The performance was resumed. A lightning artist appeared, drawing caricatures and portraits with incredible swiftness. He even went so far as to ask for subjects from the audience, and the names of prominent men were shouted to him from the gallery. He drew portraits of the President, of Grant, of Washington, of Napoleon Bonaparte, of Bismarck, of Garibaldi, of P. T. Barnum.

And so the evening passed. The hall grew very hot, and the smoke of innumerable cigars made the eyes smart. A thick blue mist hung low over the heads of the audience. The air was full of varied smells—the smell of stale cigars, of flat beer, of orange peel, of gas, of sachet powders, and of cheap perfumery.

One "artist" after another came upon the stage. McTeague's attention never wandered for a minute. Trina and her mother enjoyed themselves hugely. At every moment they made comments to one another, their eyes never leaving the stage.

"Ain't dot fool joost too funny?"

"That's a pretty song. Don't you like that kind of a song?"

"Wonderful! It's wonderful! Yes, yes, wonderful! That's the word."

Owgooste, however, lost interest. He stood up in his place, his back to the stage, chewing a piece of orange peel and watching a little girl in her father's lap across the aisle, his eyes fixed in a glassy, ox-like stare. But he was uneasy. He danced from one foot to the other, and at intervals appealed in hoarse whispers to his mother, who disdained an answer.

"Ma, say, ma-ah," he whined, abstractedly chewing his orange peel, staring at the little girl.

"Ma-ah, say, ma." At times his monotonous plaint reached his mother's consciousness. She suddenly realized what this was that was annoying her.

"Owgooste, will you sit down?" She caught him up all at once, and jammed him down into his place. "Be quiet, den; loog; listun at der yunge girls."

Three young women and a young man who played a zither occupied the stage. They were dressed in Tyrolese costume; they were yodlers, and sang in German about "mountain tops" and "bold hunters" and the like. The yodling chorus was a marvel of flute-like modulations. The girls were really pretty, and were not made up in the least. Their "turn" had a great success. Mrs. Sieppe was entranced. Instantly she remembered her girlhood and her native Swiss village.

"Ach, dot is heavunly; joost like der old country. Mein gran'mutter used to be one of der mos' famous yodlers. When I was leedle, I haf seen dem joost like dat."

"Ma-ah," began Owgooste fretfully, as soon as the yodlers had departed. He could not keep still an instant; he twisted from side to side, swinging his legs with incredible swiftness.

"Ma-ah, I want to go ho-ome."

"Pehave!" exclaimed his mother, shaking him by the arm; "loog, der leedle girl is watchun you. Dis is der last dime I take you to der blay, you see."

"I don't ca-are; I'm sleepy." At length, to their great relief, he went to sleep, his head against his mother's arm.

The kinetoscope fairly took their breaths away.

"What will they do next?" observed Trina, in amazement. "Ain't that wonderful, Mac?"

McTeague was awe-struck.

"Look at that horse move his head," he cried excitedly, quite carried away. "Look at that cable car coming—and the man going across the street. See, here comes a truck. Well, I never in all my life! What would Marcus say to this?"

"It's all a drick!" exclaimed Mrs. Sieppe, with sudden conviction. "I ain't no fool; dot's nothun but a drick."

"Well, of course, mamma," exclaimed Trina, "it's——"

But Mrs. Sieppe put her head in the air.

"I'm too old to be fooled," she persisted. "It's a drick." Nothing more could be got out of her than this.

The party stayed to the very end of the show, though the kinetoscope was the last number but one on the programme, and fully half the audience left immediately afterward. However, while the unfortunate Irish comedian went through his "act" to the backs of the departing people, Mrs. Sieppe woke Owgooste, very cross and sleepy, and began getting her "things together." As soon as he was awake Owgooste began fidgeting again.

"Save der brogramme, Trina," whispered Mrs. Sieppe. "Take ut home to popper. Where is der hat of Owgooste? Haf you got mein handkerchief, Trina?"

But at this moment a dreadful accident happened to Owgooste; his distress reached its climax; his fortitude collapsed. What a misery! It was a veritable catastrophe, deplorable, lamentable, a thing beyond words! For a moment he gazed wildly about him, helpless and petrified with astonishment and terror. Then his grief found utterance, and the closing strains of the orchestra were mingled with a prolonged wail of infinite sadness.

"Owgooste, what is ut?" cried his mother eyeing him with dawning suspicion; then suddenly, "What haf you done? You haf ruin your new Vauntleroy gostume!" Her face blazed; without more ado she smacked him soundly. Then it was that Owgooste touched the limit of his misery, his unhappiness, his horrible discomfort; his utter wretchedness was complete. He filled the air with his doleful outcries. The more he was smacked and shaken, the louder he wept.

"What—what is the matter?" inquired McTeague.

Trina's face was scarlet. "Nothing, nothing," she exclaimed hastily, looking away. "Come, we must be going. It's about over." The end of the show and the breaking up of the audience tided over the embarrassment of the moment.

The party filed out at the tail end of the audience. Already the lights were being extinguished and the ushers spreading druggeting over the upholstered seats.

McTeague and the Sieppes took an uptown car that would bring them near Polk Street. The car was crowded; McTeague and Owgooste were obliged to stand. The little boy fretted to be taken in his mother's lap, but Mrs. Sieppe emphatically refused.

On their way home they discussed the performance.

"I—I like best der yodlers."

"Ah, the soloist was the best—the lady who sang those sad songs."

"Wasn't—wasn't that magic lantern wonderful, where the figures moved? Wonderful—ah, wonderful! And wasn't that first act funny, where the fellow fell down all the time? And that musical act, and the fellow with the burnt-cork face who played 'Nearer, My God, to Thee' on the beer bottles."

They got off at Polk Street and walked up a block to the flat. The street was dark and empty; opposite the flat, in the back of the deserted market, the ducks and geese were calling persistently.

As they were buying their tamales from the half-breed Mexican at the street corner, McTeague observed:

"Marcus ain't gone to bed yet. See, there's a light in his window. There!" he exclaimed at once, "I forgot the doorkey. Well, Marcus can let us in."

Hardly had he rung the bell at the street door of the flat when the bolt was shot back. In the hall at the top of the long, narrow staircase there was the sound of a great scurrying. Maria Macapa stood there, her hand upon the rope that drew the bolt; Marcus was at her side; Old Grannis was in the background, looking over their shoulders; while little Miss Baker leant over the banisters, a strange man in a drab overcoat at her side. As McTeague's party stepped into the doorway a half-dozen voices cried:

"Yes, it's them."

"Is that you, Mac?"

"Is that you, Miss Sieppe?"

"Is your name Trina Sieppe?"

Then, shriller than all the rest, Maria Macapa screamed:

"Oh, Miss Sieppe, come up here quick. Your lottery ticket has won five thousand dollars!"