Becoming Metaphors and Similes

Becoming Metaphors and Similes

Aunt Robbie’s part of the house

The use of a simile to compare Aunt Robbie’s part of the house to a mausoleum enables the reader to perceive it as rather ‘creepy’ while also enhancing imagery. The writer notes: Aunt Robbie, meanwhile, kept her part of the house like a mausoleum, the furniture swathed in protective plastic that felt cold and sticky on my bare legs when I dared sit on it.

The giant hardwood tops of the pianos

The propped open appearance of the hardwood tops of the baby grand pianos is enhanced through a direct comparison to a blackbird’s wings. The writer states: And at the front, on a raised stage, were the first two baby grand pianos, […] their giant hardwood tops propped open like blackbird wings.

Boys and the Gore house

Even though boys were not allowed into the Gore House, they buzz around it hoping that a girl would come around to flirt. The imagery of the boy’s behavior is enhanced when the writer compares it to the buzzing of flies, which facilitates its deeper conception. The writer notes: Boys weren’t allowed inside the Gore house, but they buzzed around it like flies.

The destruction of the carton of Newports

The writer enhances the imagery of how they destroyed the brand new carton of Newports via a simile. In this way, imagery is enhanced. The writer notes: Craig and I […] pulled a brand-new carton of Newports from a shelf and set about destroying them, snapping them like beans over the kitchen sink.

Walking on needles

The pain that the narrator’s father was going through as a result of his injured feet is emphasized when the narrator says: His feet had ballooned and grown tender to the point that he finally admitted that walking on them felt like walking on needles. Walking on needles is a phrase that evokes a sense of familiarity in the reader and enhances their comprehension of the pain that he was going through.

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