Newest Literature Essays

Chekhov’s stories often describe the little intricate moments in Russian life, focusing in on one character’s experience of a normal event and in doing so commenting on the character themselves. Agafya is one of Chekhov’s longer short stories, and...

We often attribute power, when not wielded properly, to destruction and downfall. The concept of power plays an essential role in both Heinrich Böll’s The Lost Honour of Katharina Blum and Anton Chekhov’s Selected Stories, but each author portrays...

To understand art, one must first understand the artist who created it and their motivation in doing so. In Willa Cather’s short story “Paul’s Case: A Study in Temperance” the protagonist, Paul, is a unique and complex character, which gives...

Edith Wharton challenges the notion of knowledge and understanding, even of one’s own personal experience, in her short story “Roman Fever.” The application of Jackie Royster’s scenic analysis to Wharton’s “Roman Fever” perpetuates the idea that...

The Grammar of the Idols

Salman Rushdie’s “The Prophet’s Hair” reflects on religious practice and worship as a number of people cross paths with a sacred relic that has been stolen from their mosque. A vial, containing a strand of hair from...

Sharon Olds is renowned for keeping her readers on their toes and changing the direction of her poems drastically and without warning (Galens). This remains especially true in her poem “I Go Back to May 1937”. Olds’ brash style ensures that her...

“It’s a curious thing, Duchess, about the game of marriage – a game, by the way, that is going out of fashion – the wives hold all the honours, and invariably lose the odd trick”.

The play ‘Lady Windermere’s Fan’ by Oscar Wilde presents a window...

In Everything is Illuminated by Jonathan Safran Foer the theme of illumination is explored by the triple meaning of the word itself. Foer shows how illumination may mean to clarify or explain, to produce actual light, or to embellish something....

Shakespeare weaves an intricate web ensnaring the characters in The Tragedy of Othello, The Moor of Venice. A handkerchief, a small and seemingly insignificant square of fabric, exerts magical powers over the characters as it transfers from person...

A Different Outlook on Christian Symbolism in Hemingway’s The Old Man and the Sea

The ideas revolving around Christian symbolism in Ernest Hemingway’s The Old Man and the Sea have run rampant ever since the novella was first published in 1952...

Seeking an Asylum: Power in Caligari and its Relationship to the Viewer

The Cabinet of Dr. Caligari (1919) is an allegory of the abuses of the older generation of political authorities, who irrationally led younger generations of Germans into WWI...

Alvy’s First Session: Annie Hall’s First Scene and Its Relation to Bergman

The influence of Ingmar Bergman, Woody Allen’s favorite filmmaker, can be seen in many of Allen’s later films, but his inspiration is also evident in 1977’s Annie Hall. In...

In The Legend of Good Women, the God of Love predicates his definition of a “good woman” on the actions of surrounding characters rather than the protagonist herself. Being “virtuous” requires no action in these legends. Instead, it insists on a...

Reading the novels of Defoe alongside those of Austen or Brontë feels very different, even though they wrote less than a century apart. In Austen’s novels, the formal delineation of chapters increases distance in the reading experience that a...

In 1987, Michael McKeon theorized that the novel form developed concomitant with the rise of the individual in English society. This correlation implies that the novel marked a shift from a communal experience of literature to a solitary...

Aeschylus poses two impossible tasks for his heroes Eteocles in Seven Against Thebes and Agamemnon in Agamemnon. Their decisions in these moral dilemmas rest on the split between family and politics. Aeschylus presents a vision in which politics...

In The Merchant of Venice, Shakespeare explores the concept of covenants through several motifs including marriage, inheritance, filial piety, and justice. While revenge is personal, justice intends to right societal wrongs, but The Merchant of...

Emilia from Othello and Helena from A Midsummer Night’s Dream both experience a constant battle against the institutions of men, such as marriage and courting. These institutions have the implications of turning these women against their own sex...

Appearance versus reality is a major theme of contemporary American fiction. The characters of American Pastoral, We Were the Mulvaneys, and Who’s Afraid of Virginia Woolf may appear to be living one way, or portray a strong public face, but the...

Jhumpa Lahiri eloquently points out in her novel, The Namesake, “For his [Gogol’s] father had a point; the only person who didn’t take Gogol seriously, the only person who tormented him, the only person chronically aware of and afflicted by the...

“‘Nothing?’ said Mama piercingly, ‘Nothing to come home to?’ She gave me a short glance full of meaning. I had, after all, come home, even husbandless, childless, driving a fall-apart car” (Erdrich, 13).

This moment from Louis Erdrich’s Love...

In “Maus II” by Art Spiegelman a series of three panels helps to encapsulate a continuous theme throughout the two part story. In these panels Artie and Francoise are in the car driving to assist Artie’s father who has just been left by his second...

Dylan Thomas expertly investigates notions of reality and higher power as he reflects on life and death in his poem Do Not Go Gentle Into That Good Night. Seemingly a rejection of religion and God altogether, the poem never directly states a...

There is ample dispute over L.M. Montgomery’s Anne of Green Gables: whether it is a feminist novel, whether is it supposed to be a feminist novel and what it is actually suggesting about women. Montgomery disassociated herself from the feminist...