- Lucas, Julian. "The Yeehaw Papyrus," The New York Review of Books, May 15, 2022.[78]
- Lucas, Julian. "Ishmael Reed Gets The Last Laugh", The New Yorker, online July 18, 2021.[79]
- Gilyard, Keith. "Review of Ishmael Reed's 'Conjugating Hindi'." Tribes Magazine, July 9, 2018.[80]
- Howell, Patrick A. "Ishmael Reed in Interview", Into the Void magazine, April 14, 2018.
- Wang, Liya. Ishmael Reed and Multiculturalism. Beijing: Foreign Language Teaching and Research Press, 2018.
- Zeng, Yanyu. "Interview with Ishmael Reed." Journal of Foreign Languages and Cultures, Hunan Normal University, Volume 1/No.1/December 2017.
- Ludwig, Sami (ed.) American Multiculturalism in Context: Views from at Home and Abroad. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2017. Includes "Jazz Musicians as Pioneer Multi-Culturalists, the Co-Optation of Them, and the Reason Jazz Survives" by Ishmael Reed, pp. 189–199.
- Paladin, Nicola, and Giogio Rimondi (eds). Una bussola per l'infosfera, con Ishmael Reed tra musica e letteratura. Milano: Agenzia X, 2017. Includes Reed's address, "Da Willert Park Courts a Palazzo Leoni Montanari," pp. 27–39.
- Rimondi, Giorgio (ed.). Il grande incantatore per Ishmael Reed. Milan, Italy: Agenzia X, 2016. (Includes essays on Reed's work by Italian scholars and translations of 10 Reed poems.)
- Lin, Yuqing. A Study on Ishmael Reed's Neo-HooDoo Multiculturalism. Beijing: Intellectual Property Publishing House, 2015. 《伊什梅尔•里德的"新伏都"多元文化主义研究》，北京：知识产权出版社，2015.
- Lin, Yuqing. "The Writing Politics of Multicultural Literature--An Interview with Ishmael Reed" New Perspectives on World Literature, 2016(1) 《多元文化主义的写作政治——伊什梅尔·里德访谈录》，《外国文学动态研究》
- Lin, Yuqing. "Fight Media Hegemony with a Trickster's Critique: Ishmael Reed's Faction about O.J. and Media Lynching". The Project on the History of Black Writing, September 10, 2014: [1]
- Wang, Liya. "Postcolonial Narrative Studies", Foreign Literature Study, no. 4, 2014. 《"后殖民叙事学"》，《外国文学》，2014年第4期。
- Ludwig, Sami (ed.). On the Aesthetic Legacy of Ishmael Reed: Contemporary Assessments. Huntington Beach, California: World Parade Books, 2012.
- Wang, Liya. "Irony and Allegory in Ishmael Reed's Japanese by Spring." Foreign Literature Studies, No. 4. 2010. 论伊什梅尔·里德《春季日语班》中的反讽隐喻， 《外国文学》 2010年第4期。
- Wang, Liya. "History and Allegory in Ishmael Reed's Fiction." Foreign Literature Review, no. 4, 2010. 伊什梅尔·里德的历史叙述及其政治隐喻，外国文学评论，2010年第4期。
- Zeng, Yanyu. "Identity Crisis and the Irony of Political Correctness in Ishmael Reed's Japanese by Spring and Philip Roth's The Human Stain", Contemporary Foreign Literature, No. 2, pp. 79–87, 2012.
- Zeng, Yanyu. "Neo Hoodooism and Historiography in Ishmael Reed's Flight to Canada", Contemporary Foreign Literature, No. 4, pp. 92–99, 2010.
- Sirmans, Franklin (ed.). NeoHooDoo, Art for a Forgotten Faith. New Haven and London: The Menil Foundation, Inc., distributed by Yale University Press, 2008. (Includes Sirmans' interview with Reed, pp. 74–81.)
- Lin, YuanFu. On Ishmael Reed's Postmodernist Fictional Art of Parody. Xiamen, China: Xiamen University Press, 2008.
- Mvuyekure, Pierre-Damien, with a preface by Jerome Klinkowitz. The "Dark Heathenism" of the American Novelist Ishmael Reed: African Voodoo as American Literary Hoodoo. Lewiston, NY: The Edwin Mellen Press Ltd, 2007.
- Ross, Kent Chapin. Towards Postmodern Multiculturalism: A New Trend of African American and Jewish American Literature Viewed Through Ishmael Reed and Philip Roth, Purdue University: Philip Roth Studies, Vol. 3, No. 1, Spring 2007, pp. 70–73.[81]
- Williams, Dana A. (ed.), African American Humor, Irony and Satire: Ishmael Reed, Satirically Speaking. Newcastle, UK: Cambridge Scholars, 2007.
- Ebbeson, Jeffrey, Postmodernism and its Others: the fiction of Ishmael Reed, Kathy Acker and Don DeLillo. London and New York: Routledge, 2006.
- Nishikawa, Kinohi. "Mumbo Jumbo", in Emmanuel S. Nelson (ed.), The Greenwood Encyclopedia of Multiethnic American Literature. 5 vols. Westport, CT: Greenwood Press, 2005. pp. 1552–53.
- Reed, Ishmael. "My 1960s" in Rediscovering America, the Making of Multicultural America, 1900–2000, written and edited by Carla Blank. Three Rivers Press, 2003, pp. 259–265.
- Spaulding, A. Timothy. History, the Fantastic, and the Postmodern Slave Narrative. Chapter 1: "The Conflation of Time in Ishmael Reed's Flight To Canada and Octavia Butler's Kindred". Columbia: The Ohio State University Press, 2005, pp. 25–60.[82]
- Hume, Kathryn. American Dream, American Nightmare: Fiction Since 1960. Urbana and Chicago: University of Illinois Press, 2000.
- Dick, Bruce Allen (ed. with the assistance of Pavel Zemliansky). The Critical Response to Ishmael Reed. Westport, Connecticut: Greenwood Press, 1999. (Includes Dick's 1997 telephone interview with Reed, pp. 228–250.)
- McGee, Patrick. Ishmael Reed and the Ends of Race. New York: St. Martin's Press, 1997.
- Ludwig, Sämi, Concrete Language: Intercultural Communication in Maxine Hong Kingston's The Woman Warrior and Ishmael Reed's Mumbo Jumbo. Frankfurt am Main: Peter Lang, Cross Cultural Communication Vol. 2, 1996; reissued in 2015.
- Dick, Bruce, and Amritjit Singh (eds). Conversations With Ishmael Reed, Jackson: University Press of Mississippi, 1995.
- Joyce, Joyce A. "Falling Through the Minefield of Black Feminist Criticism: Ishmael Reed, A Case in Point," Warriors, Conjurers and Priests: Defining African-centered Literary Criticism. Chicago: Third World Press, 1994.
- Nazareth, Peter. In the Trickster Tradition: The Novels of Andrew Salkey, Francis Ebejer and Ishmael Reed. London: Bogle-L'Ouverture Press, 1994.
- Weixlmann, Joe. "African American Deconstruction of the Novel in the Work of Ishmael Reed and Clarence Major": MELUS 17 (Winter 1991): 57–79.[83]
- Spillers, Hortense J. "Changing the Letter: The Yokes, the Jokes of Discourse, or, Mrs. Stowe, Mr. Reed" in Deborah E. McDowell and Arnold Rampersad (eds), Slavery and the Literary Imagination. Baltimore and London: The Johns Hopkins University Press, 1989, pp. 25–61.
- Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of Afro-American Literary Criticism, Oxford and New York: Oxford University Press, 1988.
- Martin, Reginald. Ishmael Reed and the New Black Aesthetic Critics. New York: St. Martin's Press, 1988.
- Nazareth, Peter. "Heading Them Off at the Pass: The Fiction of Ishmael Reed", The Review of Contemporary Fiction 4, no. 2, 1984.
- O'Brien, John (ed.), The Review of Contemporary Fiction, Vol. 4, No. 2, Summer, 1984. "Juan Goytisolo and Ishmael Reed Number". (Includes articles and interviews with Reed by Reginald Martin, Franco La Polla, Jerry H. Bryant, W. C. Bamberger, Joe Weixlmann, Peter Nazareth, James R. Lindroth, Geoffrey Green and Jack Byrne.)
- Fabre, Michel. "Postmodernist Rhetoric in Ishmael Reed's Yellow Back Radio Broke Down". In Peter Bruck and Wolfgang Karrer (eds), The Afro-American Novel Since 1960, Amsterdam: B.R. Gruner Publishing Co., 1982, pp. 167–88.
- Settle, Elizabeth A., and Thomas A. Settle. Ishmael Reed, a primary and secondary bibliography. Boston: G.K. Hall & Co., 1982.
- McConnell, Frank. "Da Hoodoo is Put on America", in A. Robert Lee (ed.), Black Fiction, New Studies in the Afro-American Novel Since 1945. NY: Barnes & Noble Books, 1980.
- Weixlmann, Joe, Robert Fikes, Jr., and Ishmael Reed. "Mapping out the Gumbo Works: An Ishmael Reed Bibliography", Black American Literature Forum, Vol. 12, No. 1 (Spring 1978), pp. 24–29. JSTOR, https://doi.org/10.2307/3041493.
This content is from Wikipedia. GradeSaver is providing this content as a courtesy until we can offer a professionally written study guide by one of our staff editors. We do not consider this content professional or citable. Please use your discretion when relying on it.
