- ^ Desmond Harding (1 June 2004). Writing the City: Urban Visions and Literary Modernism. Routledge. p. 176. ISBN 978-1-135-94747-7.
- ^ Foster, Gretchen (1986). "John Dos Passos' Use of Film Technique in 'Manhattan Transfer' and 'The 42nd Parallel'". Literature/Film Quarterly. 4 (3): 186–188. ISSN 0090-4260. JSTOR 43796267.
- ^ Brevda, William (Spring 1996). "How Do I Get to Broadway? Reading Dos Passos's Manhattan Transfer Sign". Texas Studies in Literature and Language. 38 (1): 79–114. JSTOR 40755091.
- ^ Dow, William (Autumn 1996). "John Dos Passos, Blaise Cendrars, and the "Other" Modernism". Twentieth Century Literature. 42 (3): 396–415. doi:10.2307/441770. JSTOR 441770.
- ^ Ruoff, Gene W. (Winter–Spring 1964). "Social Mobility and the Artist in Manhattan Transfer and The Music of Time". Wisconsin Studies in Contemporary Literature. 5 (1): 64–76. JSTOR 1207122.
- ^ Arrington, Philip (October 1982). "The Sense of an Ending in Manhattan Transfer". American Literature. 54 (3): 438–443. doi:10.2307/2925854. JSTOR 1207122.
- ^ Dow, William (1981). "On the Place of Manhattan Transfer in the Development of John Dos Passos". Angol Filológiai Tanulmányok / Hungarian Studies in English. 14: 37–46. JSTOR 41273777.
- ^ Viera, David J. (September 1984). "Wastelands and Backlands: John Dos Passos' Manhattan Transfer and Graciliano Ramos' Angústia". Hispania. 67 (3): 377–382. doi:10.2307/342105. JSTOR 342105.
- ^ Foster, Gretchen (1986). "John Dos Passos' Use of Film Technique in Manhattan Transfer & The 42nd Parallel". Literature/Film Quarterly. 14 (3): 186–194. JSTOR 43796267.
- ^ Spindler, Michael (December 1981). "John Dos Passos and the Visual Arts". Journal of American Studies. 15 (3): 391–405. doi:10.1017/s0021875800008926. JSTOR 27554033. S2CID 144746846.
- ^ "Have You Considered Punk Music?". Bandcamp.
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