The Impotence of Words and the Vagueness of Truth in Winesburg, Ohio
Sherwood Anderson, in his masterpiece Winesburg, Ohio was "writing against the notion that stories have to have a plot which reveals a moral idea or conclusion" (Prof. Fisher, lecture). Like the "tales" that Doctor Parcival tells George Willard in "The Philosopher," Anderson's short stories also seem to "begin nowhere and end nowhere" (51). We as readers must, like George Willard, decide if such stories are little more than "a pack of lies" or if rather, "they contain the very essence of truth" (51). The ability (or lack thereof) of both his characters and his narrator to distinguish between "lies" and "truth" is one of Anderson's central preoccupations. The people who inhabit Winesburg, Ohio are acutely aware of the impotence of words in the face of expressing any form of truth or meaning. Words, instead, serve as obstacles in uncovering "truth." It is not only Anderson's characters, however, which comprehend the impotence of words. The narrator, as we shall see, also struggles to find words that can express "truth." It's not surprising then that "truth", in Winesburg, Ohio takes on a "vague"...
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