Critical response
The film garnered positive reviews from critics. Review aggregator Rotten Tomatoes reports that 83% out of 175 critics gave the film a positive review, with an average score of 7.26/10. The website's critical consensus states, "Jane Campion's direction is as refined as her screenplay, and she gets the most out of her cast – especially Abbie Cornish – in this understated period drama."[9] On Metacritic, the film has a weighted average score of 81 out of 100, based on 34 critics, indicating "universal acclaim".[10]
Mary Colbert of SBS awarded the film five stars out of five. "If Campion intended to inspire an appreciation and rediscovery of Keats' poetry," she writes, "she has not only succeeded but herself created an artistic monument to his life, love, poetry and soul." Craig Mathieson stated in the same review that Bright Star is Jane Campion's "best work since The Piano, her epochal 1993 masterpiece."[11] Roger Ebert gave the film three and a half stars out of four.[12]
Poet and scholar Stanley Plumly, the author of Posthumous Keats: A Personal Biography, wrote of the film's writing and direction: "Jane Campion has understood the richly figurative in Keats' life without sacrificing the literal wealth of its texture. She has evoked the mystery of his genius without giving up the reality of its dailiness."[13] In 2019, The Guardian added the film in its 100 best films of the 21st century list.[14] In 2019, the BBC polled 368 film experts from 84 countries to name the 100 greatest films directed by women; Bright Star was voted at No. 54.[15]
Box office
Bright Star grossed $3,110,560 at the box office in Australia[16] for a worldwide total of $14.4m.[3]
Awards
Award | Category | Subject | Result |
---|---|---|---|
AACTA Awards(2010 AFI Awards)[17] | AFI Members' Choice Award | Jan Chapman & Caroline Hewitt | Nominated |
Best Film | Nominated | ||
Best Direction | Jane Campion | Nominated | |
Best Original Screenplay | Nominated | ||
Best Actress | Abbie Cornish | Nominated | |
Best Supporting Actress | Kerry Fox | Nominated | |
Best Cinematography | Greig Fraser | Won | |
Best Editing | Alexandre de Franceschi | Nominated | |
Best Original Music Score | Mark Bradshaw | Nominated | |
Best Production Design | Janet Patterson | Won | |
Best Costume Design | Won | ||
Academy Awards[18] | Best Costume Design | Nominated | |
Alliance of Women Film Journalists Awards[19] | EDA Award for Most Beautiful Film | Won | |
EDA Award for Best Supporting Actor | Paul Schneider | Nominated | |
EDA Female Focus Award – Women's Image Award | Jane Campion | Nominated | |
EDA Female Focus Award for Outstanding Achievement by a Woman in the Film Industry | Nominated | ||
EDA Female Focus Award for Best Woman Director | Nominated | ||
EDA Female Focus Award for Best Woman Screenwriter | Won | ||
ACS Awards[20] | Cinematographer of the Year | Greig Fraser | Won |
ASE Awards | Best Editing in a Feature Film | Alexandre de Franceschi | Nominated |
BAFTA Awards[21] | Best Costume Design | Janet Patterson | Nominated |
British Independent Film Awards[22] | Best Director | Jane Campion | Nominated |
Best Actress | Abbie Cornish | Nominated | |
Best Supporting Actress | Kerry Fox | Nominated | |
Best Technical Achievement | Greig Fraser (For cinematography) | Won | |
Cannes Film Festival[23] | Palme d'Or | Jane Campion | Nominated |
César Awards[24] | Best Foreign Film | Nominated | |
Chicago Film Critics Association Awards[25] | Best Cinematography | Greig Fraser | Nominated |
Best Actress | Abbie Cornish | Nominated | |
Chlotrudis Awards[26] | Nominated | ||
CinEuphoria Awards | Best Actress – International Competition | Won | |
Best Costume Design – International Competition | Janet Patterson | Won | |
Top Ten of the Year – International Competition | Jane Campion | Won | |
Critics' Choice Movie Awards[27] | Best Costume Design | Janet Patterson | Nominated |
Denver Film Critics Society Awards | Best Actress | Abbie Cornish | Nominated |
Evening Standard British Film Awards | Best Film | Jane Campion | Nominated |
Gay and Lesbian Entertainment Critics Association | Dorian Award for Film of the Year | Nominated | |
Heartland Film Festival | Truly Moving Sound Award | Jane Campion | Won |
Houston Film Critics Society Awards[28] | Best Actress | Abbie Cornish | Nominated |
Inside Film Awards | Best Cinematography | Greig Fraser | Nominated |
Best Editing | Alexandre de Franceschi | Nominated | |
Best Sound | Craig Butters | Nominated | |
John Dennison | Nominated | ||
Tony Vaccher | Nominated | ||
Best Production Design | Janet Patterson | Won | |
International Cinephile Society Awards | Best Picture | Nominated | |
Best Cinematography | Greig Fraser | Nominated | |
Best Actress | Abbie Cornish | 2nd Place | |
IMOA Awards | Nominated | ||
London Film Critics' Circle Awards[29] | Best British Film of the Year | Nominated | |
Best Actress | Abbie Cornish | Nominated | |
National Society of Film Critics Awards[30] | 3rd Place | ||
Best Supporting Actor | Paul Schneider | Won[a] | |
Online Film & Television Association Awards[31] | Best Costume Design | Janet Patterson | Won |
San Diego Film Critics Society Awards[32] | Best Actress | Abbie Cornish | 2nd Place |
Best Supporting Actor | Paul Schneider | Nominated | |
Satellite Awards[33] | Best Film | Nominated | |
Best Director | Jane Campion | Nominated | |
Best Original Screenplay | Nominated | ||
Best Actress | Abbie Cornish | Nominated | |
Village Voice Film Poll[34] | Best Supporting Actor | Paul Schneider | Nominated |
Women Film Critics Circle Awards[35] | Best Actress | Abbie Cornish | Won |
Best Movie by a Woman | Jane Campion | Nominated |