The play inspired the tragedy Iphigénie (1674) by Jean Racine and was the basis of several operas in the eighteenth century, using librettos that drew from both Euripedes's and Racine's versions and had various plot variants. The earliest extant libretto is by Christian Heinrich Postel, Die wunderbar errettete Iphigenia, set by Reinhard Keiser in 1699. The most popular libretto was Apostolo Zeno's Ifigenia in Aulide (1718), set by Antonio Caldara (1718), Giuseppe Maria Orlandini (1732), Giovanni Porta (1738), Nicola Porpora (1735), Girolamo Abos (1752), Giuseppe Sarti (1777), Angelo Tarchi (1785), and Giuseppe Giordani (1786). Other libretti include Ifigenia by Matteo Verazi (set by Niccolò Jommelli, 1751), that of Vittorio Amadeo Cigna-Santi (set by Ferdinando Bertoni, 1762 and Carlo Franchi, 1766), that of Luigi Serio (set by Vicente Martín y Soler, 1779 and Alessio Prati, 1784), and that of Ferdinando Moretti (set by Niccolò Antonio Zingarelli, 1787 and Luigi Cherubini, 1788). However, the best-known opera today is Christoph Willibald Gluck's Iphigénie en Aulide (1774).[9]
Iphigenia in Aulis has had a significant influence on modern art. Greek director Michael Cacoyannis based his 1977 film Iphigenia (starring Irene Papas as Clytemnestra) on Euripides's script. The play also formed the basis for the 2003 novel The Songs of the Kings by Barry Unsworth, as well as the P. D. Q. Bach cantata Iphigenia in Brooklyn. Neil LaBute drew heavily on the story of Iphigenia for his short play Iphigenia in Orem, one of his Bash series.
US Latina playwright Caridad Svich's 2004 multimedia play Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart (a rave fable) is published in the international theatre journal TheatreForum, and also in the anthology Divine Fire: Eight Contemporary Plays Inspired by the Greeks published in 2005 by BackStage Books. The play re-sets Iphigenia's story in and around Ciudad Juárez and the murders of the Women of Juárez.
Charles L. Mee, an American playwright, adapted the text for the modern theatre through his project, "The Re-Making Project". Mee's "Iphigenia 2.0," which was inspired by Euripides's Iphigenia in Aulis, incorporates some texts from Alan Stuart-Smyth, Jim Graves, Jim Morris, Gaby Bashan, Richard Holmes, Richard Heckler, Dave Grossman, Wilfred Owen, and Anthony Swofford. The New York World Premiere of this version of "Iphigenia 2.0" was originally produced by Signature Theatre Company, New York City, and was described in the New York Times review as a "proudly unfaithful and rather tedious version of Euripides' "Iphigenia at Aulis." "[10]
Greek director Yorgos Lanthimos based his 2017 film The Killing of a Sacred Deer loosely on the story of Agamemnon.
Image Comics plans a graphic novel version of the play to be released in May 2022, written by Edward Einhorn and with art by Eric Shanower. [11]
