On Rotten Tomatoes, 91% of 65 reviews were positive, with an average score of 7.60/10.[5] The critical consensus states: "Ever After is a sweet, frothy twist on the ancient fable, led by a solid turn from star Barrymore".[5] On Metacritic it has a score of 66 out of 100 based on 22 reviews.[12] Audiences surveyed by CinemaScore gave the film a grade "A" on scale of A to F.[13]
Lisa Schwarzbaum from Entertainment Weekly gave the film a B−, saying: "Against many odds, Ever After comes up with a good one. This novel variation is still set in the once-upon-a-time 16th century, but it features an active, 1990s-style heroine—she argues about economic theory and civil rights with her royal suitor—rather than a passive, exploited hearth sweeper who warbles "A Dream Is a Wish Your Heart Makes"".[14] She also praised Anjelica Huston's performance as a cruel stepmother: "Huston does a lot of eye narrowing and eyebrow raising while toddling around in an extraordinary selection of extreme headgear, accompanied by her two less-than-self-actualized daughters—the snooty, social-climbing, nasty Marguerite, and the dim, lumpy, secretly nice Jacqueline. "Nothing is final until you're dead", Mama instructs her girls at the dinner table, "and even then I'm sure God negotiates"".[14]
Chicago Sun-Times film critic, Roger Ebert, praises the film with three out of four stars and writes, "The movie [...] is one of surprises, not least that the old tale still has life and passion in it. I went to the screening expecting some sort of soppy children's picture and found myself in a costume romance with some of the same energy and zest as The Mask of Zorro. And I was reminded again that Drew Barrymore can hold the screen and involve us in her characters. [...] Here, as the little cinder girl, she is able to at last put aside her bedraggled losers and flower as a fresh young beauty, and she brings poignancy and fire to the role".[15]
