B. Wordsworth Literary Elements

B. Wordsworth Literary Elements

Genre

Drama

Setting and Context

In war-torn Trinidad and Tobago, on the fictional Miguel Street

Narrator and Point of View

B. Wordsworth is told from the first-person perspective of the boy.

Tone and Mood

Naipaul's short story is tense, mysterious energetic, chaotic, and lively.

Protagonist and Antagonist

The boy is the story's protagonist and B. Wordsworth is the story's antagonist.

Major Conflict

The relational conflict between the boy and B. Wordsworth is the main conflict in the short story.

Climax

The climax of the short story occurs when the boy goes over to B. Wordsworth's house and the two part ways for the finally time, B. Wordsworth telling the boy to never see him again.

Foreshadowing

The boy leaving B. Wordsworth for good was foreshadowed by B. Wordsworth's deception.

Understatement

The extent of the boy's naivete is understated initially in the story.

Allusions

There are allusions to the religion of Trinidad and Tobago (mainly Catholicism and other traditional religions), the geography and culture of Trinidad and Tobago, to mythology, other popular culture, and to the history of Trinidad and Tobago and the world.

Imagery

Imagery concerning bees becomes more prevalent as the boy and B. Wordsworth's relationship grows stronger.

Paradox

B. Wordsworth is near the end of his life, yet befriends a young boy with whom he shares little in common with.

Parallelism

N/A

Metonymy and Synecdoche

Lend a hand is an example of metonymy. When someone asks another person to lend them a hand, they are asking them to help them do some work.

Personification

Miguel Street, which is the street that the boy lives on, is personified and was given human characteristics, in the short story.

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