Birth of a Nation (D. W. Griffith film) Literary Elements

Birth of a Nation (D. W. Griffith film) Literary Elements

Director

D.W. Griffith

Leading Actors/Actresses

Lillian Gish, Mae Marsh, and Henry B. Walthall

Supporting Actors/Actresses

Miriam Cooper and Mary Alden

Genre

Silent Epic/Drama

Language

Silent, but with English intertitles

Awards

Selected to be preserved in the National Film Registry

Date of Release

February 8th, 1915

Producer

D. W. Griffith and Harry Aitken

Setting and Context

The southern United States, during and after the American Civil War

Narrator and Point of View

Through the point of view of two families: the Stoneman's and the Cameron's

Tone and Mood

Racist, Hateful, Tense, Epic, Violent, Brooding, Mysterious, and Energetic

Protagonist and Antagonist

Ben Cameron vs. Silas Lynch (and his boss, Austin Stoneman)

Major Conflict

The conflict between Northerners and Southerners over the control of the South

Climax

When Ben Cameron is inspired to create the Klu Klux Klan (KKK)

Foreshadowing

When Ted and Duke meet in Piedmont, their interaction foreshadows their later meeting on a Civil War Battlefield

Understatement

Austin Stoneman is a member of the U.S. Government and is a Northerner yet believes in Old South values.

Innovations in Filming or Lighting or Camera Techniques

Birth of a Nation pioneered panoramic long shots, still shots, night photography, and panning shots.

Allusions

Allusions to film, history (mainly of the United States shortly before, during, and after the Civil War), science, the Bible (some of the attitudes of the Klansman/people in the United States), mythology, novels and plays (mainly The Clansman and The Leopard's Spots), geography of the United States (particularly the Southern U.S.), and government in the North and South United States,

Paradox

Some actors were white yet portrayed black people in blackface.

Parallelism

No significant instances of parallelism.

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