House of Mirth

Nature, whether in the form of the arctic tundra of the North Pole or the busy street-life of Manhattan, was viewed by Naturalist writers as a phenomena which necessarily challenged individual survival; a phenomena, moreover, which operated on...

House of Mirth

The society in Edith Wharton's House of Mirth is immersed in an economy of risk. The men work as businessmen, trading on the fluctuating stock market; the women spend their time at the bridge table wagering their family savings. Wharton makes a...

House of Mirth

Edith Wharton's The House of Mirth creates a subtle, ironic, and superbly crafted picture of the social operation of turn-of-the-century New York. In her harsh expression of community, she succeeds in portraying a world of calculation operating...

The Hobbit

The principal concern of a literature student is to try to infer what the author's intentions are. However, we often include our own perspectives and forget the author altogether. Take a look at The Hobbit. Many people assume Tolkien wanted Bilbo...

Herzog

While Moses Herzog sits in the Chicago police station after he has crashed his rental car, the narrator of Saul Bellow's work exclaims angrily, "See Moses? We don't know one another" (299). This is the lone moment in the book where the narrator...

Herzog

Saul Bellow's Herzog is a complicated and multifaceted novel. Moses Herzog, the protagonist, has a powerful though meandering intellect which does not seem to discriminate much in its choice of object. These myriad reflections can make the novel...

Henry V

In Henry V, Shakespeare presents the king as a man who is exceptionally deft with his use of language and politics. Henry conquers France in a relatively short amount of time with a small army, and after his victory he declares, "Let there be sung...

Henry IV Part 1

In Henry IV, Shakespeare presents a troubled England with a king whose grip on the throne is tenuous at best. Those who had supported his rise to the throne when he overthrew Richard II are now turning against him. The king even doubts the loyalty...

Henry IV Part 1

In Part 1 of Henry IV, "blood" is the defining characteristic, separating the players into two distinct groups easily designated by their relationship to blood and providing the basis for the two lifestyles that Hal leads. The nobility's obsession...

Henry IV Part 1

"I want to be invisible...I paint my face and travel at night." Ralph Reed, as quoted in The Virginian Pilot and Ledger Star, 11/9/91

Attaining "invisibility," or privacy from the glaring eye of the public, remains a distinct desire of modern...

Hedda Gabler

Henrik Ibsen depicts Hedda Gabler as a woman who is trapped in her own life. Hedda has a thirst for life which she has not satisfied. She prefers a life filled with excitement, thrills and courageous situations: "There was something really...

Hedda Gabler

In the play Hedda Gabler by Isben, Hedda works as a type of artist of life. In an attempt to create a sense of beauty which she obsessively strives for, she creates her art by manipulating the lives and wills of the other characters around her....

Hedda Gabler

One of the central themes in Henrik Ibsen's tragic play, Hedda Gabler is the illusion of power among the social classes. To expose this theme, Ibsen creates a powerful and socially privileged character whom he titles Hedda. She represents the...

Heart of Darkness

In Conrad's Heart of Darkness Africa is described as the "dark continent" not merely because its inhabitants are dark of complexion, but because it is a place regarded as trapped in primordial darkness. In search of Mr. Kurtz, the character of...

Heart of Darkness

In Joseph Conrad's classic novella, Heart of Darkness, the identity of Kurtz is unknown for most of the story. For the majority of the story, Marlow's image of Kurtz is based solely on hearsay from other Europeans. He is a seemingly extraordinary...

Heart of Darkness

Based on a close reading of the conclusion to Conrad's Heart of Darkness, explain Marlow's reaction to the death of Kurtz.

Several dramatic shifts in perspective characterise Marlow's changing reaction to the death of Kurtz in Conrad's Heart of...

Heart of Darkness

Constructing a narrative to impose order on an unfamiliar idea or place is a natural human impulse. Designed to change ÃÂÂRaw realities...from free-floating objects into units of knowledgeÃÂ? (Said 67), narratives about the strange, the ÃÂÂ...