After Virtue Literary Elements

After Virtue Literary Elements

Genre

Philosophy, nonfiction

Setting and Context

Modern Western society

Narrator and Point of View

This book is from the first-person point of view of the author, Alasdair MacIntyre, a contemporary philosopher and theologian.

Tone and Mood

Intellectual, systematic, logical

Protagonist and Antagonist

N/A

Major Conflict

Alasdair MacIntyre is attempting to explicate his theories about modernity, the current state of morality, the path that led to the modern era, and the solution to the problems posed by modernity. The main source of the moral confusion of today, he argues, traces back to the Enlightenment, where the foundations of morality were undercut and began to erode.

Climax

MacIntyre closes the work with a hopeful exhortation: the way to live in such a moral dark age as the modern era is to create and preserve communities for moral and social solidarity, aiming to achieve a moral foundation in the vein of Aristotle.

Foreshadowing

MacIntyre's use of the scenario in A Canticle for Leibowitz, where science has been destroyed and only advanced fragments remain, foreshadows his application of this state to the modern moral dilemma.

Understatement

"Yet the powerlessness of this kind of philosophy does not leave us quite resourceless." (Chapter 1: A Disquieting Suggestion)

Allusions

Throughout the book, MacIntyre makes allusions to famous thinkers, politicians, and historical events. Some such references include those to Aristotle, Nietzsche, Marx, Charles II, Kierkegaard, Plato, and many others.

Imagery

MacIntyre opens After Virtue with the scenario from the science fiction novel A Canticle for Leibowitz. In it, the foundations of science have eroded away, and all that is left for the people of the post-apocalyptic earth is fragments of advanced scientific documents that appear mystical and religious to them. He uses this scenario as a metaphorical allegory for the current state of morality in modernity, so the imagery is recurrent and prevalent.

Paradox

The Enlightenment claimed to be an era of great human progress, turning from the dark ways of the past to the bright new ways of the future. MacIntyre, however, demonstrates the paradoxical nature of the Enlightenment: it actually began to destroy the foundations of morality.

Parallelism

MacIntyre uses multiple parallels to describe the state of today's moral literacy, using both a science-fiction scenario (likely referring to Walter Miller's A Canticle for Leibowitz) and one from real life (the abolition of Polynesian taboo laws by King Kamehameha II).

Metonymy and Synecdoche

"The task of supplying an epistemological basis for these false simulacra of natural science would not differ in phenomenological terms from the task as it is presently envisaged. A Husserl or a Merleau-Ponty would be as deceived as a Strawson or a Quine." (Chapter 1: A Disquieting Suggestion)

Personification

"Finally a Know-Nothing political movement takes power and successfully abolishes science teaching in schools and universities, imprisoning and executing the remaining scientists." (Chapter 1: A Disquieting Suggestion)

Update this section!

You can help us out by revising, improving and updating this section.

Update this section

After you claim a section you’ll have 24 hours to send in a draft. An editor will review the submission and either publish your submission or provide feedback.