Love Actually

Love Actually Literary Elements

Director

Richard Curtis

Leading Actors/Actresses

Hugh Grant, Emma Thompson, Colin Firth, Bill Nighy

Supporting Actors/Actresses

Liam Neeson, Laura Linney, Alan Rickman

Genre

Romance/Comedy

Language

English

Awards

BAFTA Award for Best Actor in a Supporting Role: Bill Nighy

Date of Release

November 21, 2003

Producer

Tim Bevan, Duncan Kenworthy, Eric Fellner, Debra Hayward, Liza Chasin

Setting and Context

England/France/Portugal/USA

Narrator and Point of View

In the film we see many points of view, as it is a compilation of different stories

Tone and Mood

The tone of the film is very light-hearted and romantic, set in the holiday season where everyone is happy and jolly. It is also sentimental and somber at moments.

Protagonist and Antagonist

Major Conflict

The major conflict is that all of the characters are seeking connection in the holiday season, some with more ease than others.

Climax

At the end of the film, Sam runs to tell Joanna that he loves her at the airport.

Foreshadowing

Harry's flirting with Mia foreshadows their potential affair.

Understatement

Mark's confession of love is somewhat understated, as is the fact that Natalie gets sexually harassed by the American president.

Innovations in Filming or Lighting or Camera Techniques

Allusions

Allusions to Joni Mitchell's career and to the nativity.

Paradox

Parallelism

Parallels are drawn within nearly every plot in the film. Each character is trying to achieve something romantically, whether it is finding someone new or confessing their love to someone. All the plots are interpolated with one another.