Citations
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^ a b Weiss 2013, p. 1.
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^ Beesemyer 2018, p. 109.
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^ Beesemyer 2018, pp. 109, 111, 125.
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^ a b Tracy 1985, p. 7.
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^ Tracy 1985, pp. 1, 7.
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^ Taylor 2016, pp. 34–35.
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^ Taylor 2016, p. 35.
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^ Taylor 2016, p. 33.
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^ Taylor 2016, pp. 34, 49.
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^ Wohlgemut 1999, p. 648.
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^ Beesemyer 2018, p. 121.
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^ a b Beesemyer 2018, p. 122.
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^ Beesemyer 2018, pp. 121–122.
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^ a b Beesemyer 2018, p. 123.
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^ Beesemyer 2018, p. 123; Wohlgemut 1999, p. 648.
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^ Weiss 2013, p. 14.
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^ a b Wohlgemut 1999, p. 649.
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^ Weiss 2013, pp. 1–2.
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^ Weiss 2013, pp. 6, 12.
Works cited
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Beesemyer, Irene Basey (2018) [2006]. "'I thought I never set my eyes on a finer figure of a man': Maria Edgeworth scrutinizes masculinity in Castle Rackrent, Ennui, and The Absentee". In Nash, Julie (ed.). New essays on Maria Edgeworth. Routledge. ISBN 9781351126786.
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Taylor, Jane (2016). "'What is fashionably termed ennui': Maria Edgeworth represents the clinically bored". In Wetherall Dickson, Leigh; Ingram, Allan (eds.). Disease and death in eighteenth-century literature and culture: Fashioning the unfashionable. Palgrave Macmillan. ISBN 9781137597182.
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Tracy, Robert (June 1985). "Maria Edgeworth and Lady Morgan: Legality versus legitimacy". Nineteenth-Century Fiction. 40 (1): 1–22.
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Weiss, Deborah (2013). "The formation of social class and the reformation of Ireland: Maria Edgeworth's Ennui". Studies in the Novel. 45 (1): 1–19.
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Wohlgemut, Esther (1999). "Maria Edgeworth and the question of national identity". Studies in English Literature, 1500-1900. 39 (4): 645–658.
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