Homegoing

Reception

Before the official publication in June 2016, Time's Sarah Begley called it "one of the summer’s most-anticipated novels".[5]

Critics reviewed Gyasi's first novel with almost universally high acclaim.[9] The New York Times Book Review listed it as an Editor's Choice, writing, "This wonderful debut by a Ghanaian-American novelist follows the shifting fortunes of the progeny of two half-sisters, unknown to each other, in West Africa and America."[10] Jennifer Maloney of The Wall Street Journal noted the author received an advance of more than US$1,000,000 and praised the plot as "flecked with magic, evoking folk tales passed down from parent to child", also noting the novel has "structural and thematic similarities to Alex Haley's Pulitzer Prize-winning 1976 book, Roots".[11] Christian Lorentzen of New York Magazine said, "Each chapter is tightly plotted, and there are suspenseful, even spectacular climaxes."[12] Anita Felicelli of the San Francisco Chronicle said that Gyasi is "a young writer whose stellar instincts, sturdy craftsmanship and penetrating wisdom seem likely to continue apace — much to our good fortune as readers".[13]

Isabel Wilkerson of The New York Times described her as "a stirringly gifted young writer".[14] Wilkerson also commented on the difference between the lyrical language of the West African passages and the "coarser language and surface descriptions of life in America".[14] Wilkerson expressed some disappointment: "It is dispiriting to encounter such a worn-out cliché — that African-Americans are hostile to reading and education — in a work of such beauty."[14] Steph Cha, writing for the Los Angeles Times, notes "the characters are, by necessity, representatives for entire eras of African and black American history [which] means some of them embody a few shortcuts" in advancing the narrative and themes, but overall, "the sum of Homegoing's parts is remarkable, a panoramic portrait of the slave trade and its reverberations."[3] Laura Miller, writing for The New Yorker, said that while parts of Homegoing show "the unmistakable touch of a gifted writer, [the novel] is a specimen of what such a writer can do when she bites off more than she is ready to chew," noting the "form [of the novel] would daunt a far more practiced novelist" as the form, composed of short stories linked by ancestors and descendants, "[isn't] the ideal way to deliver the amount of exposition that historical fiction requires."[2]

Maureen Corrigan, reviewing for National Public Radio noted the plot was "pretty formulaic" and it "would have been a stronger novel if it had ended sooner," but "the feel of her novel is mostly sophisticated," and she concluded that "so many moments earlier on in this strong debut novel linger."[15] Michiko Kakutani noted in her New York Times review the novel "often feels deliberate and earthbound: The reader is aware, especially in the American chapters, that significant historical events and issues ... have been shoehorned into the narrative, and that characters have been made to trudge through experiences ... meant, in some way, to be representative," but it also "makes us experience the horrors of slavery on an intimate, personal level; by its conclusion, the characters' tales of loss and resilience have acquired an inexorable and cumulative emotional weight."[16] Other reviewers were not as critical of the novel's structure. Jean Zimmerman, also writing for National Public Radio, praised the novel as "a remarkable achievement," saying the "narrative [...] is earnest, well-crafted yet not overly self-conscious, marvelous without being precious."[17]

Leilani Clark at KQED Arts wrote: "Until every American embarks on a major soul-searching about the venal, sordid racial history of the United States, and their own position in relation to it, the bloodshed, tears, and anger will keep on. Let Homegoing be an inspiration to begin that process."[18]

In 2019, the book was listed in Paste as the third-greatest novel of the 2010s.[19]

On November 5, 2019, the BBC News listed Homegoing on its list of the 100 most influential novels.[20]


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