Man with a Movie Camera has been interpreted as an optimistic work.[22] Jonathan Romney called it "an exuberant manifesto that celebrates the infinite possibilities of what cinema can be".[23] Peter Bradshaw of The Guardian wrote that the work "is visibly excited about the new medium's possibility, dense with ideas, packed with energy: it echoes Un Chien Andalou, anticipates Vigo's À propos de Nice and the New Wave generally, and even Riefenstahl's Olympia".[24]
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