Like much of the poetry of Keats, these three poems explore life’s contrasts of pleasure and pain, happiness and sorrow, permanence and impermanence. The mortal pleasures of Beauty and Love are longed for, but proven to be all too often tempered...

Keats’s preoccupation with the inescapable precession of time and mutability is evident in all three poems: “Ode to a Nightingale,”, the ode “To Autumn” and the sonnet, “Bright Star, Would I were as Steadfast as Thou Art.” In his “Ode to a...

While the countless paradoxes in John Keats’s Poem “Ode on a Grecian Urn” could lead one to envision a battle between Classical and Romantic art, Keats tries to reconcile the two types of art through the form and theme of his poem.

The various...

John Keats’s “Ode to a Nightingale” and Thomas Hardy’s “The Darkling Thrush,” though written nearly a century apart, share many poetic elements that allow readers to effectively draw a surface parallel between the two poems. Though both of these...

While oftentimes viewed as contributing to the development of Freudian psychoanalysis, the psychological discourse, and specifically that which deals with the unconscious (the part of the psyche which subjects are actively unaware), of Romantic...

The primary source of feeling comes from within the Self. At least, this is what Lord Byron's Manfred and "Lara: Canto the First" and Keats' "Four Seasons Fill the Measure of the Year", tell us. The implications of this are that once the internal...

Michel Foucault, in his seminal essay, What Is An Author?, considers the relationship between author, text, and reader: “…the quibbling and confrontations that a writer generates between himself and his text cancel out the signs of his particular...

Of John Keats’ “Great Odes,” “To Autumn” is a poem which rests on a precipice. In other words, autumn lies directly between the life breath of spring and summer and the impending death of winter. Much to his advantage, Keats knowingly embraces...

Keats' ode 'To Autumn' deals predominantly with the passage of time, described within the imagery of the season of Autumn. The ode is a celebration of change, involving life, growth and death. Keats makes use of many literary and textual tools,...

After his death at the tender age of twenty-five, English poet John Keats left behind a legacy of hundreds of letters in addition to his published poems. These letters to family and friends feature a few common recipients, including his brothers...

Keats’ exploration of the nature of love is enhanced through his utilisation of the imagination and the overtly supernatural settings which he creates. Both Lamia, which relates the mystical story of a beautiful serpent who strikes a deal with...

Much of the literary work that sprung out of the Romantic period centered around images of nature and the strong emotions that these evoked; the works of John Keats and of Percy Bysshe Shelley are no exception. Both written in 1819 and published...

The philosophical concept of The Sublime, though typically hard to define due to its complex nature, is most often described as an object or a surrounding which evokes a feeling of profound awe when viewed. The key difference between the concept...

The need to escape from agitation into tranquility is often sought after means to terminate suffering. The term “escape”, derived from the French “eschaper,” is defined by the Oxford English Dictionary as a noun, “the action of escaping, or the...

John Keats’ canonical Romantic poem “Lamia” emphasizes natural malevolence despite intention. Within “Lamia,” the reader is told of the titular character Lamia’s desire to have Lycius love her. Although her way to human form is not necessarily...

In an 1817 letter to his brothers, George and Thomas, John Keats describes a manner of thought that he calls “negative capability.” According to Keats, this is “when man is capable of being in uncertainties, Mysteries, doubts without any irritable...

Throughout the analysis of the two pieces, “When I have Fears,” and “Mezzo Cammin” there was a similar theme, and use of language to portray it. The former poem was written by John Keats, in 1818, just several years before his death. It expresses...

When we think about author and reader in tandem, a question or issue often comes immediately to a head: should the reader’s interpretation of a text take precedence over authorial authority? This question seems particularly pertinent with regards...

As a Romantic, Keats maintained a tragic concern with the importance of dramatic irony - or, as noted by Schlegel, the ‘secret irony’ in which the audience is aware of the protagonist’s situation and his own ignorance of it. In ‘Lamia’, this...

Keats is able to portray love in many different lights throughout the poem by linking ideas and meanings, like symbolism. His different uses of structure within the poem, come considered unusual for a ballad, also have connotations towards how...

Aesthetic critics and writers of the 18th century wrestled with a number of questions regarding beauty, nature, mimesis, art, and the sublime and how they all related to one another. One of these queries concerned mind and matter – that is,...

Both John Keats's 'On First Looking into Chapman's Homer' and Christina Rossetti's 'In An Artist's Studio' both tackle similar themes; adoration for art be it one's own in Rossetti's poem, or the art of another in Keats's, with Keats admiring the...

Much like how Paradise Lost by John Milton is easily misunderstood without knowledge of Christian theology, much of Keats’s poetry is easily misread without a passing knowledge of Greek and Roman mythology. This is especially true in “Ode to...

Keats’s Hyperion was not completed, a fact that is in some ways central to its current reception. Either lauded or dismissed by critics, as an artistic endeavour it was a failure. Central to this failure seems to be the Keat’s confusion of stasis...