Slessor made his living as a newspaper journalist, mostly for The Sun, and was a war correspondent during World War II (1939–1945).[1] In that capacity, he reported not only from Australia but from Greece, Syria, Libya, Egypt, and New Guinea.[7][8]
Slessor also wrote on rugby league football for the popular publication Smith's Weekly.[9]
The bulk of Slessor's poetic work was produced before the end of World War II. His poem "Five Bells"—relating to Sydney Harbour, time, the past, memory, and the death of the artist, friend and colleague of Slessor at Smith's Weekly, Joe Lynch—remains probably his best known poem, followed by "Beach Burial", a tribute to Australian troops who fought in World War II.
In 1965, Australian writer Hal Porter wrote of having met and stayed with Slessor in the 1930s. He described Slessor as:
...a city lover, fastidious and excessively courteous, in those qualities resembles Baudelaire, as he does in being incapable of sentimentalizing over vegetation, in finding in nature something cruel, something bordering on effrontery. He prefers chiselled stone to the disorganization of grass.[10]
Ronald McCuaig was the first to produce an in-depth review of Kenneth Slessor (in The Bulletin in August 1939 and republished in "Tales out of bed" (1944)).[11] The review was favourable, ranking Slessor above C.J. Brennan and W.B. Yeats. It was written a year before "Five Bells", which marked Slessor's move to modernism, a move inspired, according to Rundle and others, by McCuaig. The review therefore covers the pre-modernist parts of Slessor's poetry.[12]
According to poet Douglas Stewart, Kenneth Slessor's poem "Five Visions of Captain Cook" is equally as important as "Five Bells" and was the 'most dramatic break-through' in Australian poetry of the twentieth century.[13]
In 1944 he published his definitive volume of poetry, One Hundred Poems, and from that point on Slessor published only three short poems. Instead of writing poetry, after 1944, and for the rest of his life, Slessor chose to concentrate on journalism and supporting literary projects whose aim was to help develop Australian poetry.[14]
Slessor was a member of The Journalists' Club Sydney and served as its Vice-President 1940–1957, then as its President 1957–1965. A portrait of Slessor was painted by fellow Journalists' Club member William Pidgeon, who painted the portraits of practically every club president up to 1976.[15]
