Alice Walker said of the book, "It has been reverberating in me to an astonishing degree. I love it passionately, could not possibly exist without it."[16]
In The Negro Novel in America, Robert A. Bone wrote: "By far the most impressive product of the Negro Renaissance, Cane ranks with Richard Wright’s Native Son and Ralph Ellison’s Invisible Man as a measure of the Negro novelist’s highest achievement. Jean Toomer belongs to that first rank of writers who use words almost as a plastic medium, shaping new meanings from an original and highly personal style."[17]
Gerald Strauss points out that despite "critical uncertainty and controversy," he finds that Cane's structure is not without precedent: "it is similar to James Joyce’s Dubliners (1914) and Sherwood Anderson’s Winesburg, Ohio (1919), two other thematically related story collections that develop unified and coherent visions of societies. It also echoes Edgar Lee Masters’s poetry collection Spoon River Anthology (1915) ... Toomer surely was familiar with the Joyce and Masters books, and he knew Anderson personally."[18]
